U2 – No Line On The Horizon
Label: |
Universal Music Group – 1796037 |
|---|---|
Format: |
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Country: |
Europe |
Released: |
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Genre: |
Pop |
Style: |
Ballad |
Tracklist
| 1 | No Line On The Horizon | 4:12 | |
| 2 | Magnificent | 5:24 | |
| 3 | Moment Of Surrender | 7:24 | |
| 4 | Unknown Caller | 6:03 | |
| 5 | I'll Go Crazy If I Don't Go Crazy Tonight | 4:14 | |
| 6 | Get On Your Boots | 3:25 | |
| 7 | Stand Up Comedy | 3:50 | |
| 8 | Fez – Being Born | 5:17 | |
| 9 | White As Snow | 4:41 | |
| 10 | Breathe | 5:00 | |
| 11 | Cedars Of Lebanon | 4:13 |
Companies, etc.
- Phonographic Copyright ℗ – Universal Island Records Ltd.
- Copyright © – Universal Island Records Ltd.
- Licensed To – Mercury Records Ltd.
- Licensed To – Interscope Records
- Licensed To – Universal Music Group
- Published By – Universal Music Publishing B.V.
- Published By – Opal Music
- Published By – Upala Music Inc.
- Recorded At – Hanover Quay Studios
- Recorded At – Riad El Yacout
- Recorded At – Platinum Sound Studios
- Recorded At – Olympic Studios
- Mastered At – Metropolis Mastering
- Designed At – Four5one Creative
- Made By – EDC, – 52256469
Credits
- Bass – Adam Clayton
- Coordinator [Audio Post Production Co-ordination, Quality Control] – Cheryl Engels
- Design – Shaughn McGrath
- Design [Consultant] – Steve Averill
- Drums, Percussion – Larry Mullen Jr*
- Guitar, Vocals – Danny Lanois*
- Guitar, Vocals, Piano – The Edge
- Management – Paul McGuinness (2)
- Management [Studio Manager], Technician [Drum Tech] – Sam O'Sullivan
- Mastered By – John Davis (4)
- Photography By – Anton Corbijn
- Photography By [Cover] – Hiroshi Sugimoto
- Piano [Additional], Keyboards, Electric Piano [Fender Rhodes] – Terry Lawless
- Producer – Steve Lillywhite
- Production Manager – Steve Matthews (4)
- Programmed By, Synthesizer, Vocals, Loops [Rhythm] – Brian Eno
- Technician [Guitar Tech] – Dallas Schoo
- Technician [Studio Tech] – Rab McAllister
- Vocals, Guitar – Bono
Notes
Released in a clear Super Jewel Box. 24 page booklet containing credits, lyrics and photos.
Some release has a back sticker with white letter.
U2 / NO L INE ON THE HOR I ZON / Featurering the new Single / "GET ON YOUR BOOTS"
[Back, booklet & CD]
℗ & © 2009 Universal-Island Records Limited
Made in the EU
[Booklet]
Recorded at HQ, Riad El Yacout in FEZ, Platinum Sound Recording Studios in New York, and Olympic Studios in London
Mastering at Metropolis Mastering, London
Some release has a back sticker with white letter.
U2 / NO L INE ON THE HOR I ZON / Featurering the new Single / "GET ON YOUR BOOTS"
[Back, booklet & CD]
℗ & © 2009 Universal-Island Records Limited
Made in the EU
[Booklet]
Recorded at HQ, Riad El Yacout in FEZ, Platinum Sound Recording Studios in New York, and Olympic Studios in London
Mastering at Metropolis Mastering, London
Barcode and Other Identifiers
- Barcode (Text): 6 02517 96037 4
- Barcode (Scanned): 0602517960374
- Label Code: LC 00268
- Rights Society: BIEM/SABAM
- Matrix / Runout (Variant 1 to 12): [4x UNIVERSAL logo] 06025 179 603-7 01 + 52256469
- Matrix / Runout (Inner ring, variant 1, 2): MADE IN BY EDC
- Matrix / Runout (Inner ring, variant 3): MADE IN BY EDC W
- Matrix / Runout (Inner ring, variant 4): MADE IN BY EDC A
- Matrix / Runout (Inner ring, variant 5): MADE IN BY EDC O
- Matrix / Runout (Inner ring, variant 6): MADE IN BY EDC N
- Matrix / Runout (Inner ring, variant 7): MADE IN BY EDC V
- Matrix / Runout (Inner ring, variant 8): MADE IN BY EDC X
- Matrix / Runout (Inner ring, variant 9): MADE IN BY EDC J
- Matrix / Runout (Inner ring, variant 10): MADE IN BY EDC D
- Matrix / Runout (Inner ring, variant 11): MADE IN BY EDC M
- Matrix / Runout (Inner ring, variant 12): MADE IN BY EDC Q
- Mastering SID Code (Variant 1 to 12): IFPI LV27
- Mould SID Code (Variant 1, 3): IFPI 0136
- Mould SID Code (Variant 2, 8, 10): IFPI 0140
- Mould SID Code (Variant 4): IFPI 0121
- Mould SID Code (Variant 5): IFPI 0116
- Mould SID Code (Variant 6): IFPI 0123
- Mould SID Code (Variant 7): IFPI 0142
- Mould SID Code (Variant 9): IFPI 0125
- Mould SID Code (Variant 11): IFPI 0142
- Mould SID Code (Variant 12): IFPI 0132
Other Versions (5 of 81)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| No Line On The Horizon (2×LP, Album) | Universal Music Group | 1796038 | Europe | 2009 | |||
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New Submission
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No Line On The Horizon (CD, Album, Slipcase) | Mercury | 1796034 | UK | 2009 | ||
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Recently Edited
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No Line On The Horizon (CD, Album, Stereo, DVD, DVD-Video, Stereo, Box Set, Limited Edition) | Universal | 1796097 | UK & Europe | 2009 | ||
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Recently Edited
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No Line On The Horizon (CD, Album, Super Jewel Box) | Universal | 1796035 | Australasia | 2009 | ||
| No Line On The Horizon (CD, Album) | Universal Music | B0012630-02 | US | 2009 |
Recommendations
Reviews
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'All That You Can't Leave Behind' & 'How To Dismantle An Atomic Bomb' didn't impress me all that much. On those discs U2 sounded to me like a band that just wanted to sell as many albums as possible-which is what didn't appeal to me about-'No Line On The Horizon.' The album seemed to consist of a couple of easy airplay bets and little else. The trademark fragmented yet cohesive guitar solos by The Edge were not all that evident on the disc which was perhaps the most boring record I've ever heard from any "big rock act." This is a band that I have had plenty of opportunities to see live but I never went to see them for one reason or another-usually due to high ticket prices. They actually played not far from me on their last tour-the 'No Line On The Horizon' tour-and even though they were several km's away, the band was so loud for several nights in a row in an outdoor venue beside a residential neighbourhood that they made watching TV indoors when they were playing a complete waste of time. At 80 dollars a pop for a ticket for that show, staying in and watching TV was the more appealing option. They of course made it so that you could not do that if you were within three miles of the shows outdoors venue. To me some of U2's earlier material in the past has suffered from an aura of 'contrived drama'... and I think that is something the band has tried to remedy-usually by making more records-like this one-records that many people will buy out of a sense of loyalty (usually for being around from the beginning of the bands career)-then listen to once, and proceed to put away somewhere to be forgoten.
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