U2Zooropa

Label:

Island Records – 74321 15371 2

Format:

CD , Album

Country:

Europe

Released:

Genre:

Pop

Style:

Experimental

Tracklist

1 Zooropa
EngineerRobbie Adams
Engineer [Assisted By]Willie Mannion
Mixed ByFlood
Mixed By [Assisted By]Willie Mannion
Recorded By [Second Half Of Backing Track Recorded At Sound Check By]Joe O'Herlihy
SynthesizerBrian Eno
Words ByBono
6:30
2 Babyface
EngineerRobbie Adams
Engineer [Assisted By]Willie Mannion
Loops [Chimes Loop]Des Broadbery
Mixed ByFlood
Mixed By [Assisted By]Rob Kirwan
Words ByBono
4:00
3 Numb
Backing VocalsLarry*
EngineerRobbie Adams
Engineer [Assisted By]Willie Mannion
Mixed ByRobbie Adams
Mixed By [Assisted By]Mary McShane
Recorded By [Originally Recorded With]Daniel Lanois
Sounds [Arcade Sounds]Brian Eno
Synthesizer [Additional]Brian Eno
Words ByThe Edge
4:18
4 Lemon
Arranged By [Strings], Performer [Strings]Brian Eno
Backing VocalsThe Edge
EngineerRobbie Adams
Engineer [Assisted By]Willie Mannion
Mixed ByFlood
Mixed By [Assisted By]Willie Mannion
SynthesizerBrian Eno
Words ByBono
6:56
5 Stay (Faraway, So Close!)
EngineerRobbie Adams
Engineer [Assisted By]Willie Mannion
Mixed ByFlood
Mixed By [Assisted By]Rob Kirwan
Words ByBono
4:58
6 Daddy's Gonna Pay For Your Crashed Car
EngineerRobbie Adams
Engineer [Assisted By]Willie Mannion
LoopsFlood
Mixed ByFlood
Mixed By [Assisted By]Rob Kirwan
Words ByBono
5:19
7 Some Days Are Better Than Others
EngineerRobbie Adams
Engineer [Assisted By]Willie Mannion
LoopsDes Broadbery
Mixed ByRobbie Adams
Mixed By [Assisted By]Rob Kirwan
SynthesizerBrian Eno
Words ByBono
4:15
8 The First Time
EngineerRobbie Adams
Mixed ByFlood
Mixed By [Assisted By]Willie Mannion
Piano, HarmoniumBrian Eno
Words ByBono
3:45
9 Dirty Day
EngineerRobbie Adams
Engineer [Assisted By]Willie Mannion
Mixed ByRobbie Adams
Mixed By [Assisted By]Willie Mannion
Synthesizer [On 'Father To Son' Section]Brian Eno
Words ByThe Edge
5:24
10a The Wanderer
Backing VocalsThe Edge
EngineerRobbie Adams
Engineer [Assisted By]Willie Mannion
Featuring [Starring]Johnny Cash
Loops [Background]Flood
Mixed ByRobbie Adams
Mixed By [Assisted By]Willie Mannion
Synthesizer [Additional]Brian Eno
Words ByBono
4:44
10b (silence) 0:30
10c Untitled 0:28

Companies, etc.

  • Recorded AtThe Factory
  • Recorded AtWindmill Lane Studios
  • Recorded AtWestland Studios
  • Recorded AtAudio Engineering
  • Mastered AtA&M Mastering Studios
  • Edited AtA&M Mastering Studios
  • Published ByBlue Mountain Music
  • Published ByMother Music
  • Published ByTaiyo Music Inc.
  • Published ByPolyGram International Music Publishing B.V.
  • Phonographic Copyright ℗PolyGram International Music B.V.
  • Copyright ©PolyGram International Music B.V.
  • Licensed ToIsland Records Ltd.
  • Distributed ByBMG
  • Record CompanyBertelsmann Music Group
  • Glass Mastered AtSonopress – H-0898

