Aerosmith – Pump
Label: |
Geffen Records – B0025183-01 |
|---|---|
Series: |
Back To Black |
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Hard Rock |
Tracklist
| A1 | Young Lust | 4:19 | |
| A2 | F.I.N.E. | 4:10 | |
| A3 | Love In An Elevator | 5:39 | |
| A4 | Monkey On My Back | 3:57 | |
| A5 | Janie's Got A Gun | 5:33 | |
| B1 | The Other Side | 4:57 | |
| B2 | My Girl | 3:10 | |
| B3 | Don't Get Mad, Get Even | 4:50 | |
| B4 | Voodoo Medicine Man | 4:39 | |
| B5 | What It Takes | 6:26 |
Companies, etc.
- Record Company – Universal International Music B.V.
- Record Company – Diogenes Productions Inc.
- Phonographic Copyright ℗ – Geffen Records
- Copyright © – Geffen Records
- Copyright © – American Stock Photography
- Pressed By – GZ Media – 146546E
- Recorded At – Little Mountain Sound Studios
- Mastered At – Artisan Sound Recorders
Credits
- A&R – John Kalodner • John Kalodner*
- Art Direction – Kim Champagne
- Artwork [Tattoo By] – Mark Ryden
- CGI Artist [Logo Rendered By] – Andy Engel
- Drums – Joey Kramer
- Electric Bass – Tom Hamilton (2)
- Engineer [Engineered By], Mixed By – Mike Fraser
- Engineer [Preproduction Engineer], Engineer [House Sound Engineer] – Toby Francis
- Engineer [Second Engineer] – Ken Lomas
- Guitar [Guitars] – Joe Perry
- Lead Vocals, Keyboards, Harmonica – Steven Tyler
- Mastered By – Greg Fulginiti
- Musician [Additional Musician], Keyboards – John Webster
- Musician [Additional Musician], Performer [The Margarita Horns] – Tom Keenlyside
- Performer [Musical Interludes Performed By] – Steven Tyler
- Photography By – Norman Seeff
- Photography By [Pumping Gas Photo] – Sol Libsohn
- Photography By [Trucks Photo] – American Stock Photography
- Producer [Produced By] – Bruce Fairbairn
- Supervised By [Mastering Supervised By] – David Donnelly*
- Technician [Drum Tech] – Andy Gilman
- Tour Manager [Tour Manager Extraordinaire] – Bob Dowd
- Voice [Elevator Operator] – Catherine Epps
Notes
Issued with a printed black and white inner sleeve and has a "Back To Black" sticker on the front of the protective shrink-wrap. Includes a "Back To Black" coupon to MP3 version of the album.
Current pressings does not have a "Back To Black" sticker on the front shrink wrap and does not have a card.
There's also the US release issued a month earlier.
[Catalog numbers]
00602547954381: Back cover, spine, inner sleeve
B0025183-01: Labels
[Back cover]
Recorded at Little Mountain Sound Studios, Vancouver, B.C., Canada
Mastered by Greg Fulginiti at Artisan Sound Recorders, Los Angeles, CA
℗ 1989 © 2016 Geffen Records.
Made in the E.U. Universal International B.V. Gerrit Van Der Veenlaan
[Inner sleeve]
Pumping Gas Photo by Sol Libsohn, University of Louisville Photographic Archives
Trucks photo © American Stock Photography
[Labels]
℗ 1989 © 2016 Geffen Records
Current pressings does not have a "Back To Black" sticker on the front shrink wrap and does not have a card.
There's also the US release issued a month earlier.
[Catalog numbers]
00602547954381: Back cover, spine, inner sleeve
B0025183-01: Labels
[Back cover]
Recorded at Little Mountain Sound Studios, Vancouver, B.C., Canada
Mastered by Greg Fulginiti at Artisan Sound Recorders, Los Angeles, CA
℗ 1989 © 2016 Geffen Records.
