The BeatlesLive At The Hollywood Bowl

Label:

Universal Music Group International – 0602557054996

Format:

Vinyl , LP, Album, Remastered , Gatefold

Country:

Worldwide

Released:

Genre:

Rock

Style:

Beat

Tracklist

A1 Twist And Shout
Written-ByMedley*
1:33
A2 She's A Woman 2:53
A3 Dizzy Miss Lizzy
Written-ByWilliams*
3:39
A4 Ticket To Ride 2:51
A5 Can't Buy Me Love 2:14
A6 Things We Said Today 2:18
A7 Roll Over Beethoven
Written-ByBerry*
2:28
A8 Boys
Written-ByFarrell*
2:08
A9 A Hard Day's Night 3:13
B1 Help! 2:46
B2 All My Loving 2:15
B3 She Loves You 2:31
B4 Long Tall Sally
Written-ByBlackwell*
2:53
Bonus Tracks
B5 You Can't Do That 2:34
B6 I Want To Hold Your Hand 2:29
B7 Everybody's Trying To Be My Baby
Written-ByPerkins*
2:21
B8 Baby's In Black 2:44

Companies, etc.

  • Phonographic Copyright ℗Calderstone Productions Limited
  • Phonographic Copyright ℗Apple Corps Ltd.
  • Copyright ©Calderstone Productions Limited
  • Copyright ©Apple Corps Ltd.
  • Licensed ToApple Corps Ltd.
  • Recorded AtHollywood Bowl
  • Produced AtAir Studios
  • Produced AtAbbey Road Studios
  • Edited AtAir Studios
  • Mixed AtAir Studios
  • Remixed AtAir Studios
  • Remixed AtAbbey Road Studios
  • Engineered AtAbbey Road Studios
  • Mastered AtAbbey Road Studios
  • Pressed ByOptimal Media GmbH – BG44532
  • Record CompanyUniversal International Music B.V.
  • Record CompanyUniversal Music Group
  • Published BySony/ATV Music Publishing Ltd.
  • Published ByPeermusic (UK) Ltd
  • Published ByMPL Communications Ltd.
  • Published BySony/ATV Music Publishing (UK) Ltd.
  • Published ByJewel Music Publishing Co. Ltd.
  • Published ByArdmore & Beechwood Music Ltd.
  • Lacquer Cut AtAbbey Road Studios

Credits

  • DesignGravillis Inc.
  • Engineer [1964 Concert], Recorded By [1964 Concert]Hugh Davies (2)
  • Engineer [1965 Concert], Recorded By [1965 Concert]Pete Abbott
  • Engineer [Assistant]Matt Mysko
  • Engineer [Audio Restoration]James Clarke (4)
  • Lacquer Cut ByAlex*
  • Liner NotesGeorge Martin
  • Mastered ByAlex Wharton
  • Mastered By [1977]Wally Traugott
  • Mastered By [1977]Geoff Emerick
  • Mixed By [1977], Sequenced By [1977], Producer [1977]George Martin
  • PerformerRingo Starr
  • Photography By [Cover Image]Bob Bonis Archive*
  • Photography By [Gatefold Images, LA Times]John Malmin
  • Photography By [Gatefold Images]Express / Stringer*
  • Photography By [Inner Bags]The Music Center Archives
  • ProducerGiles Martin
  • Producer [Original Recording]Voyle Gilmore
  • Remix [1977]Geoff Emerick
  • Remix [2016]Sam OKell
  • Written-ByLennon-McCartney (tracks: A2, A4 to A6, A9 to B3, B5, B6, B8)

Notes

Disc: Made in EU
Sleeve: Printed in

℗© 2016 The copyright in this sound recording is owned by Calderstone Productions Limited (a division of Universal Music Group)/ Apple Corps Limited. © 2016 Calderstone Productions Limited (a division of Universal Music Group)/ Apple Corps Limited.

Barcode and Other Identifiers

  • Barcode: 602557054996
  • Barcode (Text): 6 02557 05499 6
  • Label Code: LC 01846
  • Rights Society: SDRM/BIEM
  • Matrix / Runout (Side A, variant 1): BG44532-01 A1 5705499
  • Matrix / Runout (Side B, variant 1): BG44532-01 B1 5705499
  • Matrix / Runout (Side A, variant 2): BG44532-01 A1 5705499 4 = V
  • Matrix / Runout (Side B, variant 2): BG44532-01 B1 311 Alex i...i 5705499
  • Matrix / Runout (Side A, variant 3): BG44532-01 A1 5705499 1+I┙
  • Matrix / Runout (Side B, variant 3): BG44532-01 B1 311 Alex PllP 5705499

