U2 – Zooropa
Label: |
Island Records – 74321 15371 2 |
---|---|
Format: |
CD
, Album
|
Country: |
Europe |
Released: |
|
Genre: |
Pop |
Style: |
Experimental |
Tracklist
1 | Zooropa | 6:30 | |
2 | Babyface | 4:00 | |
3 | Numb | 4:18 | |
4 | Lemon | 6:56 | |
5 | Stay (Faraway, So Close!) | 4:58 | |
6 | Daddy's Gonna Pay For Your Crashed Car | 5:19 | |
7 | Some Days Are Better Than Others | 4:15 | |
8 | The First Time | 3:45 | |
9 | Dirty Day | 5:24 | |
10a | The Wanderer | 4:44 | |
10b | (silence) | 0:30 | |
10c | Untitled | 0:28 |
Companies, etc.
- Recorded At – The Factory
- Recorded At – Windmill Lane Studios
- Recorded At – Westland Studios
- Recorded At – Audio Engineering
- Mastered At – A&M Mastering Studios
- Edited At – A&M Mastering Studios
- Published By – Blue Mountain Music
- Published By – Mother Music
- Published By – Taiyo Music Inc.
- Published By – PolyGram International Music Publishing B.V.
- Phonographic Copyright ℗ – PolyGram International Music B.V.
- Copyright © – PolyGram International Music B.V.
- Licensed To – Island Records Ltd.
- Distributed By – BMG
- Record Company – Bertelsmann Music Group
- Glass Mastered At – Sonopress – H-0898
Credits
- Art Direction – Steve Averill
- Bass Guitar – Adam Clayton
- Coordinator [Post Production Co-Ordinator] – Partial Productions Inc.*
- Crew [Studio Crew], Programmed By [Programming], Technician [Keyboard & Guitar Technician] – Des Broadbery
- Crew [Studio Crew], Technician [Bass Guitar Technician] – Stuart Morgan
- Crew [Studio Crew], Technician [Drum Technician] – Sam O'Sullivan
- Crew [Studio Crew], Technician [Guitar Technician (Bono)] – Fraser McAlister
- Crew [Studio Crew], Technician [Guitar Technician (Edge)] – Dallas Schoo
- Crew [Studio Crew], Technician [Monitoring] – Joe O'Herlihy
- Crew [Studio Crew], Technician [Studio Technician] – Colm "Rab" McAllister*
- Design [Album Cover Design - Dublin] – Works Associates
- Design, CGI Artist [Computer Treatments] – Brian Williams (11)
- Drums, Percussion, Backing Vocals – Larry Mullen Jnr*
- Edited By [Digital Editing] – Stewart Whitmore
- Engineer – Robbie Adams
- Guitar, Piano, Synthesizer, Vocals – The Edge
- Illustration [Baby Illustration By] – Shaughn McGrath
- Illustration [Original Baby Illustration By] – Charlie Whisker
- Management – Paul McGuinness (2)
- Management [Principle Management Dublin (Director)] – Anne-Louise Kelly
- Management [Principle Management Dublin] – Sandra Long
- Management [Principle Management New York (Director)] – Keryn Kaplan
- Management [Principle Management New York] – Sheila Roche
- Mastered By – Arnie Acosta
- Mixed By – Robbie Adams
- Music By – U2
- Photography By [Original Photo Of Johnny Cash By] – Alan Messer
- Producer – The Edge
- Product Manager [Album Production Manager] – Anne-Louise Kelly
- Product Manager [Studio Production Manager] – Suzanne Doyle
- Recorded By [Audio Engineering] – Terry Cromer
- Vocals, Guitar – Bono
- Written-By – U2
Notes
Standard jewel case with clear tray including 24-page booklet containing credits, lyrics and photos.
[Back]
℗ 1993 Polygram International Music B.V.
© 1993 Polygram International Music B.V.
The copyright in this sound recording and artwork is owned by Polygram International Music B.V. and is exclusively licensed to Island Records Ltd. in the U.K.