Credits

  • Art DirectionSteve Averill
  • Bass GuitarAdam Clayton
  • Coordinator [Post Production Co-Ordinator]Partial Productions Inc.*
  • Crew [Studio Crew], Programmed By [Programming], Technician [Keyboard & Guitar Technician]Des Broadbery
  • Crew [Studio Crew], Technician [Bass Guitar Technician]Stuart Morgan
  • Crew [Studio Crew], Technician [Drum Technician]Sam O'Sullivan
  • Crew [Studio Crew], Technician [Guitar Technician (Bono)]Fraser McAlister
  • Crew [Studio Crew], Technician [Guitar Technician (Edge)]Dallas Schoo
  • Crew [Studio Crew], Technician [Monitoring]Joe O'Herlihy
  • Crew [Studio Crew], Technician [Studio Technician]Colm "Rab" McAllister*
  • Design [Album Cover Design - Dublin]Works Associates
  • Design, CGI Artist [Computer Treatments]Brian Williams (11)
  • Drums, Percussion, Backing VocalsLarry Mullen Jnr*
  • Edited By [Digital Editing]Stewart Whitmore
  • EngineerRobbie Adams
  • Guitar, Piano, Synthesizer, VocalsThe Edge
  • Illustration [Baby Illustration By]Shaughn McGrath
  • Illustration [Original Baby Illustration By]Charlie Whisker
  • ManagementPaul McGuinness (2)
  • Management [Principle Management Dublin (Director)]Anne-Louise Kelly
  • Management [Principle Management Dublin]Sandra Long
  • Management [Principle Management New York (Director)]Keryn Kaplan
  • Management [Principle Management New York]Sheila Roche
  • Mastered ByArnie Acosta
  • Mixed ByRobbie Adams
  • Music ByU2
  • Photography By [Original Photo Of Johnny Cash By]Alan Messer
  • ProducerThe Edge
  • Product Manager [Album Production Manager]Anne-Louise Kelly
  • Product Manager [Studio Production Manager]Suzanne Doyle
  • Recorded By [Audio Engineering]Terry Cromer
  • Vocals, GuitarBono
  • Written-ByU2

Notes

Standard jewel case with clear tray including 24-page booklet containing credits, lyrics and photos.

[Back]
℗ 1993 Polygram International Music B.V.
© 1993 Polygram International Music B.V.
The copyright in this sound recording and artwork is owned by Polygram International Music B.V. and is exclusively licensed to Island Records Ltd. in the U.K.
Distributed by BMG
A Bertelsmann Music Group company
Printed in

[Booklet]
Recorded in The Factory, Windmill Lane Studios and Westland Studios, Dublin.
Additional Recording Facilities:
Audio Engineering, Dublin.

Track 1. Second half of backing track recorded at Sound Check.
Zooropa opening courtesy of the advertising world.
Track 5. "Stay (Faraway, So Close!)" title courtesy of Road Music Wim Wenders Musikverlag, EMI Electrola GmBH.
Track 6. 'Fanfare' taken from the album 'Lenin's Favourite Songs' (Melodia). Sample from the song "The City Sleeps" by MC 900 Ft Jesus appears courtesy of Nettwerk Productions.

Recorded in Dublin, March - May 1993.

Mastering at A & M Mastering Studios, L.A.
Digital Editing at A & M Mastering Studios, L.A.

Brian Eno appears courtesy of Opal Ltd.
Johnny Cash appears courtesy of Def American Recordings.

Original images taken from Zooropa '93 video footage.
Directed by Maurice Linnane.
Produced by Ned O'Hanlon.

All titles published by Blue Mountain Music (UK), Mother Music (IRL), Taiyo Music Inc. (Japan) and PolyGram International Music Publishing B.V. (ROW).

[CD]
Made In
℗ 1993 Polygram International Music B.V.

Hint:
Track 10c is a hidden track at the end. Track 10a printed duration: 4:44. Total duration for track 10 is 5:42.

Barcode and Other Identifiers

  • Barcode (Scanned, UPC-A): 743211537124
  • Barcode (Text): 7 43211 53712 4
  • Label Code: LC 0407
  • Rights Society: BIEM/GEMA
  • Matrix / Runout (Variant 1): SONOPRESS H-0898 / 4321153712 A
  • Matrix / Runout (Variant 2): SONOPRESS H-0898 / 4321153712 D
  • Matrix / Runout (Variant 3): SONOPRESS H-0898 / 4321153712 A 2
  • Matrix / Runout (Variant 4): SONOPRESS H-0898 / 4321153712 D 3
  • Matrix / Runout (Variant 5): SONOPRESS H-0898 / 4321153712 B 2
  • Matrix / Runout (Variant 6): SONOPRESS H-0898 / 4321153712 C

