R.E.M. – New Adventures In Hi-Fi
Label: |
Craft Recordings – CR00438 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| A1 | How The West Was Won And Where It Got Us | 4:30 | |
| A2 | The Wake-up Bomb | 5:07 | |
| A3 | New Test Leper | 5:25 | |
| B1 | Undertow | 5:08 | |
| B2 | E-bow The Letter | 5:22 | |
| B3 | Leave | 7:17 | |
| C1 | Departure | 3:27 | |
| C2 | Bittersweet Me | 4:06 | |
| C3 | Be Mine | 5:32 | |
| C4 | Binky The Doormat | 5:00 | |
| D1 | Zither | 2:33 | |
| D2 | So Fast, So Numb | 4:11 | |
| D3 | Low Desert | 3:30 | |
| D4 | Electrolite | 4:05 |
Companies, etc.
- Record Company – Universal International Music B.V.
- Phonographic Copyright ℗ – R.E.M./Athens Ltd
- Copyright © – R.E.M./Athens Ltd
- Licensed To – Craft Recordings
- Published By – Night Garden Music
- Published By – Warner-Tamerlane Publishing Corp.
- Recorded At – Bad Animals
- Recorded At – John Keane Studios
- Mixed At – John Keane Studios
- Recorded At – Louie's Clubhouse
- Mixed At – Louie's Clubhouse
- Mastered At – Gateway Mastering
- Lacquer Cut At – Cohearent Audio
- Pressed By – Schallplattenfabrik Pallas GmbH – 53526
- Pressed By – Schallplattenfabrik Pallas GmbH – 53527
Credits
- Cover [Packaging] – Michael Stipe
- Edited By [Digital] – Eric Stolz
- Engineer [Athens Assistant] – William "Billy" Field*
- Engineer [Athens] – John Keane
- Engineer [Los Angeles Assistant] – Victor Janacua
- Engineer [Los Angeles] – Pat McCarthy
- Engineer [Seattle Assistant] – Sam Hofstedt
- Engineer [Seattle] – Adam Kaspar*
- Lacquer Cut By – KPG*
- Legal [Advisor] – Bertis Downs*
- Management [WB Ally] – Tom Recchion
- Mastered By – Adam Ayan
- Mixed By [Album] – Scott Litt
- Musician [Additional Musicians] – Scott McCaughey
- Other [Home Office] – Chris Bilheimer, Kevin O'Neil, Mercer Brockenbrough, Meredith Williams, Michele Rawson, Sarah Petit
- Photography By [Photo Printing] – Ian McFarlane (2)
- Producer – Scott Litt
- Recorded By [Tour Recording Engineers] – Joe O'Herlihy
- Technician [Drum] – Bill Thomson
- Technician [Technical Assistance] – Mark "Microwave" Mytrowitz*
- Written-By – Buck*
Notes
25th Anniversary Edition.
℗ 2021 & © 1996 R.E.M./Athens. Ltd. Under exclusive license to Craft Recordings.
Made in the EU.
Some copies from the REM webstore came with a numbered Artprint pencil numbered xxx/600. The print is signed 'CB', possibly Chris Bilheimer.
℗ 2021 & © 1996 R.E.M./Athens. Ltd. Under exclusive license to Craft Recordings.
Made in the EU.
Some copies from the REM webstore came with a numbered Artprint pencil numbered xxx/600. The print is signed 'CB', possibly Chris Bilheimer.
Barcode and Other Identifiers
- Barcode (Printed): 8 88072 24545 7
- Barcode (Scanned): 888072245457
- Rights Society: SESAC
- Label Code: LC 15025
- Matrix / Runout (Label Side A, B): 888072245471
- Matrix / Runout (Label Side C, D): 888072245464
- Matrix / Runout (Runout Side A, stamped/etched): -53526- CR 00438.A KPG@CA
- Matrix / Runout (Runout Side B, stamped/etched): -53526-I CR 00438.B KPG@CA
- Matrix / Runout (Runout Side C, stamped/etched): -53527- CR 00438.C KPG@CA
- Matrix / Runout (Runout Side D, stamped/etched): -53527- CR 00438.D KPG@CA
Other Versions (5 of 78)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| New Adventures In Hi-Fi (CD, Album) | Warner Bros. Records | 9362-46436-2 | Europe | 1996 | |||
|
Recently Edited
|
New Adventures In Hi-Fi (CD, Album) | Warner Bros. Records | 9362-46320-2 | Europe | 1996 | ||
|
New Submission
|
New Adventures In Hi-Fi (CD, Album) | Warner Bros. Records | 35.072-2-D, 936246320-2 | Venezuela | 1996 | ||
| New Adventures In Hi-Fi (Cassette, Album) | Warner Bros. Records | 9362-46320-4 | Poland | 1996 | |||
|
Recently Edited
|
New Adventures In Hi-Fi (2×LP, Album) | Warner Bros. Records | 1-46320, 9 46320-1 | US | 1996 |
Recommendations
Reviews
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Mine came without a hype sticker on the cover - but everything else matches up. Is it still the same pressing as this listing? -
Having lived with this since release, I find it more than a tad congested, two-dimensional, and harsh in places.
I assume this is baked into the way the band recorded, comped, and mixed the album - and Kevin Gray has done what can be done with the master (I assume, digital).
Sonically, I don't think this release is on par with earlier R.E.M. reissues. -
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I was reluctant to buy this. Haven't really listened to R.E.M. in years and 40+€ was a bit hefty.
Last week I got it for 33€ and man was I mistaken. Even 45€ is a fair price.
The mixing is perfect nothings too far back or forward in your face. Master is well done.
The disc is silent and clean. Comes in poly inner sleeves.
The album itself is one of if not their best. I don't think it has a weak point but side 2 is the strongest imo. -
Love this album! Both in of songwriting, production and remastering. My fave non-IRS release by REM. -
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Indeed, fabulous sounding album, no defect at all. One of my best vinyls. The album itself is one of their best since I do not listen anymore to what I used to listen in the 1980's but I made an exception with this one. "Monster" is also a great release. -
This really needs to be turned up loud to get the full soundstage, I thought the top end was missing as bass is so pronounced but once I turned it up another notch I reached optimal effect! -
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Release
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