Made in the E.U. Universal International B.V. Gerrit Van Der Veenlaan
[Inner sleeve]
Pumping Gas Photo by Sol Libsohn, University of Louisville Photographic Archives
Trucks photo © American Stock Photography
[Labels]
℗ 1989 © 2016 Geffen Records
Barcode and Other Identifiers
- Barcode (Text): 6 02547 95438 1
- Barcode (Scanned, UPC-A): 602547954381
- Label Code: LC 01846
- Rights Society: BIEM/SDRM
- Other (Identifier on sticker): b2budis_stk
- Other (Identifier on voucher): b2budis_vchr
- Matrix / Runout (Variant 1 runout A-side, stamped): 146546E1/A 4795438-A
- Matrix / Runout (Variant 1 runout B-side, stamped): 146546E2/A 4795438-B
- Matrix / Runout (Variant 2 runout A-side, stamped): 146546E1/D 4795438-A
- Matrix / Runout (Variant 2 runout B-side, stamped): 146546E2/B 4795438-B
- Matrix / Runout (Variant 3 runout A-side, stamped): 146546E1/E 4795438-A
- Matrix / Runout (Variant 3 runout B-side, stamped): 146546E2/C 4795438-B
- Matrix / Runout (Variant 4 runout A-side, stamped): 146546E1/I 4795438-A
- Matrix / Runout (Variant 4 runout B-side, stamped): 146546E2/E 4795438-B
- Matrix / Runout (Variant 5 runout A-side, stamped): 146546E1/A 4795438-A
- Matrix / Runout (Variant 5 runout B-side, stamped): 146546E2/B 4795438-B
Other Versions (5 of 238)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Pump (LP, Album, Stereo) | Geffen Records | 924 254-1, WX 304 | UK & Europe | 1989 | ||
|
Recently Edited
|
Pump (Cassette, Album) | Geffen Records | GEFC 24254 | US | 1989 | ||
|
Recently Edited
|
Pump (CD, Album, RSA) | Geffen Records | 924 254-2 | Europe | 1989 | ||
|
New Submission
|
Pump (Cassette, Album) | Geffen Records | WX 304C, 924 254-4, WX304C | UK & Europe | 1989 | ||
|
Recently Edited
|
Pump (LP, Album) | Geffen Records | XGHS 24254 | Canada | 1989 |
Recommendations
Reviews
-
Music 5 Stars
Dynamic Range avg. is 10,9 db
Price was 14,57€ new ovp
Mastering: isnt good, thin and no Bass -
A horrible pressing. Tinny, thin, zero bass or oomph. Go pick up a cd version, even a cassette would be better!
-
This one sounds pretty weak. Too trebly, weak on lows, messy soundstage. Dirty record, warped. Cleaned it and compared it with my old German CD, which is much better. Don't know about other pressings on vinyl, but seems like you can just buy old CD if you're primarily interested in sound quality. -
Edited one year agoSounds terrific on my system. Loads of bass when it’s meant to be there - for example, on ‘Janie’s Got a Gun’ the bass absolutely cooks and is super prominent. A great pressing of a great album. Buy with confidence.
-
The pressing is really good actually, quiet vinyl and no inner groove distortion. BUT the bass is not really punching this one through. Don’t know if this is the master for this issue or if the mix was supposed to be like that..
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A great groovy album by the band. I'm not a fan of Aerosmith, but I like this album for its fun performance. The album is on one vinyl disc. The disk is flat with a slight center offset. The mass is quiet, clicks are rare. Priority in the sound of medium and high frequencies. There is very little bass - the subwoofer helps. The bass is clearly audible only in the last two tracks of the album. The stage is wide, the balance is even. The outer envelope is simple in execution. The inner envelopes are made of thick paper with photos, without an antistatic liner. For me, it was the first disk that I had to wash immediately after unpacking - a lot of paper dust from these inner envelopes. In general, the cover, discs and content are good: 4 out of 5. -
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Have now had a second copy where there's a constant click / tick at end of track 2, side 1 and right through the talking intro of "Love in an Elevator". Annoying as hell and will return.
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Good enough that I’d keep it… Sound is clear with ok separation. But the bass sounds like an entire layer is missing, which drags down the dynamics too. Maybe one day we’ll get a great remaster.
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Edited 6 years agoGreat reissue! Highly recommended, deep sound, wide, clear, dynamic. No inner groove distortion (I have at440 so great tracker until the end of side). Lot of factory debris after opening but velvet brush + carbon brush and no sign of it at all.
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