Michael JacksonScream

Label:

Legacy – 88985480231

Format:

Vinyl , LP, Compilation , Glow In The Dark
Vinyl , LP, Compilation , Blue Translucent w/ Luminous Splatter

Country:

Released:

Genre:

Pop

Style:

Pop Rock

Tracklist

A1 The Jacksons This Place Hotel
Arranged By [Horn Arrangement]Tom Tom 84
Arranged By [Prelude Arrangement]Jerry Hey
Arranged By, Composed ByMichael Jackson
Backing VocalsStephanie Spruill
BassNathan Watts
DrumsOllie Brown
Effects [Sound Effects]Gene Corso
Engineer [Assistant]Ross Pallone
Engineer, Mixed ByTom Perry
GuitarTito Jackson
KeyboardsGreg Phillinganes
Lead VocalsMichael Jackson
PercussionThe Jacksons
PerformerThe Jacksons
ProducerThe Jacksons
Recorded By [Additional Recording]Rik Pekkonen
TimpaniMarlon Jackson
Voice [Scream]LaToya Jackson*
Written-ByMichael Jackson
5:43
A2 Michael Jackson Thriller
Arranged By [Horn Arrangement]Jerry Hey
Arranged By [Vocal, Rhythm & Synthesizer Arrangement]Rod Temperton
EffectsBruce Swedien
GuitarDavid Williams (4)
PerformerMichael Jackson
ProducerQuincy Jones
Programmed By [Synthesizer Programming]Anthony Marinelli
Saxophone, FluteLarry Williams
Solo Vocal, Backing VocalsMichael Jackson
SynthesizerRod Temperton
TromboneBill Reichenbach (2)
Trumpet, FlugelhornJerry Hey
Written-ByRod Temperton
5:58
A3 Michael Jackson Blood On The Dance Floor
Arranged By [Vocal Arrangement]Michael Jackson
Drum ProgrammingTeddy Riley
EngineerTeddy Riley
Engineer [Additional Engineering]Eddie De Lena*
Engineer [Assistant Engineer]Sam Curtis
Keyboards, SynthesizerTeddy Riley
Mixed ByMick Guzauski
PerformerMichael Jackson
ProducerTeddy Riley
Programmed By [Digital Systems Programming]Matt Carpenter
Solo Vocal, Backing VocalsMichael Jackson
Written-ByTeddy Riley
4:13
A4 Rockwell Somebody's Watching Me
Arranged ByRockwell
Backing VocalsMichael Jackson
PerformerRockwell
ProducerRockwell
Written-ByRockwell
3:58
B1 Michael Jackson Dirty Diana
Arranged By [Rhythm Arrangement]Michael Jackson
Arranged By [String Arrangement]John Barnes
Arranged By [Synthesizer Arrangement]Quincy Jones
Arranged By [Vocal Arrangement]Michael Jackson
Co-producerMichael Jackson
Drum ProgrammingDouglas Getschal
DrumsJohn Robinson (2)
GuitarPaul Jackson, Jr.*
Guitar, SoloistSteve Stevens
PerformerMichael Jackson
ProducerQuincy Jones
Solo Vocal, Backing Vocals, Claves [Clavé Clapstick]Michael Jackson
SynthesizerRandy Waldman
Synthesizer [Synclavier Synthesis]Denny Jaeger
Synthesizer [Synclavier]Christopher Currell
Written-ByMichael Jackson
4:41
B2 The Jacksons Torture
Arranged By [Horn Arrangements]Jerry Hey
Backing VocalsTito Jackson
Backing Vocals [Ad Libs]Jackie Jackson
Coordinator [Project Coordinator]Nelson Hayes
DrumsJeff Porcaro
Engineer [Assistant Engineer]Paul Ericksen
Engineer, Mixed ByBilly Bottrell*
Guitar, SoloistJack Wargo
Keyboards [Fairlight Computerized Keyboard]John Barnes
Keyboards, Synthesizer, PercussionRandy Jackson
Keyboards, Synthesizer, Synth [Synth-Horns], Programmed By [Synth-Programming]Michael Boddicker
Lead VocalsMichael Jackson
PerformerThe Jacksons
ProducerJackie Jackson
Programmed By [Additional Synth-Programming]David Ervin
TrumpetJerry Hey
Written-ByKathleen Wakefield*
4:53
B3 Michael Jackson Leave Me Alone
Arranged By [Rhythm & Vocal Arrangements]Michael Jackson
Co-producerMichael Jackson
Drum Programming, SynthesizerLarry Williams
GuitarPaul Jackson, Jr.*
PerformerMichael Jackson
ProducerQuincy Jones
