Bruce SpringsteenBorn To Run

Label:

Columbia – JC 33795

Format:

Vinyl , LP, Album, Reissue, Repress , Carrollton Pressing, Barcode, Gatefold

Country:

US

Released:

Genre:

Rock

Style:

Tracklist

A1 Thunder Road 4:50
A2 Tenth Avenue Freeze Out 3:11
A3 Night 3:01
A4 Backstreets 6:29
B1 Born To Run 4:30
B2 She's The One 4:30
B3 Meeting Across The River 3:16
B4 Jungleland 9:33

Companies, etc.

  • Manufactured ByColumbia Records
  • Phonographic Copyright ℗CBS Inc.
  • Copyright ©CBS Inc.
  • Pressed ByColumbia Records Pressing Plant, Carrollton, GA
  • Published ByLaurel Canyon Music Ltd.
  • Recorded AtRecord Plant, N.Y.C.
  • Recorded At914 Sound Studios
  • Mixed AtRecord Plant, N.Y.C.
  • Mastered AtRecord Plant, N.Y.C.

Credits

  • Backing VocalsSteve Van Zandt (tracks: A1)
  • Baritone SaxophoneDavid Sanborn (tracks: A2)
  • Bass GuitarGarry Tallent (tracks: A1 to B2, B4)
  • DrumsMax Weinberg (tracks: A1 to A4, B2, B4)
  • EngineerJimmy Iovine
  • FlugelhornRandy Brecker (tracks: A2)
  • GlockenspielRoy Bittan (tracks: A1, A3)
  • GuitarBruce Springsteen
  • HarpsichordRoy Bittan (tracks: A3, B2)
  • KeyboardsDavid Sancious (tracks: B1)
  • OrganRoy Bittan (tracks: A4, B2)
  • PianoRoy Bittan (tracks: A1 to A4, B2-B4)
  • ProducerMike Appel (tracks: B1, B4)
  • SaxophoneClarence Clemons (tracks: A1 to A3, B1, B2, B4)
  • SongwriterBruce Springsteen
  • Tenor SaxophoneMichael Brecker (tracks: A2)
  • TromboneWayne Andre (tracks: A2)
  • TrumpetRandy Brecker (tracks: A2, B3)
  • ViolinSuki Lahav* (tracks: B4)
  • VocalsBruce Springsteen

Notes

A1 to A4 & B2 to B4: Recorded, mixed and mastered at Record Plant Studio, New York, N.Y.
B1: Recorded at 914 Sound Studio, Blauvelt, N.Y.

Randy Brecker and Michael Brecker appear courtesy of Arista Records.
David Sancious appears courtesy of Epic Records.
David Sanborn appears courtesy of Warner Reprise.

All selections © 1975 Laurel Canyon Music Ltd. (ASCAP) except:
"Born To Run" © 1974 Laurel Canyon Music Ltd. (ASCAP)

© 1975 CBS Inc. / ℗ 1975 CBS Inc. / Manufactured by Columbia Records / CBS Inc

Barcode and Other Identifiers

  • Barcode (Text): 0 7464-33795-1
  • Barcode (Scanned): 0074643379519
  • Matrix / Runout (Side A Runout (Variant 1)): PAL 33795-1AJ
  • Matrix / Runout (Side B Runout (Variant 1)): BL-33795-1BG
  • Matrix / Runout (Side A Runout (Variant 2)): PAL 33795 G1A anna A9 G1
  • Matrix / Runout (Side B Runout (Variant 2)): (H-AP) BL 33795 G1B G1
  • Matrix / Runout (Side A Runout (Variant 3)): PAL 33795 G1A anna DG G1
  • Matrix / Runout (Side B Runout (Variant 3)): (H-AD) BL33795 G1D G1 A1
  • Matrix / Runout (Side A Etched [II Stamped] (Variant 4)): (H-TR) AL-33795 G1G II G1 D3
  • Matrix / Runout (Side B Etched [II Stamped] (Variant 4)): (H-AP) BL-33795 G1B II G1 E5
  • Rights Society: ASCAP
  • Matrix / Runout (Side A Runout (Variant 5)): (H-AD) AL-33795 G1H G1 A3 ('M' stamped)
  • Matrix / Runout (Side A Runout (Variant 5)): (H-AD) BL-33795 G1D G1 A15

Other Versions (5 of 363)

View All
Title (Format) Label Cat# Country Year
New Submission
Born To Run (LP, Album) Blackgold LP-1194 Philippines 1975
Recently Edited
Born To Run (LP, Album, Misprint, Stereo, Gatefold) CBS S 69170, 69170 UK 1975
Recently Edited
Born To Run (LP, Album, Stereo, Terre Haute Pressing) Columbia PC 33795 US 1975
New Submission
Born To Run (LP, Album, Gatefold) CBS S 80959 Spain 1975
Recently Edited
Born To Run (LP, Album, Gatefold) CBS SBP474352 New Zealand 1975

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Reviews

  • hungies's avatar
    hungies
    Does anyone else have a pressing with BL 33795-1BE on the B side? As far as I can tell, it would be this pressing, bc other pressings that have PAL 33795-1AJ on the A side have other notes on the runout but these are the only cat numbers/etchings on my copy. Otherwise, I don't know how I would know which pressing I own.
    • recordhead59's avatar
      recordhead59
      A true musical masterpiece of our current epoch. Springsteen and The E Street Band are firing on all cylinders on every song. I caught Bruce on the last tour with Clarence Clemmons and Clemmons blew the solo to Jungleland note perfect. He died several months later. That night they put on a 3 + hour show, with Bruce taking audience suggestions and then muddling through them; many they had not played together EVER yet to the untrained ear one would have never known (well, okay there were a few that they straight up didn't know what to do with) but it's just a testament to the excellence of Bruce and the band.
      • 7jake7's avatar
        7jake7
        Does anyone know if there is a pressing existing that has "anna" on both sides (A and B)? If I understand correctly there are 2 versions with "anna" (listed here that is) but both have "anna" on one side only. Or: Does it even matter? Is it "enough" to have "anna" on one side => Does the other side sound as good?
        • guitarcharlie's avatar
          guitarcharlie
          Edited 4 years ago
          The elusive "Anna" cut of Born to Run - though I haven't listened to all of the early pressings and so I'm no authority, this one is said to be the only (early) version of this classic album that sounds as though it were recorded & mastered by someone who actually knew what they were doing. A google search will reveal several discussions of this version. My own take is that it sounds light-years better than any other version I've heard, with the exception of the Classic Records, and to that end they sound different but this one is *almost* on-par with the Classic. Get this one.
          • DJCVR's avatar
            DJCVR
            I came here for the title track, I ended up amazed that the entire A side kept the E Street Band on their toes to keep up with the energy of the lead single. "Backstreets" is a great standout in this LP other than "Born To Run", since it is a great song to reminisce to, but the remainder of the LP flows cohesively as one of the most beautiful records to grace my ears thanks to the E Street Bands handling of their respective instruments, whilst Springsteen's rugged crooning (that after hearing this, I can finally see who Lady GAGA was listening to as she solidified her own style) envelope's the backing tracks, nestling perhaps not only one of the greatest songs of all time, but perhaps one of the greatest LPs of all time as well.

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