Bill EvansTreasures (Solo, Trio & Orchestra Recordings From Denmark (1965-1969))

Label:

Elemental Music – 5990544

Format:

3 x Vinyl , LP, Record Store Day, Limited Edition, Numbered, Mono , 180g

Country:

Worldwide

Released:

Genre:

Jazz

Style:

Modal

Tracklist

Copenhagen Jazz Festival, October 31, 1965
A1 Alan Dawson Come Rain Or Come Shine
Written-ByJohnny Mercer
4:35
A2 Alan Dawson Someday My Prince Will Come
Written-ByLarry Morey
4:31
A3 Alan Dawson Beautiful Love
Written-ByWayne King
4:18
Slotsmarksskolen, Holbæk, November 28, 1965
A4 Alex Riel Waltz For Debby
Written-ByBill Evans
5:58
B1 Alex Riel I Should Care
Written-BySammy Cahn
4:08
B2 Alex Riel Very Early
Written-ByBill Evans
4:39
B3 Alex Riel Time ed
Written-ByBill Evans
4:53
B4 Alex Riel Who Can I Turn To
Written-ByLeslie Bricusse
5:59
Solo
C1 Bill Evans Re: Person I Knew
Written-ByBill Evans
3:21
C2 Bill Evans 'Round Midnight
Written-ByThelonious Monk
4:38
C3 Bill Evans My Funny Valentine
Written-ByRichard Rodgers-Lorenz Hart*
4:00
C4 Bill Evans Time ed
Written-ByBill Evans
3:19
C5 Bill Evans Come Rain Or Come Shine
Written-ByJohnny Mercer
3:16
C6 Bill Evans Epilogue
Written-ByBill Evans
0:34
Orchestral Suite
Danish Radio Big Band Intro Into Waltz For Debby (5:13)
D1a Intro
Written-ByPalle Mikkelborg
D1b Waltz For Debby
Written-ByBill Evans
D2 Danish Radio Big Band Time ed
Written-ByBill Evans
3:53
D3 Danish Radio Big Band My Bells
Written-ByBill Evans
4:45
D4 Danish Radio Big Band Treasures
Trumpet [Solo], Soloist, Arranged By [Arranger], Conductor, Conductor [Strings Conducted By]Palle Mikkelborg
5:24
D5 Danish Radio Big Band Waltz For Debby (Reprise)
Written-ByBill Evans
4:19
D6 Danish Radio Big Band Walkin' Up
Written-ByBill Evans
4:17
Trio
E1 Alex Riel Elsa
Written-ByEarl Zindars
5:52
E2 Alex Riel Stella By Starlight
Written-ByVictor Young
4:19
E3 Alex Riel Detour Ahead
Written-ByLou Carter
5:40
E4 Alex Riel In A Sentimental Mood
Written-ByDuke Ellington
4:43
E5 Alex Riel Time ed
Written-ByBill Evans
3:31
E6 Alex Riel Nardis
Written-ByMiles Davis
3:35
F1 Marty Morell Autumn Leaves
Written-ByJoseph Kosma
6:44
F2 Marty Morell Emily
Written-ByJ. Mercer*
5:44
F3 Marty Morell Quiet Now
Written-By [Incorrectly Attributed]Bill Evans
Written-By [Uncredited]Denny Zeitlin
3:42
F4 Marty Morell Nardis
Written-ByMiles Davis
8:06

Companies, etc.

  • Record CompanyUMG Recordings, Inc.
  • Licensed FromUniversal Music Enterprises
  • Phonographic Copyright ℗Elemental Music
  • Copyright ©Elemental Music
  • Copyright ©Jan Persson (4)
  • Copyright ©CTSIMAGES
  • Copyright ©Robert Polillo
  • Recorded AtCopenhagen Jazz Festival
  • Recorded AtTivoli Koncertsalen, Copenhagen
  • Recorded AtSlotmarksskolen
  • Recorded AtRadiohuset, Copenhagen
  • Recorded AtDanmarks Radio
  • Recorded AtStakladen
  • Mixed AtEquus
  • Mastered AtBernie Grundman Mastering
  • Lacquer Cut AtBernie Grundman Mastering
  • Pressed ByMemphis Record Pressing

