Dusty Springfield – Dusty In Memphis
Label: |
Analogue Productions – AAPA 017-45 |
|---|---|
Series: |
Atlantic 75 Audiophile Series – AAPA 017-45 |
Format: |
2 x
Vinyl
, 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo
, 180g, Gatefold
|
Country: |
US |
Released: |
|
Genre: |
Pop |
Style: |
Tracklist
| A1 | Just A Little Lovin' | 2:15 | |
| A2 | So Much Love | 3:28 | |
| A3 | Son Of A Preacher Man | 2:19 | |
| B1 | I Don't Want To Hear It Anymore | 3:06 | |
| B2 | Don't Forget About Me | 2:49 | |
| B3 | Breakfast In Bed | 2:54 | |
| C1 | Just One Smile | 2:37 | |
| C2 | The Windmills Of Your Mind | 3:48 | |
| C3 | In The Land Of Make Believe | 2:28 | |
| C4 | No Easy Way Down | 3:08 | |
| D1 | I Can't Make It Alone | 3:47 | |
| D2 | Willie And Laura Mae Jones* | 2:47 | |
| D3 | That Old Sweet Roll (Hi-De-Ho)* | 2:57 | |
| D4 | What Do You Do When Love Dies* | 2:43 |
Companies, etc.
- Pressed By – Quality Record Pressings
- Mastered At – Cohearent Audio
- Licensed From – Atlantic Recording Corporation
- Manufactured By – Rhino Entertainment Company
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Copyright © – Atlantic Recording Corporation
- Recorded At – American Sound Studio, Memphis, TN
- Printed By – Stoughton Printing Co.
Credits
- Arranged By [Horns] – Tom Dowd
- Arranged By [Strings] – Arif Mardin
- Backing Vocals – The Sweet Inspirations
- Bass – Tommy Cogbill
- Congas – Mike Leach* (tracks: B2, C3)
- Design – Haig Adishian
- Directed By [Strings] – Gene Orloff
- Drums – Gene Chrisman
- Engineer [Recording] – Ed Kollis
- Guitar – Tommy Cogbill (tracks: B2)
- Guitar, Sitar – Reggie Young
- Liner Notes – Stanley Booth
- Mastered By – Kevin Gray
- Organ, Electric Piano – Bobby Emmons
- Piano – Bobby Wood (tracks: C2)
- Producer – Tom Dowd
Notes
* = Bonus Tracks
Runouts are etched.
First 2,000 pressings are numbered on the back of the jacket and pressed at Quality Record Pressings.
Unnumbered copies may be pressed at either Quality Record Pressings or RTI, which is only identified by the sticker on the outer plastic bag.
Runouts are etched.
First 2,000 pressings are numbered on the back of the jacket and pressed at Quality Record Pressings.
Unnumbered copies may be pressed at either Quality Record Pressings or RTI, which is only identified by the sticker on the outer plastic bag.
Barcode and Other Identifiers
- Barcode (Text on sticker): 7 53088 75177 6
- Barcode (Scanned from sticker): 753088751776
- Other (Text on sticker): AAPA 017-45
- Matrix / Runout (Side A runout): APA 017-45-A KPG@CA
- Matrix / Runout (Side B runout): APA 017-45-B KPG@CA
- Matrix / Runout (Side C runout): APA-017-45-C KPG@CA
- Matrix / Runout (Side D runout): APA-017-45-D KPG@CA
Other Versions (5 of 94)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Dusty In Memphis (LP, Album, Stereo, CT - Terre Haute Pressing) | Atlantic | SD 8214 | US | 1969 | ||
|
Recently Edited
|
Dusty In Memphis (LP, Album) | Philips | 844 238 BY | Netherlands | 1969 | ||
|
New Submission
|
Dusty In Memphis (LP, Album) | Philips | SBL 7889 | Canada | 1969 | ||
| Dusty In Memphis (LP, Album, Stereo) | Philips | SBL 7889, 844 238 BY | UK | 1969 | |||
|
New Submission
|
Dusty In Memphis (LP, Album) | Philips | 844.238 BY | 1969 |
Recommendations
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2024 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue -
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2023 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo -
-
2024 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo -
2024 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered -
2024 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Stereo -
2023 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo -
2024 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered -
2023 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Stereo
Reviews
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This is the first Atlantic 75th I don't like. It's excellent, no question, and I'd certainly be jumping for joy if I couldn't compare it to Miles Showell's Half Speed at Abbey Road. It clearly loses out in of liveliness and joy of playing, which the musicians, however, brought out by ramping up the dynamics. Nevertheless, it must be said that the 75th is more pleasant to listen to, also in of voices, it is tidier and offers significantly more transparency and openness. Miles Showell did a fantastic job, and this pressing is also available at a reasonable price. It‘s all a question of taste. -
Mixed emotions … Good pressing, sound quality ok, but poor artwork quality. Gatefold folder quality,is well done, but who approved this bad cover scan … ? -
Very happy with this pressing, best I've heard this classic album sound. Dead silent vinyl. And the three bonus tracks are great! -
Im sure when i compare it to the AP 2011 pressing ive got it will sound the same... ie very very good if still with a feeling that 5-10% is left on the table that, oh, lets say Bernie might have gotten from the tape.
The reason to buy this is the sleeve doesnt suck as the 2011 was back from the non-Stoughton times of single sleeve crappyness.
This comes in a glorious matte gatefold that means i can sell on the 2011 with a small loss (as long as this doesnt sound worse in any way lol!)
Release
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Recently Edited
Recently Edited
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