Other Versions (5 of 226)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Zooropa (CD, Album) Island Records CIDU29, 518047-2, CIDU 29 UK 1993
Zooropa (LP, Album) Island Records U29, 518047-1, 518047-2, 518 047-1 Europe 1993
Zooropa (CD, Album, Stereo) Island Records PHCR-1750 Japan 1993
Recently Edited
Zooropa (Cassette, Album) Island Records UC 29, 518 047-4, 518047-4 UK & Europe 1993
Recently Edited
Zooropa (CD, Album) Phonogram 518047-2 Australasia 1993

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Reviews

  • sheriffbrackett's avatar
    How can I tell the difference between an original 1993 pressing and the bootlegs?
    • southpawgrammar's avatar
      southpawgrammar
      Edited 3 years ago
      From "Boy" up until "Under a Blood Red Sky", U2 were firmly in their transitional period, frequently showing signs of greatness, establishing their signature sound and notching up some rock radio staples whilst ably adjusting to a rapidly widening audience and changing musical and political landscape. If not for a few missteps and slow spots, "The Unforgettable Fire" could have been the moment where it all came together for the Irish quartet. On their fifth studio effort, instead of scaling back on the pursuit of global recognition and humbly accepting their lot as a mid-tier arena rock band, U2 continued in the same assertive, uncompromising vein as "War", albeit with heightened American influences and clearer focus. "The Joshua Tree" became U2's first consistently accomplished record, tempering their customary post-punk rage and sonic bombast with pop songcraft and greater anthemic sweep. After an awkward and largely sterile live/studio blues detour, a considerable recalibration was in order to restore Bono and co's superstardom. Having exhausted the American influence that shaped their recent trio of albums, U2 explored wider cultures for stimulus before settling on Europe, particularly its thriving club scene, to form the basis of their next platter. Arriving several years after their blockbuster, "Achtung Baby" traded in some of Bono and The Edge's tedious post-Joshua stadium posturing for the distancing distortion and brashness of electronic rock, jettisoning politics for self-examination and swapping desperation and heaviness for vibrant, overloaded arrangements replete with thick dance beats. So successful was this freewheeling neo-psychedelic approach that the band naturally and wisely eked it out further, applying the dark and plaintive disposition of "The Joshua Tree" to their fresh swaggering techno framework and stretching the creative fertility of their newfound experimental outlook to its very limits.

      Originally intended as an EP, "Zooropa" panned out as a full-length and was all the better for it, giving U2 even greater potential to innovate and flex their artistic muscle. Arguably their most diverse and quirky outing to date, the album nevertheless mined much the same territory as its predecessor, proceeding with forgivably excessive self-indulgence, this time in a less atmospheric, more flagrantly IDM-influenced setting. Indeed, this ambitious, flashy approach results in a rather disted end product, a batch of thematically and musically disparate left-field electronica-inflected moody ballads and yearning groovers that never quite cohere into a uniformly effective whole. For all its lack of focus and balance though, U2's second explorative vehicle contains a wealth of challenging and exhilarating material, namely two incredibly sensual club anthems - "Lemon" and "Numb" - that conjure up some wonderfully evocative images.

      RATING: 4.5/5

      • waggs86's avatar
        waggs86
        Official Reissue is coming, 180g, along with Achtung and Best of 80-90’s. Zooropa will have extra 2 track/remixes for the 25 yrs anv. Check out the bands site for further info!
        • Bourbonman's avatar
          Bourbonman
          I can´t stand U2 at all, but Zooropa somehow holds a place in my heart. Probably because of the time and circumstanses the album came around to me. Technically speaking, it is quite a diverse album that brings in sublime electronic sounds. I think it also brings forth the whole band both together or as individuals. Larry with some very experimental drum sound. Edge gives the microphone a go on "Numb" Clayton.. well less than the others. It ends on a majestic high note (or dark note if you prefer) with Johnny Cash providing the voice on Wanderer. Overall it´s a very chill listening with tempo on cruising speed on most tracks.
          But the album just works. I just like this release and dislike everything else U2 has done the last 20 years, before and after Zooropa.

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