The Prodigy – The Day Is My Enemy
Label: |
Cooking Vinyl – HOSPLP005 |
|---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Ambient |
Tracklist
| A1 | The Day Is My Enemy | 4:26 | |
| A2 | Nasty | 4:03 | |
| A3 | Rebel Radio | 3:52 | |
| A4 | Ibiza | 2:46 | |
| B1 | Wild Frontier | 4:28 | |
| B2 | Get Your Fight On | 3:39 | |
| B3 | Invisible Sun | 4:16 | |
| B4 | Wall Of Death | 4:04 | |
| C1 | Destroy | 4:29 | |
| C2 | Rhythm Bomb | 4:12 | |
| C3 | Beyond The Deathray | 3:09 | |
| D1 | Rok-Weiler | 3:51 | |
| D2 | Roadblox | 5:01 | |
| D3 | Medicine | 3:56 |
Companies, etc.
- Licensed To – Cooking Vinyl Ltd.
- Phonographic Copyright ℗ – Take Me To The Hospital
- Copyright © – Take Me To The Hospital
- Mastered At – Metropolis Mastering
- Lacquer Cut At – Metropolis Mastering
- Pressed By – MPO
- Published By – Wb Music Corp.
- Published By – BMG
- Published By – Copyright Control
- Published By – Kobalt
- Published By – Perfect Songs
- Published By – Incentive Music Management
- Published By – Wipeout Music
- Published By – MTA
- Published By – Maximum Boost Publishing
- Published By – Catskills Music Publishing
- Published By – Universal Egg (Westbury)
- Recorded At – Tileyard Studios
- Mixed At – Sarm Studios
- Published By – Sony ATV
- Published By – Warner/Chappell
Credits
- Artwork – Luke Insect
- Lacquer Cut By – John D.*
- Mastered By – John Davis (4)
- Photography By ['Urban Fox In Bristol Street'] – Ian Wade Photography
- Photography By [Live Photography] – Rahul Singh
- Sleeve [Image] – Nick McFarlane
- Technician [Pro Tools Operation] – Neil McLellan
Notes
Gatefold sleeve, includes printed inserts.
Text on hype sticker:
“The Prodigy
The Day Is My Enemy
2 X 180 gram black 12” cut at 33 rpm
+ card for Hi Res / mp3 digital files
Includes ‘Wild Frontier’ & ‘Nasty’”
The Day Is My Enemy:
Incorporating elements of "All Through The Night" by Cole Porter.
Published by WB Music Corp. All rights istered by Warner/Chappell North America Ltd.
Used by permission. All rights reserved.
Published by BMG / Copyright Control / WB Music Corp.
Nasty:
Published by BMG / Kobalt / Perfect Songs / Incentive Music Management.
Rebel Radio:
Published by BMG / Incentive Music Management / Copyright Control / Perfect Songs.
Ibiza:
Published by BMG / Wipeout Music.
Wild Frontier:
Published by BMG / MTA / Perfect Songs / Incentive Music Management.
Get Your Fight On:
Contains a sample of "Salami Fever" by Pepe Deluxé courtesy of Catskills Records.
Published by BMG / Kobalt / Perfect Songs / MTA / Catskills Music Publishing / Incentive Music Management.
Invisible Sun:
Published by BMG.
Wall Of Death:
Published by BMG / Copyright Control / Kobalt.
Destroy:
Published by BMG / Incentive Music Management.
Rhythm Bomb:
Featuring samples from the Jomanda recording "Make My Body Rock 1990" produced under license from Atlantic Recording Corp. by arrangement with Rhino Entertainment Company, a Warner Music Group Company.
Flux Pavilion appears courtesy of Circus Records / Atlantic.
Published by BMG / Maximum Boost Publishing istered by Sony / ATV / Warner Chappell.
Beyond The Deathray:
Published by BMG / Copyright Control.
Rok-Weiler:
Published by BMG / Kobalt / Copyright Control.
Roadblox:
Published by BMG / Kobalt.
Medicine:
Contains a sample of "Se Makri Sofra / At A Long Table" by Babaka & His Ensemble as featured on the album "Music Of The Balkans Vol 2" (FM 707) courtesy of FM Records.
Published by BMG / Universal Egg (Westbury) / Kobalt.
Written and recorded in various hotel rooms around the world, on planes and at The Prodigy Tileyard Studio. Mixed at Sarm.
Mastered at Metropolis.