Other Versions (5 of 22)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Live At The Hollywood Bowl (CD, Album, Limited Edition, Remastered, SHM-CD) Apple Records UICY-15566 Japan 2016
Live At The Hollywood Bowl (17×File, AAC, Album, Reissue, Remastered, 256 kbps) Apple Records none 2016
New Submission
Live At The Hollywood Bowl (CD, Album, Reissue, Remastered, Digisleeve) Universal Music Group International 00602557054972 Europe 2016
Live At The Hollywood Bowl (CD, Album, Reissue, Remastered) UMe B0025451-02 US 2016
New Submission
Live At The Hollywood Bowl (CD, Reissue, Stereo) Universal 5705497 Argentina 2016

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Reviews

  • Glennogden1969's avatar
    Glennogden1969
    Edited 19 days ago
    Given the technical limitations of the original recordings, this remixed and remastered version is more than acceptable. It takes its place with the other live recordings of the Beatles from the early years - a mixed bag of audio quality to say the least. A real plus for me is the clarity of the vocal performances, while it was clearly a struggle at times for the boys to hear themselves, the remix has given their voices a strong presence that sit atop the instrumental performances nicely, sounding fresh and clear. This collection may not have them playing at their best or or even their most tuneful, but there is a lot of energy, pace and excitement in the performances - She Loves You here perfectly encapsulates the thrill of Beatlemania with a great performance accompanied by a wall of screaming. My vinyl copy is quiet, weighty, and the packaging decent enough, though the older I get my ability to read extensive liner notes in tiny fonts on these releases diminishes!
    • douglasbrown's avatar
      douglasbrown
      How does one rate an album like this? The music is, well great, It's the Beatles Live! :) The recording is not good though, '64/'65 what do we expect? So, the sound quality is not a 5 or a 4 but more like a 2 or 3. Though, I can't give this a 2 or a 3 as it is maybe as good as it gets without totally AIing the crap out of the music. So, the question is, how does one truly rate it?

      I gave it a 4. Can't be a 5 but, I can't do a 3 as, well, it's Live Beatles! :)
      • lovesupreme2017's avatar
        lovesupreme2017
        A nice piece of Beatles history with a lo-fi source recording. The highlight is the 4 bonus tracks that have a significant sound improvement. If only there were more songs from that same source.
        • triumphofhearts's avatar
          triumphofhearts
          I *much* prefer the original '77 mix. Bass is a lot more defined, and the stereo mix just feels a bit more organic. Things are very separate in this 2016 version, which is a bit offputting for me at least. Nice to have some new tracks though, but even these feel strange to tack on at the end and not have them intertwined in the main 'feature'.
          • MrWalrusGumboot's avatar
            MrWalrusGumboot
            I don’t have the 1977 version to compare to, but I can just say that I thoroughly enjoyed the listen. The energy and performance is incredible. In of pressing, vinyl is dead quiet and music is nice & punchy!
            • johhnnyD14's avatar
              johhnnyD14
              Nice pressing of a good recording of a dynamite performance by a live band at their peak. The boys are on fire blowing through their set, showcasing how good of a live band they were. The new mix with the reduced crowd noise goes a long way to make it much more listenable.
              • Wolfybaby's avatar
                Wolfybaby
                Listening back to back from the 77 to this one, ( both on vinyl) I thought the sound just slightly thinner but then it grew on me .. nice, quite sound floor and I’m actually amazed how good both recordings sound .. but you can’t beat the bonus tracks ..
                • KilburnKicks's avatar
                  KilburnKicks
                  Edited 3 years ago
                  I was interested to find out how this newly remastered/remixed version sounded. I wondered how a three track tape full of 17,000 screaming girls and an inadequately amplified Fab Four could be improved upon. I liked the original 1977 release a lot, it really gave you a sense of how crazy those US concerts were. So I purchased it, despite the hideous cover. I settled down, poured a glass of wine and dropped the needle. I was greeted by a cacophony of screaming girls, just like the original, then the introduction, just like the original, then straight into ‘Twist and shout’, just like the original! For a brief moment I thought I had actually put on my original copy. But no, there was that hideous cover staring back at me.
                  I continued to listen to the whole album. So how can I review this? It sounds like a recording from a three track tape full of 17,000 screaming girls and an inadequately amplified Fab Four. Or to put it another way, it sounds exactly the same as the original release. I don’t quite know what I was expecting, but I suppose I did expect to notice some kind of sonic improvement. The only noticeable difference were the four bonus tracks.
                  I am going to keep this, purely because of the additional songs. I love it, of course I love it, it’s The Beatles!
                  • Rolling_Hills_Music's avatar
                    This LP sounds a lot better that the 1977 original. Newer technology has made this record sound like a high quality live record. Highly recommended.

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