The BeatlesPlease Please Me

Label:

Parlophone – PMC 1202

Format:

Vinyl , LP, Album, Repress, Mono , 4th Pressing

Country:

UK

Released:

Genre:

Rock

Style:

Rock & Roll

Tracklist

A1 I Saw Her Standing There
Written-ByMcCartney-Lennon*
A2 Misery
Written-ByMcCartney-Lennon*
A3 Anna (Go To Him)
Written-ByAlexander*
A4 Chains
Written-ByGoffin-King*
A5 Boys
Written-ByFarrell*
A6 Ask Me Why
Written-ByMcCartney-Lennon*
A7 Please Please Me
Written-ByMcCartney-Lennon*
B1 Love Me Do
Written-ByMcCartney-Lennon*
B2 P.S. I Love You
Written-ByMcCartney-Lennon*
B3 Baby It's You
Written-ByDavid*
B4 Do You Want To Know A Secret
Written-ByMcCartney-Lennon*
B5 A Taste Of Honey
Written-ByMarlow*
B6 There's A Place
Written-ByMcCartney-Lennon*
B7 Twist And Shout
Written-ByMedley*

Companies, etc.

  • Record CompanyE.M.I. Records Limited
  • Record CompanyThe Parlophone Co. Ltd.
  • Pressed ByThe Gramophone Co. Ltd.
  • Printed ByErnest J. Day & Co. Ltd.
  • Made ByErnest J. Day & Co. Ltd.
  • Published ByNorthern Songs Ltd.
  • Published ByShapiro Bernstein & Co. Ltd.
  • Published ByAldon Music
  • Published ByCharles Bens
  • Published ByArdmore & Beechwood Ltd.
  • Published ByDick James Music Co.
  • Published ByLudix Music
  • Published ByAmbassador Music Ltd.
  • Published BySherwin Music

Credits

  • Bass GuitarPaul McCartney
  • DrumsRingo Starr
  • Drums [Uncredited]Andy White (tracks: B2)
  • Lead GuitarGeorge Harrison
  • Photography ByAngus McBean
  • ProducerGeorge Martin
  • Rhythm GuitarJohn Lennon
  • Sleeve NotesTony Barrow
  • VocalsRingo Starr

Notes

4th pressing, summer 1963 – January 1964.
Ernest J. Day front laminated flipback cover with large 'mono' on front.
Black labels with yellow logo and silver print.
“The Parlophone Co. Ltd” printed at the start of perimeter print and “Recording first published 1963”, but NOT “Sold in the UK ... ”.
Tracing-paper-lined “Use Emitex” die-cut inner sleeve. With or without KT tax code embossed on the label center. There also exists a variant with T tax code (on side B).

Aldon Music appears as Aldon Mus. on label.
Ambassador Music Ltd. appears as Ambassador Mus. Ltd. on label.

A similar variant printed by Garrod & Lofthouse Ltd. is: Please Please Me

Publishing:
A1, A2, B4, B6: Northern Songs Ltd.
A3: Shapiro Bernstein & Co. Ltd.
A4: Aldon Mus. Charles Bens. BIEM. NCB. Mecolico.
A5, B1, B2: Ardmore & Beechwood Ltd.
A6, A7: Dick James Mus. Co.
B3: Ludix Mus. BIEM. Mecolico. NCB
B5: Ambassador Mus. Ltd.
B7: Sherwin Mus. BIEM. NCB. Mecolico.

Andy White (uncredited) played drums on 'Love Me Do'.

All matrices in the runout area are stamped. Matrix# on labels are in parentheses.

