Charles Mingus – Mingus At Monterey
Label: |
Jazz Workshop – 33601 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Post Bop |
Tracklist
| Duke Ellington Medley | |||
| A1 | I’ve Got It Bad | ||
| A2 | In A Sentimental Mood | ||
| A3 | All Too Soon | ||
| A4 | Mood Indigo | ||
| A5 | Sophisticated Lady | ||
| A6 | A Train | ||
| B1 | A Train (Part II) | ||
| B2 | Orange Was The Colour Of Her Dress, Then Blue Silk | ||
| C1 | Orange Was The Colour Of Her Dress, Then Blue Silk (Part II) | ||
| C2 | Meditations On Integration | ||
| D1 | Meditations on Integration (Part II) |
Companies, etc.
- Licensed To – Candid Records, LLC
- Copyright © – Jazz Workshop, Inc.
- Copyright © – Candid Records
- Recorded At – Monterey Jazz Festival
- Designed At – The Corchia Group, Inc.
Credits
- Bass – Charles Mingus
- Design [Cover Design By] – Al Corchia, Jr.
- Drums – Dannie Richmond
- Edited By – Charles Mingus
- Lacquer Cut By – J Powell*
- Mastered By [Vinyl Mastering By] – Jeff Powell
- Photography By [Cover Photo By] – Hollyman-Photo Researchers
- Photography By [Mingus Photos By] – Jill Krementz
- Piano – Jaki Byard
- Reeds, Alto Saxophone [Alto Sax] – Charlie Mherson*
- Reeds, Alto Saxophone [Alto Sax], Flute, Piccolo Flute [Piccolo] – Buddy Collette
- Reeds, Baritone Saxophone [Baritone Sax], Bass Clarinet – Jack Nimitz
- Reeds, Tenor Saxophone [Tenor Sax] – John Handy III
- Remastered By – Michael Graves (2)
- Sleeve Notes – Charles Mingus
- Sleeve Notes [Gatefold Interior: Herald Tribune] – Ralph J. Gleason
- Sleeve Notes [Gatefold Interior: San Francisco Examiner] – Richard Hadlock*
- Sleeve Notes [Gatefold Interior: The New York Times] – John S. Wilson
- Trombone – Lou Blackburn
- Trumpet – Melvin Moore (2)
- Tuba – Red Callender
Notes
Comes in a dual pocket gatefold jacket with plain white poly-lined inner sleeves. Hype sticker on the front of the shrink-wrap. The gatefold interior includes excerpts from various publications about the performance. Nothing on the release identifies it as a Record Store Day title.
[Back cover]
Producers Note: The original release of this historic Mingus performance, though labeled "Balanced Stereo," was actually recorded
and issued in mono. For this definitive remaster, we worked exclusively from original full-track mono tape sources discovered in the archives.
© Jazz Workshop, Inc. Under Exclusive license To Candid Records LLC • Printed U.S.A.
Cover Design By: The Corchia Group, Inc., Al Corchia, Jr.
[Labels]
© 2024 Candid Records
[Hype sticker]
The legendary 1964 performance
Out of print for decades
Pressed on 180 gram vinyl
Authorized and restored by Jazz Workshop
Remastered by multi-Grammy® winner Michael Graves
[US RSD 2025 page]
Quantity: 2000
Release type: 'RSD First' Release
Original gatefold jacket artwork has [been] meticulously restored and reproduced.
[Back cover]
Producers Note: The original release of this historic Mingus performance, though labeled "Balanced Stereo," was actually recorded
and issued in mono. For this definitive remaster, we worked exclusively from original full-track mono tape sources discovered in the archives.
© Jazz Workshop, Inc. Under Exclusive license To Candid Records LLC • Printed U.S.A.
Cover Design By: The Corchia Group, Inc., Al Corchia, Jr.
[Labels]
© 2024 Candid Records
[Hype sticker]
The legendary 1964 performance
Out of print for decades
Pressed on 180 gram vinyl
Authorized and restored by Jazz Workshop
Remastered by multi-Grammy® winner Michael Graves
[US RSD 2025 page]
Quantity: 2000
Release type: 'RSD First' Release
Original gatefold jacket artwork has [been] meticulously restored and reproduced.
Barcode and Other Identifiers
- Barcode (Text on sticker): 7 08857 33601 2
- Barcode (Scanned from sticker, UPC_A): 0708857336012
- Rights Society (A1 to A6): ASCAP
- Rights Society (B2 to D1): BMI
- Matrix / Runout (Side A runout etched): CAN33601 SIDE A J POWELL
- Matrix / Runout (Side B runout etched): CAN33601 SIDE B J POWELL
- Matrix / Runout (Side C runout etched): CAN33601 SIDE C J POWELL
- Matrix / Runout (Side D runout etched): CAN33601 SIDE D J POWELL
Other Versions (5 of 37)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Mingus At Monterey (2×LP, Album, Stereo) | Jazz Workshop | JWS 001, JWS 002 | US | 1965 | |||
|
New Submission
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Mingus At Monterey (2×LP, Album) | Jazz Workshop | JWS 001, JWS 002 | US | 1966 | ||
|
New Submission
|
Mingus At Monterey (2×LP, Album, Numbered, "Balanced Stereo") | Charles Mingus | JWS 001/JWS 002 | US | 1966 | ||
|
Recently Edited
|
Mingus At Monterey (2×LP, Album, Gatefold) | Charles Mingus | JWS 001, JWS 002 | US | 1966 | ||
|
New Submission
|
Mingus At Monterey (2×LP, Album, Repress, Stereo) | Jazz Workshop | JWS 001, JWS 002 | US | 1968 |
Recommendations
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2025 WorldwideVinyl —LP, Album, Record Store Day, Limited Edition, Numbered -
2025 WorldwideVinyl —LP, Album, Record Store Day, Limited Edition, Numbered, Mono -
2025 USVinyl —LP, Album, Record Store Day, Limited Edition, Reissue, Mono -
2024 WorldwideVinyl —LP, Album, Record Store Day, Limited Edition, Reissue, Mono -
2024 WorldwideVinyl —LP, Record Store Day, Compilation, Limited Edition, Remastered, Stereo -
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Reviews
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My copy sounds great. I was just bummed when “A Train” on side 1 stopped so abruptly. Otherwise, in my opinion a solid release. -
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Is this album typically hot in the highs? My copy, A/B sides have a lot of distortion in the highs. Anyone else?
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