Miles Davis – Filles De Kilimanjaro
Tracklist
| A1 | Frelon Brun (Brown Hornet) | |
| A2 | Tout De Suite | |
| B1 | Petits Machins (Little Stuff) | |
| C1 | Filles De Kilimanjaro (Girls Of Kilimanjaro) | |
| D1 | Mademoiselle Mabry (Miss Mabry) |
Companies, etc.
- Record Company – Sony Music Entertainment
- Copyright © – Columbia Records
- Manufactured For – Mobile Fidelity Sound Lab, Inc.
- Manufactured By – Sony Music Entertainment
- Distributed By – Mobile Fidelity Sound Lab, Inc.
- Recorded At – Columbia Recording Studios
- Recorded At – Columbia 30th Street Studio
- Mastered At – Mobile Fidelity Sound Lab
- Lacquer Cut At – Mobile Fidelity Sound Lab
- Pressed By – Record Technology Incorporated – 22630
Credits
- Bass – Dave Holland (tracks: B1, D1)
- Bass, Electric Bass – Ron Carter (tracks: A1, A2, C1)
- Design [For MFSL] – John A. Beck
- Drums – Tony Williams*
- Engineer – Frank Laico
- Lacquer Cut By – KW*
- Mastered By – Krieg Wunderlich
- Mastered By [Assistant] – Shawn R. Britton
- Piano, Electric Piano – Herbie Hancock (tracks: A1, A2, C1)
- Producer [Produced By] – Teo Macero
- Sleeve Notes – Ralph J. Gleason
- Tenor Saxophone [Tenor Sax] – Wayne Shorter
- Trumpet – Miles Davis
Notes
© 1969, 2015 Columbia Records, a division of Sony Music Entertainment / Originally released 1969.
1/4" / 15 IPS analog master to DSD 256
1/4" / 15 IPS analog master to DSD 256
Barcode and Other Identifiers
- Barcode (Scanned): 821797243810
- Barcode (Text): 8 21797 24381 0
- Matrix / Runout (Runout side A - etched): MFSL2-438A1 KW @ MoFi 22630.1(3)...
- Matrix / Runout (Runout side B - etched): MFSL2-438B1 KW @ MoFi 22630.2(3)...
- Matrix / Runout (Runout side C - etched): MFSL2-438C1 KW @ MoFi 22630.3(3)...
- Matrix / Runout (Runout side D - etched): MFSL2-438D1 KW @ MoFi 22630.4(3)...
Other Versions (5 of 89)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
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Filles De Kilimanjaro (LP, Album, Mono) | CBS | M 63551 | UK | 1968 | ||
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Recently Edited
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Filles De Kilimanjaro (LP, Album, Stereo) | CBS | S 63551, 63551 | UK | 1968 | ||
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Recently Edited
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Filles De Kilimanjaro (LP, Album, Stereo) | CBS | S 63551, 63551 | UK | 1968 | ||
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New Submission
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Filles De Kilimanjaro (LP, Album, Stereo) | CBS | S 63551 | Israel | 1968 | ||
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Recently Edited
|
Filles De Kilimanjaro (LP, Album) | CBS | S 63551 | Europe | 1969 |
Recommendations
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2013 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo -
2014 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo -
2015 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo -
2014 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo -
2014 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo -
2015 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Special Edition, Stereo -
2016 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Special Edition, Stereo -
2013 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Mono -
2013 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo -
2016 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo
Reviews
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Unfortunately my pressing (no. 002632) has a lot of surface noise (crackle). When the sound overtakes it, it sounds great, but it's annoying though. Anybody else has this? -
Sounds fantastic, and I didn't really expect it to as the time pressed on most sides feels like it's really pushing the 45rpm format. Side one especially, with just under 20 minutes of music on it. For comparison that's slightly longer than all of Dark Side of the Moon's 1st side. However it's completely unnoticeable and doesn't seem to burden the sound at all. Very lively, deep, warm, and engaging. Absolutely incredible. -
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Edited one year agoReally an unreal album. Yes the pressing and sound is amazing and betters my Og in every way, but lets talk about the music for a second. This may possibly be my favorite Miles album of all time. The overall mood set by Herbie and Chick is *chefs kiss*. Miles is on top of his game and it is one of Tonys greatest performances of all time. The music transports you to somewhere mysterious and dark yet simultaneously welcoming. Its an amazing feat in music. Simple as that
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Edited 2 years agoIt appears now that in the mastering of this reissue, there was a digital step (like in ALL MoFi reissues I own). So this is not an all analog AAA release. I own a copy, and it sounds really good. I own 3000+ records of high quality, and I play on an audiophile hifi set. Yes, I can hear the differences between different pressings. Yes, I hear poor mastering. Would it be possible that the DSD 256 step is contributing to the excellent sound of this release? Is AAA or All analog a collectors gimmick, read snobism? On the other hand, the fact that MoFi was not transparent about the digital mastering step, was clearly misleading. But was MoFi misleading because they know of the snobism of record collectors about AAA (that’s no excuse, off course). ECM, for example, masters all recent vinyl releases from digital master tapes. Sound is excellent.
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It has been said many times but bears repeating - these MoFi second quintet releases are as good as everyone says, they are exceptional - this one wasn't even high on my list to get because I had a very nice early repress (super clean) - this copy just bettered it in every way, clarity, detail, sound stage - I am selling the old one and am glad I was able to get a copy -
Very natural presentation, with outstanding clarity and balance. To hear Ron Carter's electric bass (on the title track) fuse jazz and rock preternaturally is astonishing. -
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Release
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Recently Edited
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