Chicago (2)Chicago IX Chicago's Greatest Hits

Label:

Columbia – PC 33900

Format:

Vinyl , LP, Compilation, Stereo , Pitman Pressing, Custom Labels

Country:

US

Released:

Genre:

Rock

Style:

Pop Rock

Tracklist

A1 25 Or 6 To 4
Written-ByRobert Lamm
A2 Does Anybody Really Know What Time It Is?
Written-ByRobert Lamm
A3 Colour My World
Written-ByJames Pankow
A4 Just You 'N' Me
Written-ByJames Pankow
A5 Saturday In The Park
Written-ByRobert Lamm
A6 Feelin' Stronger Every Day
Written-ByPeter Cetera
B1 Make Me Smile
Written-ByJames Pankow
B2 Wishing You Were Here
Written-ByPeter Cetera
B3 Call On Me
Written-ByLee Loughnane
B4 (I've Been) Searchin' So Long
Written-ByJames Pankow
B5 Beginnings
Written-ByRobert Lamm

Companies, etc.

  • Copyright ©CBS Inc.
  • Phonographic Copyright ℗CBS Inc.
  • Manufactured ByColumbia Records
  • Record CompanyCBS Inc.
  • Pressed ByColumbia Records Pressing Plant, Pitman
  • Published ByAurelius Music
  • Published ByBig Elk Music
  • Published ByLamminations Music
  • Published ByMoose Music
  • Published ByPolish Prince Music
  • Published ByCom Music
  • Published ByMake Me Smile Music

Credits

  • Artwork [Cover Design]John Berg
  • PerformerWalter Parazaider
  • Photography ByReid Miles
  • ProducerJames William Guercio

Notes

"P" in runouts denotes a Columbia Records Pressing Plant, Pitman pressing.
This version was released on custom Chicago labels. Chicago's Greatest Hits is on red Columbia labels.

Barcode and Other Identifiers

  • Rights Society: BMI
  • Rights Society: ASCAP
  • Pressing Plant ID (In runouts): P
  • Price Code (Spine): X698
  • Matrix / Runout (Label A): AL 33900
  • Matrix / Runout (Label B): BL 33900
  • Matrix / Runout (Variant 1 side A stamped): AL 33900-1B P
  • Matrix / Runout (Variant 1 side B stamped): P BL 33900-2A P
  • Matrix / Runout (Variant 2 side A stamped): AL 33900-1AA P
  • Matrix / Runout (Variant 2 side B stamped): P BL 33900-2AB P
  • Matrix / Runout (Variant 3 side A stamped): P P AL 33900-1J D
  • Matrix / Runout (Variant 3 side B stamped): P P BL 33900-2E A A
  • Matrix / Runout (Variant 4 side A stamped ("d" is etched)): P AL-33900-1d
  • Matrix / Runout (Variant 4 side B stamped): BL 33900-2D
  • Matrix / Runout (Variant 5 side A stamped): P AL 33900-1AE
  • Matrix / Runout (Variant 5 side B stamped): P BL 33900-2AC
  • Matrix / Runout (Variant 6 side A etched): P AL33900 - 2BN
  • Matrix / Runout (Variant 6 side B etched): P BL33900 - 2BK
  • Matrix / Runout (Variant 7 side A stamped): P AL 33900-1J
  • Matrix / Runout (Variant 7 side B stamped): P BL 33900-2F D
  • Matrix / Runout (Variant 8 side A stamped): P AL 33900-1J
  • Matrix / Runout (Variant 8 side B stamped): P BL 33900-2F
  • Matrix / Runout (Variant 9 side A stamped): AL 33900-1A
  • Matrix / Runout (Variant 9 side B stamped): P BL 33900-2A
  • Matrix / Runout (Variant 10 side A stamped): P AL 33900-1AC p
  • Matrix / Runout (Variant 10 side B stamped): PBL - P BL 33900-2AE
  • Matrix / Runout (Variant 11 side A stamped ): P AL 33900-1AB
  • Matrix / Runout (Variant 11 side B stamped ): P BL 33900-2H
  • Matrix / Runout (Variant 12 side A stamped ): P AL 33900-1F P
  • Matrix / Runout (Variant 12 side B stamped ): P BL 33900-2A P
  • Matrix / Runout (Variant 13 side A stamped ): P AL 33900-1AF
  • Matrix / Runout (Variant 13 side B stamped ): P BL 33900-2AF
  • Matrix / Runout (Variant 14 side A stamped ): P AL 33900-1B
  • Matrix / Runout (Variant 14 side B stamped ): P BL 33900-2F
  • Matrix / Runout (Variant 15 side A stamped ): P AL 33900-1J 3 D
  • Matrix / Runout (Variant 15 side B stamped ): P BL 33900-2F 3 D
  • Matrix / Runout (Variant 16 side A stamped ): P AL 33900-1J D
  • Matrix / Runout (Variant 16 side B stamped ): BL 33900-2D F
  • Matrix / Runout (Variant 17 side A stamped ): P AL 33900-1AC p
  • Matrix / Runout (Variant 17 side B stamped ): BL 33900-2D D P
  • Matrix / Runout (Variant 18 side A stamped): AL 33900-1AA
  • Matrix / Runout (Variant 18 side B stamped): P BL 33900-2E

