Bob Dylan – Shadows In The Night
Tracklist
| A1 | I'm A Fool To Want You | |
| A2 | The Night We Called It A Day | |
| A3 | Stay With Me | |
| A4 | Autumn Leaves | |
| A5 | Why Try To Change Me Now | |
| B1 | Some Enchanted Evening | |
| B2 | Full Moon And Empty Arms | |
| B3 | Where Are You? | |
| B4 | What'll I Do | |
| B5 | That Lucky Old Sun | |
| CD-01 | I'm A Fool To Want You | |
| CD-02 | The Night We Called It A Day | |
| CD-03 | Stay With Me | |
| CD-04 | Autumn Leaves | |
| CD-05 | Why Try To Change Me Now | |
| CD-06 | Some Enchanted Evening | |
| CD-07 | Full Moon And Empty Arms | |
| CD-08 | Where Are You? | |
| CD-09 | What'll I Do | |
| CD-10 | That Lucky Old Sun |
Companies, etc.
- Record Company – Sony Music Entertainment
- Phonographic Copyright ℗ – Columbia Records
- Copyright © – Columbia Records
- Manufactured By – Columbia Records
- Distributed By – Columbia Records
- Lacquer Cut At – Sterling Sound
- Pressed By – United Record Pressing
- Glass Mastered At – Sony DADC – DIDX-1070699
Credits
- Bass – Tony Garnier
- Conductor [Horns], Arranged By [Horns] – D.J. Harper (2)
- Design [Album Design] – Geoff Gans
- Engineer [Assistant Engineer] – Steve Genewick
- Guitar – Stu Kimball*
- Lacquer Cut By – RJ*
- Mastered By – Doug Sax
- Musician [Additional], French Horn – Joseph Meyer* (tracks: A2)
- Musician [Additional], Trombone – Francisco Torres (3) (tracks: A1, A2)
- Musician [Additional], Trumpet – Larry G. Hall* (tracks: B5)
- Pedal Steel Guitar – Donny Herron*
- Percussion – George G. Receli*
- Photography By – John Shearer (2)
- Producer – Jack Frost (2)
- Recorded By, Mixed By – Al Schmitt
- Vocals – Bob Dylan
Notes
180 gram pressing, issued with printed inner sleeve.
CD packaged in plain white paper sleeve with window.
First cat. # on jacket
Second cat. # on labels
Hype sticker affixed to shrink (cat. # 88875057961 S1)
Limited Edition
180 Gram Vinyl
Featuring Full Moon And Empty Arms, Stay With Me, And What'll I Do
Also includes Full Album on CD
© & ℗ 2015 Columbia Records, a Division of Sony Music Entertainment / Manufactured and Distributed by Columbia Records, a Division of Sony Music Entertainment.
CD packaged in plain white paper sleeve with window.
First cat. # on jacket
Second cat. # on labels
Hype sticker affixed to shrink (cat. # 88875057961 S1)
Limited Edition
180 Gram Vinyl
Featuring Full Moon And Empty Arms, Stay With Me, And What'll I Do
Also includes Full Album on CD
© & ℗ 2015 Columbia Records, a Division of Sony Music Entertainment / Manufactured and Distributed by Columbia Records, a Division of Sony Music Entertainment.
Barcode and Other Identifiers
- Barcode (Text): 8 88750 57961 4
- Barcode (Scanned): 0888750579614
- Matrix / Runout (Side A label): AL88875057961
- Matrix / Runout (Side B label): BL88875057961
- Matrix / Runout (Side A runout, variant 1): AL 888-750-57961 C-121888 SetIII STERLING RJ Ⓤ
- Matrix / Runout (Side B runout, variant 1): BL 888-750-57961 C-121888 STERLING RJ Ⓤ
- Matrix / Runout (Side A runout, variant 2): AL 888-750-57961 C-121888 Set II STERLING A2 RJ Ⓤ
- Matrix / Runout (Side B runout, variant 2): BL 888-750-57961 C-121888 STERLING RJ SET II Ⓤ
- Other (CD cat. #): 88875051242
- Matrix / Runout (CD): DIDX-1070699 1 A06
- Mastering SID Code: IFPI L329
- Mould SID Code: IFPI 50H4
Other Versions (5 of 21)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Shadows In The Night (CD, Album, Stereo) | Columbia | 88875057962, 88875051242 | US | 2015 | ||
| Shadows In The Night (LP, Album, 180g, CD, Album, All Media, Limited Edition) | Sony Music | 88875057961 | Europe | 2015 | |||
| Shadows In The Night (CD, Album, Stereo) | Columbia | 88875057962 | Europe | 2015 | |||
|
New Submission
|
Shadows In The Night (CD, Album) | Columbia | 88875057962 | Australia | 2015 | ||
| Shadows In The Night (CD, Album) | Sony Records Int'l | SI 4391 | Japan | 2015 |
Recommendations
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2018 USVinyl —LP, Album, Remastered, Stereo -
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Reviews
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This is definitely an audiophile recording. Al Schmitt recorded Dylan and band live to tape using vintage Neumann and various ribbon mics into Neve preamps at Capitol. Not sure if it was cut from tape at Sterling, but it doesn’t matter - it sounds so warm and vintage and perfect. After streaming this album repeatedly for many years, I decided to finally buy it on vinyl. I don’t know why I waited so long to buy it. Highly recommended (assuming you get a quiet copy like I got). -
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Bought my copy when came out. Sounds like someone played frisbee with it and dragged it along the driveway, on both sides.
Unbelievable. Can't just be me? -
People come to this record with the wrong frame of mind. As a late dylan album this is really weird. As a vintage, early period Tom Waits album this is awesome. -
So many artists have covered Dylan throughout the years that it's nice to see him pay his respects to an artist (Frank Sinatra) that he ires. Might not be for everyone but a beautiful sounding record. If you've stuck with Dylan this long you'll find something here you'll like. -
I think this is the worst record ever made by Dylan, you know when old timers are near the end of their career when they record stuff like this , McCartney's Kisses On The Bottom is another example.
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