Lou Reed – Transformer
Label: |
RCA Victor – LSP-4807 |
---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Glam |
Tracklist
A1 | Vicious | 2:55 | |
A2 | Andy's Chest | 3:17 | |
A3 | Perfect Day | 3:43 | |
A4 | Hangin' 'Round | 3:39 | |
A5 | Walk On The Wild Side | 4:12 | |
B1 | Make Up | 2:58 | |
B2 | Satellite Of Love | 3:40 | |
B3 | Wagon Wheel | 3:19 | |
B4 | New York Telephone Conversation | 1:31 | |
B5 | I'm So Free | 3:07 | |
B6 | Goodnight Ladies | 4:19 |
Companies, etc.
- Phonographic Copyright ℗ – RCA Records
- Mixed At – Trident Studios
- Pressed By – RCA Records Pressing Plant, Washington, UK
- Printed By – Clout & Baker Ltd.
- Manufactured By – RCA Ltd.
- Published By – Warlock Music
Credits
- Arranged By [Songs] – Mick Ronson
- Arranged By [String And Bass (Brass)] – Mick Ronson
- Arranged By, Tuba – Herbie Flowers (tracks: B6)
- Backing Vocals [Vocal Backings] – The Thunder Thighs*
- Baritone Saxophone – Ronnie Ross
- Bass – Klaus Voorman*
- Bass, Double Bass [String Bass] – Herbie Flowers
- Drums – Ritchie Dharma
- Guitar – Mick Ronson
- Mastered By [Tape Mastering] – Arun Chakraverty
- Mixed By – Mike Stone
- Photography By [Black And White] – Mick Rock
- Photography By [Color] – Karl Stoeker*
- Piano, Recorder – Mick Ronson (tracks: B6)
- Producer – Mick Ronson
- Written-By – Lou Reed
Notes
UK press with laminated sleeve, RCA Victor orange label.
Mixed at Trident Studios, London.
John Halsey courtesy of Island Records Ltd.
Sleeve printed by Clout and Baker Ltd.
Ⓟ 1972 RCA Records
Mixed at Trident Studios, London.
John Halsey courtesy of Island Records Ltd.
Sleeve printed by Clout and Baker Ltd.
Ⓟ 1972 RCA Records
Barcode and Other Identifiers
- Matrix / Runout (Label side A): BPRS 7038
- Matrix / Runout (Label side B): BPRS 7039
- Matrix / Runout (Run-out side A, var. 1): BPRS-7038 1L
- Matrix / Runout (Run-out side B, var. 1): BPRS-7039 1E
- Matrix / Runout (Run-out side A, var. 2): BPRS-7038 1L A1T
- Matrix / Runout (Run-out side B, var. 2): BPRS-7039 1E A1T
- Matrix / Runout (Run-out side A, etched, var. 3): BPRS 7038-2E
- Matrix / Runout (Run-out side B, stamped, var. 3): BPRS 7039 1E
- Matrix / Runout (Run-out side A, etched, var. 4): A1 BPRS 7038-2E A2F
- Matrix / Runout (Run-out side B, etched, var. 4): B1BPRS-7039-1E A6F
- Matrix / Runout (Side-A Var. 5): [etched] BPRS 7038-2E A2G AY
- Matrix / Runout (Side-B Var. 5): [etched] BIBPRS 7039-1E A6L [stamped] BPRS 7039-1E
Other Versions (5 of 288)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Transformer (LP, Album, Matte Sleeve) | RCA | LSP 4807, LSP-4807 | UK | 1972 | ||
Transformer (LP, Album, Stereo, Hollywood Pressing) | RCA Victor | LSP-4807 | US | 1972 | |||
Recently Edited
|
Transformer (8-Track Cartridge, Album) | RCA Victor | P8S-2095 | US | 1972 | ||
Recently Edited
|
Transformer (LP, Album, Stereo) | RCA Victor | LSP 4807 | 1972 | |||
New Submission
|
Transformer (LP, Album) | RCA Victor | LSP 4807 | New Zealand | 1972 |
Recommendations
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1972 UKVinyl —LP, Album, Stereo
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Reviews
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I'm having trouble understanding the 'multiple cuts'...
- there is definitely a 1E/1E lacquer, but - for now - it's this one Lou Reed - Transformer,
- there are also a couple of 1L/1E like here but some people think there are probably 1Es in the end,
- there are also some 1C/2E like here Lou Reed - Transformer, which might also be 1E,
- there are multiple '2nd cut', when there are a lot of variants on multiple pressings bearing the 2E/1E matrixes like here Lou Reed - Transformer,
- on top of that you have 'weird' ones when you look at some of the Dynaflex & Shorepack pressings, which could lead to think there are even more cuts that same year.
So the 1st cut is the 1Es, right?
Are they better than the following ones or maybe the 2Es have been cut to correct something on the 1E? -
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This UK 1E , 1E , first press , with laminated cover is definitely the one to get . It sounds much better than my Speakers Corner version , that everybody's raving about .
Release
See all versions
Recently Edited
Recently Edited
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