Other Versions (5 of 194)

View All
Title (Format) Label Cat# Country Year
New Submission
Chicago IX - Chicago's Greatest Hits (Cassette, Compilation) CBS 40-69222 UK 1975
Chicago IX - Chicago's Greatest Hits (LP, Compilation) CBS CBS 69222, S 69222, 69222 UK 1975
Recently Edited
Chicago IX - Chicago's Greatest Hits (LP, Quadraphonic, Compilation, Pitman Press) Columbia PCQ 33900 US 1975
New Submission
Chicago IX - Chicago's Greatest Hits (LP, Compilation) CBS PC 33900 Jamaica 1975
New Submission
Chicago's Greatest Hits (Cassette, Compilation) CBS 40-69187 Europe 1975

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Reviews

  • musicexpert2's avatar
    musicexpert2
    Glad to hear I'm not the only one to feel this original pressing left something to be desired. It wasn't that there was too much music per side-- about 22 1/2 minutes apiece, just at the limit. But if just didn't have any punch or clarity, almost like it was on CD before CDs existed. Someone told me maybe I caught the tail end of a worn out mother that was used to make the pressing. I guess not. Wonder what went wrong? Such great material!
    • mcdiii's avatar
      mcdiii
      This album sounds good but not stellar. The same songs sound better on Chicago II and III
      • loquendo89's avatar
        loquendo89
        My copy matches this description albeit the run off matrix shows P AL 33900 1G followed by a space - 1 and an etched T.
        • sndvl99's avatar
          sndvl99
          The is mediocre pressing. Hollow sounding. Great track list, but the sound is has no depth.
          • ibraki71's avatar
            ibraki71
            High frequencies on my Turkish copy Side B are all missing. The disc is a bit curved on that side. Could this be the reason or was it the result of a printing issue? Any ideas?
            • ibraki71's avatar
              ibraki71
              High frequencies on my Turkish copy Side B are all missing. The disc is a bit curved on that side. Could this be the reason or was it the result of a printing issue? Any ideas?
              • GaryScarpulla's avatar
                GaryScarpulla
                I have this LP with the same matrix and custom labels with a promo sticker on the front.
                • StaticWednesday's avatar
                  StaticWednesday
                  An excellent album obviously. My matrix is the same as those above but is on a red columbia label.
                  • WalterRudderham's avatar
                    I find this album quite weak compared to the albums these songs come from. Maybe its just my copy? A great track list though.
                    • southpawgrammar's avatar
                      southpawgrammar
                      Edited 3 years ago
                      As popular rock groups of the 1970s go, Chicago were one of the most eclectic in of their musical style, associating free-form jazz, smooth R&B and subtle prog to configure a stunning sound all of their own. It was a brand that served them well, earning them critical acclaim and success on the jazz component charts. Most casual fans did not grow up with Chicago's original multi-vocal brass-tinged jazz-rock output. For them, it was velvety balladry and soothing soft rock that they closely associated the band with. The signature sound of Chicago, i.e. that of Peter Cetera on lead vocals with a lush backdrop of melodic multi-part harmonies and rich soft rock instrumentation lifting it all into pop territory, was a gradual process that arose from changing internal power dynamics. By their fifth effort, they were more comparable with Emerson, Lake & Palmer than Steely Dan or Blood, Sweat & Tears, and as mid-70s pop started ruling the airwaves and racking up millions of sales, it inevitably rendered radio stations specialising in giving a platform to more diverse, uncategorizable acts more or less obsolete. Chicago wisely opted to move with the times instead forging a singular path.

                      In 1975, Chicago signalled the end of their progressive phase by releasing a compilation of songs that connected most with the public during their formative years. Having abandoned their ambitious tendencies, the compilation was contrived with the basic tenets of concision, revenue and mass appeal in mind. As anticipated, "Chicago IX Chicago's Greatest Hits" was a smash hit that, by virtue of its superlative song selection, made for a great listen with few deficiencies. Comprising 11 of the band's horn-based prime cuts, the album is of course replete with standouts, namely "25 or 6 to 4," "Does Anybody Really Know What Time It Is?," "Saturday in the Park," "Make Me Smile" and "Wishing You Were Here". For those unaccustomed to their epic and challenging early work, "Chicago IX Chicago's Greatest Hits" is the perfect introduction, though ittedly only halfway complete, which may disfavour those who want the full picture. Owing to the fact that the album era targeted wealthier adult consumers with very particular tastes, abstracting representative tracks that gleaned the qualities of the context from which it was removed invariably fulfilled the needs of those unable or unwilling to build a collection of LPs. And given that Chicago's popularity would continue until at least the late '80s, consolidating their least complex preliminary belters all in one accessible place is primarily why this inaugural anthology remains one of their biggest sellers.

                      Rating: 4.5/5

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