Solo Vocal, Backing Vocals, Synthesizer [Vocal Synthesizer]Michael Jackson
SynthesizerGreg Phillinganes
Synthesizer [Synclavier], Programmed By [Synthesizer Programming]Casey Young
Written-ByMichael Jackson
4:39
B4 Janet Jackson Scream
Arranged By [Vocal Arrangements]Michael Jackson
Drum ProgrammingJimmy Jam & Terry Lewis
Keyboards, SynthesizerJimmy Jam & Terry Lewis
PerformerMichael Jackson
ProducerMichael Jackson
Programmed By [Synthesizer Programming]Jimmy Jam & Terry Lewis
Solo Vocal, Backing VocalsMichael Jackson
Synth [Synth Bass]Jimmy Jam & Terry Lewis
Written-ByTerry Lewis
4:38
C1 Michael Jackson Dangerous
Arranged By [Rhythm Arrangement]Teddy Riley
Arranged By [Synthesizer Arrangement]Teddy Riley
Arranged By [Vocal Arrangement]Michael Jackson
Engineer [Additional Engineering]Richard Cottrell
PerformerMichael Jackson
ProducerTeddy Riley
Recorded ByThom Russo
Recorded By, Mixed ByTeddy Riley
Solo Vocal, Backing VocalsMichael Jackson
SynthesizerTeddy Riley
Written-ByTeddy Riley
6:59
C2 Michael Jackson Unbreakable
Backing VocalsMichael Jackson
Backing Vocals [Additional Background Vocals]Brandy (2)
Edited By [Digital Editing]Stuart Brawley
Instruments [All Musical Instruments]Rodney Jerkins
Lead VocalsMichael Jackson
Mixed ByStuart Brawley
PerformerMichael Jackson
ProducerRodney Jerkins
Recorded ByStuart Brawley
Written-ByRodney Jerkins
Written-By [Rap]Nichol*
6:26
C3 Michael Jackson Xscape
Arranged By [Strings]Larry Gold
Backing VocalsMichael Jackson
Edited By [Additional Vocal Edits], Engineer [Additional Engineering]Mike Donaldson
Edited By [Break Edits]Greg Morgan (4)
HornsMo Horns
Mixed ByTrehy Harris
PerformerMichael Jackson
Producer [Vocals Produced By]Rodney "Darkchild" Jerkins*
Recorded ByRodney Jerkins
Sound DesignerGreg Morgan (4)
Written-ByRodney Jerkins
4:06
D1 Michael Jackson Threatened
Backing VocalsMichael Jackson
Edited By [Digital Editing]Stuart Brawley
Instruments [All Musical Instruments]Rodney Jerkins
Lead VocalsMichael Jackson
Mixed ByStuart Brawley
PerformerMichael Jackson
ProducerRodney Jerkins
Recorded ByStuart Brawley
Voice [Audio Snippets]Rod Serling
Written-ByRodney Jerkins
4:19
D2 Michael Jackson Ghosts
Arranged By [Vocal Arrangement]Michael Jackson
Drum ProgrammingRob Hoffman
EngineerTeddy Riley
Engineer [Additional Engineering]Matt Forger
Engineer [Assistant Engineer]Tony Black
Keyboards, SynthesizerTeddy Riley
Mixed ByDave Way
PerformerMichael Jackson
ProducerTeddy Riley
Solo Vocal, Backing VocalsMichael Jackson
Written-ByTeddy Riley
5:13
Bonus Track
Michael Jackson Blood On The Dance Floor X Dangerous (The White Panda Mash-Up)
EngineerBart Schoudel
Remix [Mash-Up]The White Panda
(3:39)
D3a Blood On The Dance Floor
Written-ByTeddy Riley
ProducerTeddy Riley
D3b Dangerous
Written-ByTeddy Riley
ProducerTeddy Riley
D3c This Place Hotel
Written-ByMichael Jackson
PerformerThe Jacksons
ProducerGreg Phillinganes
D3d Leave Me Alone
Written-ByMichael Jackson
ProducerQuincy Jones
Co-producerMichael Jackson
D3e Is It Scary
Written-ByTerry Lewis
ProducerJimmy Jam & Terry Lewis
Solo Vocal, Backing VocalsMichael Jackson
Programmed By [Keyboard Programming]Andrew Scheps
Drum ProgrammingJeff Taylor (6)
Programmed By [Additional Programming]Rob Hoffman
Instruments [All]Jimmy Jam & Terry Lewis
Arranged ByJimmy Jam & Terry Lewis
Arranged By [Vocal Arrangement]Michael Jackson
Recorded BySteve Hodge
Mixed BySteve Hodge
Engineer [Assistant]Steve Durkee