Credits

  • Arranged By [Arranger], Conductor, TrumpetPalle Mikkelborg (tracks: D1a to D6)
  • Art DirectionBurton Yount
  • BandDanish Radio Big Band (tracks: D1a to D6)
  • BassNiels-Henning Ørsted Pedersen (tracks: A1 to A3, D1a to D6)
  • DesignJohn Sellards
  • DrumsMarty Morell (tracks: D1a to D5, F1 to F4)
  • Drums, IntervieweeMarty Morell
  • Editor [Album Package Editor]John Koenig
  • Executive-Producer [Executive Producers]Jordi Soley
  • IntervieweeRan Blake
  • Interviewer, Liner Notes [Booklet, February 2022]Zev Feldman
  • Lacquer Cut ByBG*
  • Liner Notes [Booklet, January 2022]Palle Mikkelborg
  • Liner Notes [Booklet]Marc Myers
  • Liner Notes, Interviewer, Research [Photo Research], Producer [Produced For Release By]Zev Feldman
  • Mixed By [Mixing], Restoration [Sound Restoration]Marc Doutrepont
  • OrchestraThe Royal Danish Symphony Orchestra* (tracks: E3 to F2)
  • Photography ByRobert Pollilo*
  • Photography By [Back And Front Cover Photos By], Cover [Back And Front Cover Photos By]Jan Persson (4)
  • PianoBill Evans
  • Producer [Associate Producer], Research [Photo Research]Zak Shelby-Szyszko
  • Project Manager [Project Assistance]Martín Arias Goldestein
  • ReedsSahib Shihab (tracks: D1a to D6)
  • Research [Photo Research]Didier Boulard
  • Research, Engineer [Sound Restoration], Mastered By [Premastering]Ole Matthiessen
  • Research, Restoration [Sound Restoration]Ole Matthiessen
  • Restoration [Sound Restoration]Equus (2)
  • Transferred By [Transferred From The Original Tape Reels By], Mastered By [LP Mastering By]Bernie Grundman
  • TromboneTorolf Mølgaard (tracks: D1a to D6)
  • TrumpetIdrees Sulieman (tracks: D1a to D6)

Notes

Tracks A1 to A3 recorded at the Copenhagen Jazz Festival, Tivolis Koncertsal, Copenhagen, October 31, 1965.
Tracks A4 to B4 recorded at Slotsmarksskolen, Holbæk, November 28, 1965.
Tracks C1 to C6 recorded by Danmarks Radio, The Radiohouse, Copenhagen, late November 1965.
Tracks D1a to D6 recorded by Danmarks Radio, Copenhagen, late October 1966.
Tracks E1 to F4 recorded at Stakladen, Aarhus, Denmark, November 21, 1969.

℗ © 2022 Elemental Music.
Bill Evans appears courtesy of The Verve Music Group under license from Universal Music Enterprises,
a division of UMG Recordings, Inc.
Photo © Jan Persson / CTSIMAGES
Photo © Robert Polillo / CTSIMAGES

Previously unissued.
Made in E.U.

Some copies come sealed — shrink wrap, while others unsealed (mainly those with booklet).

Trifold.

Some copies come only with a digital booklet. Other copies come with a 25cm x25cm printed booklet.

Runouts are etched.

Barcode and Other Identifiers

  • Barcode (Text): 8 435395 503256
  • Barcode (Scanned, EAN-13): 8435395503256
  • Matrix / Runout (A-side runout, variant 1): 5990544-A BG #3
  • Matrix / Runout (B-side runout, variant 1): 5990544-B BG #2
  • Matrix / Runout (C-side runout, variant 1): 5990544-C BG #9
  • Matrix / Runout (D-side runout, variant 1): 5990544-D BG #2
  • Matrix / Runout (E-side runout, variant 1): 5990544-E BG #2
  • Matrix / Runout (F-side runout, variant 1): 5990544-F BG #2
  • Matrix / Runout (A-side runout, variant 2): 5990544-A BG #7
  • Matrix / Runout (B-side runout, variant 2): 5990544-B BG #7
  • Matrix / Runout (C-side runout, variant 2): 5990544-C BG #6
  • Matrix / Runout (D-side runout, variant 2): 5990544-D BG #6
  • Matrix / Runout (E-side runout, variant 2): 5990544-E BG #4
  • Matrix / Runout (F-side runout, variant 2): 5990544-F BG #2
  • Matrix / Runout (A-side runout, variant 3): 5990544-A BG #3
  • Matrix / Runout (B-side runout, variant 3): 5990544-B BG #2
  • Matrix / Runout (C-side runout, variant 3): 5990544-C BG #6
  • Matrix / Runout (D-side runout, variant 3): 5990544-D BG #2
  • Matrix / Runout (E-side runout, variant 3): 5990544-E BG #7
  • Matrix / Runout (F-side runout, variant 3): 5990544-F BG #7

