Moby – Everytime You Touch Me
Label: |
Mute – CDMUTE176 |
|---|---|
Format: |
CD
, Single
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Euro House |
Tracklist
| 1 | Everytime You Touch Me (Beatmasters 7" Mix) | 3:55 | |
| 2 | The Blue Light Of The Underwater Sun | 4:22 | |
| 3 | Everytime You Touch Me (Jude Sebastian Mix) | 7:02 | |
| 4 | Everytime You Touch Me (Freestyle Mix) | 5:54 |
Companies, etc.
- Mixed At – Roundhouse Studios
- Published By – Warner Chappell Music Ltd.
- Phonographic Copyright ℗ – Mute Records Ltd.
- Copyright © – Mute Records Ltd.
- Glass Mastered At – Nimbus – B5617
Credits
- Art Direction – Barbie*
- Artwork [Photomanipulation], Layout – Slim Smith (2)
- Composed By, Performer [Performed By], Producer [Produced By], Engineer [Engineered By] – Moby
- Mixed By – Moby (tracks: 2, 4)
- Photography By – Jill Greenberg
- Vocals – Rozz Morehead (tracks: 1, 3, 4)
- Written-By – R.Hall*
Notes
Inlay & disc:
Published by Warner Chappell Music Ltd.
Track 1; mixed at Roundhouse Studios, London.
Track 3; remixed by Jude Sebastian (Moby remix competition winner).
Original version appears on the album "Everything Is Wrong" Stumm130
Flap & disc:
℗ 1995 Mute Records Limited © 1995 Mute Records Limited
Made in Great Britain
_
Packaging includes a form for ordering the Mute Bank mail order catalogue.
Track durations are not printed on the release.
Published by Warner Chappell Music Ltd.
Track 1; mixed at Roundhouse Studios, London.
Track 3; remixed by Jude Sebastian (Moby remix competition winner).
Original version appears on the album "Everything Is Wrong" Stumm130
Flap & disc:
℗ 1995 Mute Records Limited © 1995 Mute Records Limited
Made in Great Britain
_
Packaging includes a form for ordering the Mute Bank mail order catalogue.
Track durations are not printed on the release.
Barcode and Other Identifiers
- Barcode (Text): 5 016025 601769
- Barcode (Scanned): 5016025601769
- Matrix / Runout (Variant 1): B5617 CDMUTE 176 · 1:0 ·MASTERED BY NIMBUS·
- Mould SID Code (Variant 1): none
- Matrix / Runout (Variant 2): B5617 CDMUTE 176 · 1:1 ·MASTERED BY NIMBUS·
- Mould SID Code (Variant 2): ifpi 2302
Other Versions (5 of 34)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Everytime You Touch Me (CD, Maxi-Single, Ecopak) | Elektra | 66154-2 | US | 1995 | |||
|
Recently Edited
|
Everytime You Touch Me (12", 33 ⅓ RPM) | Mute | 12MUTE176 | UK | 1995 | ||
|
Recently Edited
|
Everytime You Touch Me (Remixes) (12") | Mute | L12 MUTE 176 | UK | 1995 | ||
| Everytime You Touch Me (Remixes) (CD, Maxi-Single) | Mute | INT 826.653, 7243 4 72344 2 2, LCDMUTE176 | 1995 | ||||
|
Recently Edited
|
Everytime You Touch Me (CD, Single, Promo) | Elektra | PRCD 9118-2 | US | 1995 |
Recommendations
Reviews
-
This shouldn't be labeled Freestyle. Just because one of the tracks is named Freestyle Mix doesn't mean its that kind of music. -
"The Blue Light Of The Underwater Sun" is actually a rework of the track "Ul He Fu" which had been Moby's contribution to the "Mayday - The Judgement Day" compilation.
It starts out as a highly cheesy ambient tune with spoken vocals by Moby in which he tells you to imagine being a dolphin in the sea. After the dolphin in the story is suddenly captured in a fishnet and gets into a panic, a kickdrum and distorted synths start banging around your head, with occasional samples that sound like a dolphin's sqeak. In the end, the hardcore techno section of the song breaks down into an electric guitar solo with a lot of , probably to illustrate the animal's death at the end of his fight for survival.
The whole song concept might seem a bit corny, but it is rather well executed. To me, this is one of Moby's best B-sides because it manages to contain the diversity of musical styles he was engaged in during the mid-90s in just four and a half minutes and turn them into a consistent musical piece.
Release
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Recently Edited
Recently Edited
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