Barcode and Other Identifiers

  • Rights Society: BIEM
  • Rights Society: NCB
  • Rights Society: Mecolico
  • Matrix / Runout (Label side A): XEX.421
  • Matrix / Runout (Label side B): XEX.422
  • Matrix / Runout (Runout side A, variant 1): XEX 421 - 1N
  • Matrix / Runout (Runout side B, variant 1): XEX 422 - 1N
  • Matrix / Runout (Runout side A, variant 2): XEX 421 - 1N 2 OR
  • Matrix / Runout (Runout side B, variant 2): XEX 422 - 1N 3 PH
  • Matrix / Runout (Runout side A, variant 3): XEX 421 - 1N R PO 11 2
  • Matrix / Runout (Runout side B, variant 3): XEX 422 - 1N R PO 13 3
  • Matrix / Runout (Runout side A, variant 4): XEX 421 - 1N R AD 1 12
  • Matrix / Runout (Runout side B, variant 4): XEX 422 - 1N R AD 14
  • Matrix / Runout (Runout side A, variant 5): XEX 421 - 1N GT O 10
  • Matrix / Runout (Runout side B, variant 5): XEX 422 - 1N R GP 3
  • Matrix / Runout (Runout side A, variant 6): XEX 421 - 1N R PP 13
  • Matrix / Runout (Runout side B, variant 6): XEX 422 - 1N R ML 0
  • Matrix / Runout (Runout side A, variant 7): XEX 421 - 1N G AA 17
  • Matrix / Runout (Runout side B, variant 7): XEX 422 - 1N G AD 4
  • Matrix / Runout (Runout side A, variant 8): XEX 421 - 1N R WL 1 12
  • Matrix / Runout (Runout side B, variant 8): XEX 422 - 1N R OM 0 15
  • Matrix / Runout (Runout side A, variant 9): XEX 421 - 1N C TG 1 12
  • Matrix / Runout (Runout side B, variant 9): XEX 422 - 1N R DP 4 13
  • Matrix / Runout (Runout side A, variant 10): XEX 421 - 1N G HP 1 0
  • Matrix / Runout (Runout side B, variant 10): XEX 421 - 1N G LD 4 1 0
  • Matrix / Runout (Runout side A, variant 11): XEX 421 - 1N G PR 1 7
  • Matrix / Runout (Runout side B, variant 11): XEX 422 - 1N G PH 4 0
  • Matrix / Runout (Runout side A, variant 12): XEX 422 - 1N R AT 1 0
  • Matrix / Runout (Runout side B, variant 12): XEX 422 - 1N R OA 0
  • Matrix / Runout (Runout side A, variant 13): XEX 421 - 1N G TP 1 11
  • Matrix / Runout (Runout side B, variant 13): XEX 422 - 1N R DD 4 11
  • Matrix / Runout (Runout side A, variant 15): XEX 421-1N RRT 1 11
  • Matrix / Runout (Runout side B, variant 15): XEX 422-1N RAT 0 12
  • Matrix / Runout (Runout side A, variant 16): XEX 421-1N GHR 1 11
  • Matrix / Runout (Runout side B, variant 16): XEX 422-1N G HO 8
  • Matrix / Runout (Runout side A, variant 17): XEX 421 - 1N GHG 10
  • Matrix / Runout (Runout side B, variant 17): XEX 422 - 1N GHO 0

Other Versions (5 of 840)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Please Please Me (LP, Mono, Album, Gold & Black Label, Dick James Credits) Parlophone PMC 1202 UK 1963
Recently Edited
The Beatles (LP, Album, Mono, Red Label) Parlophon PMCQ 31502 Italy 1963
Recently Edited
Please Please Me (LP, Mono, Album) Parlophone PMCM 1202, PMCM.1202 New Zealand 1963
New Submission
Please Please Me (LP, Album, Mono, Gold & Black Label) Parlophone PMC 1202 Denmark 1963
New Submission
Please Please Me (LP, Mono, Album) Parlophone PMC 1202 Denmark 1963

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Reviews

  • whitespyder's avatar
    whitespyder
    So, which one is it: 4 or 5th pressing?
    Contradictory info here...
    • melodymaker101's avatar
      melodymaker101
      Edited 5 months ago
      I recently got a copy of this pressing for free from a record store near me. The cover is beat to death, but the record plays beautifully save for one skip on “Chains”! This is by far the best-sounding copy of this album I’ve ever heard: the mono mix is very energetic compared to the stereo mix.
      • carterwrombouts's avatar
        of course i can only speak to the nature of the pressing that i have. this is the most groovewear i have ever heard on a record before; perhaps a consequence of very extensive play on low grade equipment. it is seriously unlistenable, you actually can't hear any of the lyrics, just violently distorted sound that resembles the cadence of a voice slightly. this pressing is also cut very loud to my ears, i only have to turn the volume to about the 8 oclock position and its blasting.
        either way, this is the record that started it all. to have an early UK mono pressing is still very exciting to me. its like holding a piece of history. (key word is holding since i do not picture myself ever listening to it ever again.)
        • digginjim's avatar
          digginjim
          Just cleaned my copy of this and put it on the turntable - track 1 blew me away. The sound quality on these early discs is astonishing. The group are so tight and up for it. You get a real sense of what the fuss was all about...

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