Thank you…
Liam H: Martin, Rob, Chris, Anette, Shamus and all at Cooking Vinyl and everyone at releasing labels around the world, Alexi, Steve, Kirsten and Tom at my great new home BMG Publishing, Alison Hook and Guy - respect as always, Nick Halkes (Thank u for the input in making this record bro) and Timur at Incentive Music Management. Special thanks to John Fairs - Big respect for finding the sellotape and superglue, Claire Townend at JCF, Gavin and Dave, Ruth, Beth and all at Toast, Rob at Airplayer, Karen at Big Sister, Jo Hart at Hart Media, Jackson, Martina Topley-Bird, Top Secret Drum Corps, Tim Hutton, Brother Culture, Stu Henshall and Black Futures crew, Jason Williamson (Sleaford Mods), Joe and Luca (KillSonik), Josh (Flux Pavilion), Zak H Laycock, YT, Mark Summers, Chris Field Guitar, Paul Spraggon, Chris, David Bloomfield, Anna Neville at SSB, Mike Shepherd, Luke Insect, Nick McFarlane, SOL - Big respect man (Gig on the moon?), Simon Moran and all at SJM, Jon ‘Ragga Bass’ Burton, Mat Davie - Thanks for havin my back, Andy Hurst - Another level mate!, Jie Campbell - Come back!, Tyrone Brunton, Kat, Nobby, Tom, JB, Con, Steve and to all our crew - No one better, Dave Clarke and all at DPC Media, Edd and Steph, Mel and Trevor - Thanks for lettin us shake ur building for the last time, Nick and all at Tileyard, Zane, Biba for late night cuisine that kept us going, John Davis at Metropolis, Phil ol skool u know that!, Adamsk, Biggy D, A To The Dee, Olly B - Respect for always bringing the noise brother, Same Ol Sean - U know the ruckus will be brung!, Studio powered by Moet and wine gums, The Witching Hours, Big luv and respect to Rob Rock, Leo and to my 2 brothers Keef and Maxim - Let’s go!, Neily - Respect my brother for being such a major part of this journey, my sister and family and biggest luv to my wife and kids for all ur , bests x.
Maxim: Respect to all my family and friends who have ed me along the journey.
Keef: Barrie Tamlyn.
We live for the beats!
℗ & © 2015 Take Me To The Hospital under exclusive license to Cooking Vinyl Ltd.
Made in the EU.
Text on hype sticker:
“The Prodigy
The Day Is My Enemy
2 X 180 gram black 12” cut at 33 rpm
+ card for Hi Res / mp3 digital files
Includes ‘Wild Frontier’ & ‘Nasty’”
The Day Is My Enemy:
Incorporating elements of "All Through The Night" by Cole Porter.
Published by WB Music Corp. All rights istered by Warner/Chappell North America Ltd.
Used by permission. All rights reserved.
Published by BMG / Copyright Control / WB Music Corp.
Nasty:
Published by BMG / Kobalt / Perfect Songs / Incentive Music Management.
Rebel Radio:
Published by BMG / Incentive Music Management / Copyright Control / Perfect Songs.
Ibiza:
Published by BMG / Wipeout Music.
Wild Frontier:
Published by BMG / MTA / Perfect Songs / Incentive Music Management.
Get Your Fight On:
Contains a sample of "Salami Fever" by Pepe Deluxé courtesy of Catskills Records.
Published by BMG / Kobalt / Perfect Songs / MTA / Catskills Music Publishing / Incentive Music Management.
Invisible Sun:
Published by BMG.
Wall Of Death:
Published by BMG / Copyright Control / Kobalt.
Destroy:
Published by BMG / Incentive Music Management.
Rhythm Bomb:
Featuring samples from the Jomanda recording "Make My Body Rock 1990" produced under license from Atlantic Recording Corp. by arrangement with Rhino Entertainment Company, a Warner Music Group Company.
Flux Pavilion appears courtesy of Circus Records / Atlantic.
Published by BMG / Maximum Boost Publishing istered by Sony / ATV / Warner Chappell.
Beyond The Deathray:
Published by BMG / Copyright Control.
Rok-Weiler:
Published by BMG / Kobalt / Copyright Control.
Roadblox:
Published by BMG / Kobalt.
Medicine:
Contains a sample of "Se Makri Sofra / At A Long Table" by Babaka & His Ensemble as featured on the album "Music Of The Balkans Vol 2" (FM 707) courtesy of FM Records.
Published by BMG / Universal Egg (Westbury) / Kobalt.
Written and recorded in various hotel rooms around the world, on planes and at The Prodigy Tileyard Studio. Mixed at Sarm.
Mastered at Metropolis.