Companies, etc.

  • Phonographic Copyright ℗MJJ Productions Inc.
  • Copyright ©MJJ Productions Inc.
  • Mastered AtBernie Grundman Mastering
  • Distributed ByEpic
  • Published ByJobete Music Co., Inc.
  • Published BySiggy Music
  • Published ByMijac Music
  • Published ByRodsongs
  • Published ByBlack Ice Publishing
  • Published ByFlyte Tyme Tunes, Inc.
  • Published ByEMI April Music Inc.
  • Published BySM Publishing (UK) Ltd.
  • Published ByEMI Blackwood Music Inc.
  • Published ByFred Jerkins Publishing
  • Published ByJustin Combs Publishing Company, Inc.
  • Published ByBig Poppa Music
  • Published BySongs Of Windswept
  • Published BySony/ATV Melody
  • Manufactured ByMemphis Record Pressing – MRP0948
  • Mastered AtGZ Media – 163297E
  • Pressed ByMemphis Record Pressing

Credits

  • Creative Director [Album Package Creative Direction], Art DirectionSheri Lee
  • Executive-Producer, ManagementJohn McClain
  • IllustrationMatt Taylor
  • Mastered ByBernie Grundman
  • Supervised By [Project Supervising Executive]Karen Langford

Notes

Version with transparent plastic sleeve with OBI. 180-gram collectable glow in the dark 2LP vinyl, with exclusive Augmented Reality experience inside via Shazam code card. For nearly identical US-only version (different Rights Societies) but with obi strip, use Scream.

Runouts are stamped (laser-etched).

Barcode and Other Identifiers

  • Barcode (Text): 8 8985-48023-1 8
  • Barcode (Scanned, UPC-A): 889854802318
  • Barcode (Scanned, EAN-13): 0889854802318
  • Rights Society: BIEM/GEMA
  • Label Code: LC 00199
  • Matrix / Runout (Label side A): 88985480231A
  • Matrix / Runout (Label side B): 88985480231B
  • Matrix / Runout (Label side C): 88985480231C
  • Matrix / Runout (Label side D): 88985480231D
  • Matrix / Runout (Runout side A, variant 1): MRP0948 / 88985480231/AB - A 163297E1/A
  • Matrix / Runout (Runout side B, variant 1): MRP0948 / 88985480231/AB - B 163297E2/A
  • Matrix / Runout (Runout side C, variant 1): MRP0948 / 88985480231/CD - A 163297E3/A
  • Matrix / Runout (Runout side D, variant 1): MRP0948 / 88985480231/CD - B 163297E4/B
  • Matrix / Runout (Runout side A, variant 3): MRP0948 / 88985480231/AB - A 163297E1/D
  • Matrix / Runout (Runout side B, variant 3): MRP0948 / 88985480231/AB - B 163297E2/C
  • Matrix / Runout (Runout side C, variant 3): MRP0948 / 88985480231/CD - A 163297E3/B
  • Matrix / Runout (Runout side D, variant 3): MRP0948 / 88985480231/CD - B 163297E4/C