Distributed by BMG
A Bertelsmann Music Group company
Printed in
[Booklet]
Recorded in The Factory, Windmill Lane Studios and Westland Studios, Dublin.
Additional Recording Facilities:
Audio Engineering, Dublin.
Track 1. Second half of backing track recorded at Sound Check.
Zooropa opening courtesy of the advertising world.
Track 5. "Stay (Faraway, So Close!)" title courtesy of Road Music Wim Wenders Musikverlag, EMI Electrola GmBH.
Track 6. 'Fanfare' taken from the album 'Lenin's Favourite Songs' (Melodia). Sample from the song "The City Sleeps" by MC 900 Ft Jesus appears courtesy of Nettwerk Productions.
Recorded in Dublin, March - May 1993.
Mastering at A & M Mastering Studios, L.A.
Digital Editing at A & M Mastering Studios, L.A.
Brian Eno appears courtesy of Opal Ltd.
Johnny Cash appears courtesy of Def American Recordings.
Original images taken from Zooropa '93 video footage.
Directed by Maurice Linnane.
Produced by Ned O'Hanlon.
All titles published by Blue Mountain Music (UK), Mother Music (IRL), Taiyo Music Inc. (Japan) and PolyGram International Music Publishing B.V. (ROW).
[CD]
Made In
℗ 1993 Polygram International Music B.V.
Hint:
Track 10c is a hidden track at the end. Track 10a printed duration: 4:44. Total duration for track 10 is 5:42.
[Back]
℗ 1993 Polygram International Music B.V.
© 1993 Polygram International Music B.V.
The copyright in this sound recording and artwork is owned by Polygram International Music B.V. and is exclusively licensed to Island Records Ltd. in the U.K.
Distributed by BMG
A Bertelsmann Music Group company
Printed in
[Booklet]
Recorded in The Factory, Windmill Lane Studios and Westland Studios, Dublin.
Additional Recording Facilities:
Audio Engineering, Dublin.
Track 1. Second half of backing track recorded at Sound Check.
Zooropa opening courtesy of the advertising world.
Track 5. "Stay (Faraway, So Close!)" title courtesy of Road Music Wim Wenders Musikverlag, EMI Electrola GmBH.
Track 6. 'Fanfare' taken from the album 'Lenin's Favourite Songs' (Melodia). Sample from the song "The City Sleeps" by MC 900 Ft Jesus appears courtesy of Nettwerk Productions.
Recorded in Dublin, March - May 1993.
Mastering at A & M Mastering Studios, L.A.
Digital Editing at A & M Mastering Studios, L.A.
Brian Eno appears courtesy of Opal Ltd.
Johnny Cash appears courtesy of Def American Recordings.
Original images taken from Zooropa '93 video footage.
Directed by Maurice Linnane.
Produced by Ned O'Hanlon.
All titles published by Blue Mountain Music (UK), Mother Music (IRL), Taiyo Music Inc. (Japan) and PolyGram International Music Publishing B.V. (ROW).
[CD]
Made In
℗ 1993 Polygram International Music B.V.
Hint:
Track 10c is a hidden track at the end. Track 10a printed duration: 4:44. Total duration for track 10 is 5:42.