Other Versions (3)

View All
Title (Format) Label Cat# Country Year
Treasures: Solo, Trio & Orchestra Recordings From Denmark (1965-1969) (2×CD, Album) Elemental Music 5990444 Worldwide 2023
New Submission
Treasures (Solo, Trio & Orchestra Recordings From Denmark (1965-1969)) (3×LP, Record Store Day, Limited Edition, 180g) Elemental Music KKJ10013, 5990544 Japan 2023
New Submission
Treasures: Solo, Trio & Orchestra Recordings From Denmark (1965-1969) (2×CD, Album) Elemental Music KKJ 209, 5990444 Japan 2023

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Reviews

  • saltbee4's avatar
    saltbee4
    I have a mispress! Side D of my copy is Side D of Phish's Rift: https://discogs.versitio.com/release/27771774-Phish-Rift
    And of course it took me ages to listen to it and hear the mispress, so no returning...
    • Flabbergasted_Vibes's avatar
      I'm baffled by anyone who thinks this release sounds good. The artifact-laden, heavy application of 'No Noise'-style filters make this almost a chore for me to listen to in places, in spite of how good the performances may be. You don't need a million-dollar system to hear what I mean either. Obviously since I haven't heard the source material in its pure form, it might be unfair to say this but: just leave the tape hiss intact, already. I thought this style of "restoration" went out of fashion at least a decade ago. This is the quickest I've resold an RSD release, and it wasn't a hard decision to make even though I lost money on it. (P.S. I was also able to get a booklet sent to me by the label, direct from Italy. Which is nice of them, I suppose.)
      • SublimMedia's avatar
        SublimMedia
        This is a fantastic release. 3LPs with great performances by Evans and amazing recording quality. Its a very nice sounding record for sure. Recommended!
        • 1ShotBill's avatar
          1ShotBill
          They sent me the booklet after I requested it via email.
          • analoguesoundsrock's avatar
            Glad I bought this in Paris while on a biz trip since it seems the physical booklet was excluded entirely from the US market. Feels like a complete package with the physical booklet.
            • flutistextraordinary's avatar
              Listening now. Is this release mono? I see no mention of original analogue tapes. Is it digitally sourced? Thx. Lovely release anyhow. Genius.
              • randar82's avatar
                randar82
                Mixed feelings about this one - starting with the missing booklet (I did email and got one sent to me) and the lack of an outer sleeve (like previous Bill Evans RSD releases). Compared to the last few BE RSD releases, this one on first listen just sounds like it's lacking. There are some highlights here and there but overall this 3LP set feels a little lackluster and lifeless. I'm going to give it another chance - just compared to some of the other jazz RSD releases, this one was one of the most expensive and the least rewarding.
                • DenverAirport's avatar
                  DenverAirport
                  Agree with others that the orchestral suite is amazing. I'm a fan of this pressing. The booklet being digital is probably the only major gripe I have. The recording feels flat, but not in a digital way. I think with the acoustics of my space it really shines. I think pressings like this get grief for being such big releases, but I'd highly suggest this one. I think as time goes by this will become a more cherished album for me personally. I know disc 2/3 will be getting the most spins.

                  Worth the price, will hold up overtime, huge release for anyone into the more so cinematic element of Evan's music.
                  #3006
                  • AdrianRC24's avatar
                    AdrianRC24
                    The gem is the symphonic side. Trio LPs are OK, but the recording isn't the best. The drums sound behind, with no clearness on the cymbals. The piano feels boring, and the bass is not very expressive...nothing like ASS pressings. For the price, this release is not a must. But if you're an Evans fan, you should get it.

                    pd. no booklet, mine is 2044/7550
                    • vsdotnet's avatar
                      vsdotnet
                      Edited 2 years ago
                      Great music but the pressing quality is not enough satisfying.
                      Uncomfortable ticks and background noises comes up though when It was my fist playing.

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                      • Avg Rating:4.6 / 5
                      • Ratings:136
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