Other Versions (5 of 21)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Scream (CD, Compilation) Sony Music 88985480612 UK & Europe 2017
Recently Edited
Scream (CD, Compilation) MJJ Productions 88985480612 US 2017
New Submission
Scream (14×File, FLAC, Compilation, Remastered, 24 bit / 96 kHz) Epic none 2017
Recently Edited
Scream (CD, Compilation, Stereo) Epic SI 5700 Japan 2017
New Submission
Scream (CD, Compilation) Sony Music 88985480612 Canada 2017

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Reviews

  • bearshockeyfan's avatar
    bearshockeyfan
    Would be nice to see them repress Blood on the dance floor so we didn't have to buy these gimmicky albums to get a few hits from previous albums that haven't been added to his vinyl discography recently.
    • mjeezy123's avatar
      mjeezy123
      Edited one month ago
      how to tell between this and the uk/europe version? I am not sure.
      • jlarose1988's avatar
        jlarose1988
        Edited one month ago
        Just acquired a copy second hand. Plays great. No noise whatsoever. The packaging is cool.
        Marantz 6170 TT and Ortofon 2M Blue
        • deathbynooch's avatar
          deathbynooch
          Edited one month ago
          I don’t know what everyone is talking about, mine is perfect plays great on my turntable 👍👍👍
          • Celebre_Jean_Jean's avatar
            Edited one month ago
            Bad pressing. Bought 2 mint copies by mistake... Both copy skips on the very first track. Most tracks have clicks at some point.
            Dont buy this unless its to hang on your wall.
            • juatmac's avatar
              juatmac
              Edited one month ago
              Shazam code AR is no longer ed? I tried to view today but camera icon doesn´t show on Shazam app...
              • dsh1979's avatar
                dsh1979
                Edited one month ago
                I've just noticed (only just ever played it) that on my disc 2, the blue splatter vinyl I have the D side label on both sides of the vinyl and not the C label.
                • heyyinzz's avatar
                  heyyinzz
                  There is definitely some hissing... Not the worst I've ever heard. It doesn't ruin the experience for me, but I did hear glow in the dark vinyl is about the worst you can use. Where I have so many questions (complaints?) is about the mastering. Some tracks sound ok enough, but others are muddy, and not dynamic. Probably the biggest example here is "Leave Me Alone" which sounds really good and dynamic, but the following track "Scream" is extremely stagnant, with no depth or movement. I bought this primarily for this track, and I was disappointed from the begining three notes. "Scream" should have been the most sonically pleasing and layered song on the album. I was hoping to hear it like I'd never heard it before, and unfortunately I got my wish, as I've never heard that song sound so flat and boring. What gives? Was History Continues ever analog to begin with? Did they just not spend any time on this mastering? Suffice it to say, for an average fan, this release is pretty cool, but brittle crappy packaging, iffy mastering, and noisy vinyl means: Audiophiles, stay away.
                  • mephisto1982's avatar
                    mephisto1982
                    Edited one month ago
                    I think the comments so far are a bit overly harsh.

                    Yes, it is quite noisy compared to my other records. Glow-in-the-dark vinyl is especially notorious for this, so that is to be expected (just like with all the MJ picture disc releases, picture discs are horrible). But unless you’re an audiophile it is very well listenable. The noise is mostly only noticeable between tracks, but while the music plays it sounds fine to me. The mastering is good and full of energy (although i have to it i have no other MJ releases to compare with).

                    The only thing I’d like to have seen different with the packaging is the addition of clear poly sleeves around the vinyl, for protection. They probably left it out to make it as transparent as possible (for the glow to be mostly noticeable), but the current way of packaging makes the records prone to scratching. But it’s easy enough to fix this yourself with some third party poly sleeves. The packaging looks really badass with the additional glow in the dark areas and the way they interact with the vinyl design, so I get why the they did it like this.

                    The track selection is also good. They fit the theme well, go well together, and none of them are boring. Real MJ purists will probably frown at it, but it has a fun factor that you won’t find on a re-release of an official album.

                    What I would really like is a re-release of History Book 1, cause the 1995 originals go for crazy prices, but until then this is will probably be my favourite MJ release.
                    • vinylspinner77's avatar
                      vinylspinner77
                      Edited one month ago
                      the US and Europe pressings are actually the same? thanks

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