Barcode and Other Identifiers
- Barcode (Scanned, UPC-A): 743211537124
- Barcode (Text): 7 43211 53712 4
- Label Code: LC 0407
- Rights Society: BIEM/GEMA
- Matrix / Runout (Variant 1): SONOPRESS H-0898 / 4321153712 A
- Matrix / Runout (Variant 2): SONOPRESS H-0898 / 4321153712 D
- Matrix / Runout (Variant 3): SONOPRESS H-0898 / 4321153712 A 2
- Matrix / Runout (Variant 4): SONOPRESS H-0898 / 4321153712 D 3
- Matrix / Runout (Variant 5): SONOPRESS H-0898 / 4321153712 B 2
- Matrix / Runout (Variant 6): SONOPRESS H-0898 / 4321153712 C
Other Versions (5 of 226)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Zooropa (CD, Album) | Island Records | CIDU29, 518047-2, CIDU 29 | UK | 1993 | ||
Zooropa (LP, Album) | Island Records | U29, 518047-1, 518047-2, 518 047-1 | Europe | 1993 | |||
Zooropa (CD, Album, Stereo) | Island Records | PHCR-1750 | Japan | 1993 | |||
Recently Edited
|
Zooropa (Cassette, Album) | Island Records | UC 29, 518 047-4, 518047-4 | UK & Europe | 1993 | ||
Recently Edited
|
Zooropa (CD, Album) | Phonogram | 518047-2 | Australasia | 1993 |
Recommendations
Reviews
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Edited 3 years agoFrom "Boy" up until "Under a Blood Red Sky", U2 were firmly in their transitional period, frequently showing signs of greatness, establishing their signature sound and notching up some rock radio staples whilst ably adjusting to a rapidly widening audience and changing musical and political landscape. If not for a few missteps and slow spots, "The Unforgettable Fire" could have been the moment where it all came together for the Irish quartet. On their fifth studio effort, instead of scaling back on the pursuit of global recognition and humbly accepting their lot as a mid-tier arena rock band, U2 continued in the same assertive, uncompromising vein as "War", albeit with heightened American influences and clearer focus. "The Joshua Tree" became U2's first consistently accomplished record, tempering their customary post-punk rage and sonic bombast with pop songcraft and greater anthemic sweep. After an awkward and largely sterile live/studio blues detour, a considerable recalibration was in order to restore Bono and co's superstardom. Having exhausted the American influence that shaped their recent trio of albums, U2 explored wider cultures for stimulus before settling on Europe, particularly its thriving club scene, to form the basis of their next platter. Arriving several years after their blockbuster, "Achtung Baby" traded in some of Bono and The Edge's tedious post-Joshua stadium posturing for the distancing distortion and brashness of electronic rock, jettisoning politics for self-examination and swapping desperation and heaviness for vibrant, overloaded arrangements replete with thick dance beats. So successful was this freewheeling neo-psychedelic approach that the band naturally and wisely eked it out further, applying the dark and plaintive disposition of "The Joshua Tree" to their fresh swaggering techno framework and stretching the creative fertility of their newfound experimental outlook to its very limits.
Originally intended as an EP, "Zooropa" panned out as a full-length and was all the better for it, giving U2 even greater potential to innovate and flex their artistic muscle. Arguably their most diverse and quirky outing to date, the album nevertheless mined much the same territory as its predecessor, proceeding with forgivably excessive self-indulgence, this time in a less atmospheric, more flagrantly IDM-influenced setting. Indeed, this ambitious, flashy approach results in a rather disted end product, a batch of thematically and musically disparate left-field electronica-inflected moody ballads and yearning groovers that never quite cohere into a uniformly effective whole. For all its lack of focus and balance though, U2's second explorative vehicle contains a wealth of challenging and exhilarating material, namely two incredibly sensual club anthems - "Lemon" and "Numb" - that conjure up some wonderfully evocative images.
RATING: 4.5/5
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Official Reissue is coming, 180g, along with Achtung and Best of 80-90’s. Zooropa will have extra 2 track/remixes for the 25 yrs anv. Check out the bands site for further info!
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I can´t stand U2 at all, but Zooropa somehow holds a place in my heart. Probably because of the time and circumstanses the album came around to me. Technically speaking, it is quite a diverse album that brings in sublime electronic sounds. I think it also brings forth the whole band both together or as individuals. Larry with some very experimental drum sound. Edge gives the microphone a go on "Numb" Clayton.. well less than the others. It ends on a majestic high note (or dark note if you prefer) with Johnny Cash providing the voice on Wanderer. Overall it´s a very chill listening with tempo on cruising speed on most tracks.
But the album just works. I just like this release and dislike everything else U2 has done the last 20 years, before and after Zooropa.
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