Thank you…
Liam H: Martin, Rob, Chris, Anette, Shamus and all at Cooking Vinyl and everyone at releasing labels around the world, Alexi, Steve, Kirsten and Tom at my great new home BMG Publishing, Alison Hook and Guy - respect as always, Nick Halkes (Thank u for the input in making this record bro) and Timur at Incentive Music Management. Special thanks to John Fairs - Big respect for finding the sellotape and superglue, Claire Townend at JCF, Gavin and Dave, Ruth, Beth and all at Toast, Rob at Airplayer, Karen at Big Sister, Jo Hart at Hart Media, Jackson, Martina Topley-Bird, Top Secret Drum Corps, Tim Hutton, Brother Culture, Stu Henshall and Black Futures crew, Jason Williamson (Sleaford Mods), Joe and Luca (KillSonik), Josh (Flux Pavilion), Zak H Laycock, YT, Mark Summers, Chris Field Guitar, Paul Spraggon, Chris, David Bloomfield, Anna Neville at SSB, Mike Shepherd, Luke Insect, Nick McFarlane, SOL - Big respect man (Gig on the moon?), Simon Moran and all at SJM, Jon ‘Ragga Bass’ Burton, Mat Davie - Thanks for havin my back, Andy Hurst - Another level mate!, Jie Campbell - Come back!, Tyrone Brunton, Kat, Nobby, Tom, JB, Con, Steve and to all our crew - No one better, Dave Clarke and all at DPC Media, Edd and Steph, Mel and Trevor - Thanks for lettin us shake ur building for the last time, Nick and all at Tileyard, Zane, Biba for late night cuisine that kept us going, John Davis at Metropolis, Phil ol skool u know that!, Adamsk, Biggy D, A To The Dee, Olly B - Respect for always bringing the noise brother, Same Ol Sean - U know the ruckus will be brung!, Studio powered by Moet and wine gums, The Witching Hours, Big luv and respect to Rob Rock, Leo and to my 2 brothers Keef and Maxim - Let’s go!, Neily - Respect my brother for being such a major part of this journey, my sister and family and biggest luv to my wife and kids for all ur , bests x.
Maxim: Respect to all my family and friends who have ed me along the journey.
Keef: Barrie Tamlyn.
We live for the beats!
℗ & © 2015 Take Me To The Hospital under exclusive license to Cooking Vinyl Ltd.
Made in the EU.
Barcode and Other Identifiers
- Barcode (Text): 7 11297 88051 9
- Barcode (String): 711297880519
- Label Code: LC:7180
- Matrix / Runout (Side A): MPO HOSPLP 005 A1 JOHN D
- Matrix / Runout (Side B): MPO HOSPLP 005 B1
- Matrix / Runout (Side C): MPO HOSPLP 005 C1
- Matrix / Runout (Side D): MPO HOSPLP 005 D1
Other Versions (5 of 42)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Day Is My Enemy (CD, Album) | Cooking Vinyl | HOSPCD005 | Australia & New Zealand | 2015 | |||
|
Recently Edited
|
The Day Is My Enemy (Box Set, Album, Deluxe Edition, Limited Edition, 12", 45 RPM, Red, 12", 45 RPM, Yellow, 12", 45 RPM) | Cooking Vinyl | HOSPBOX005 | UK | 2015 | ||
| The Day Is My Enemy (CD, Album) | Cooking Vinyl | HOSPCD005 | UK | 2015 | |||
| The Day Is My Enemy (CD, Album) | Cooking Vinyl | 06025 4720769 2 | Europe | 2015 | |||
|
Recently Edited
|
The Day Is My Enemy (CDr, Album, Numbered, Promo, Watermarked) | Cooking Vinyl | HOSPCD005P | UK | 2015 |
Recommendations
Reviews
-
Edited one month agoPRO: Great sounding album, bass is nice and punchy (as you would hope).
CON: The bass tends to overwhelm leaving everything else sounding a bit muffled.
4/5, perfect pre-drinks hype music.
-
My copy sounds perfect, amazing dynamics compared to Spotify, and no annoying bonus tracks. One of my favourite Prodigy albums
-
Hate to say it, this is not good. Wayyyyy better then music modern today, but doesn't sound like stuff like The Experience or Fat of the Land.
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Those defects that were described by other people I did not find. Opposite - just perfect sounding pressing, silent mass, high DR. Recommend
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Edited 6 years agoBritish Music Awards (Brit Awards) On Tv Next Year - Mr Keith Flint - Awarded - Outstanding Contributions To Dance Music 1990 - 2019, You Read It Here First By Me,
Charly Says - Rest In Peace Brother ! -
Got to own several copies of this. None of them perfect. The first one was bad on side D. The second one was off-centered on side C. Sold both. Recently got a new one, this one is off-cenetered on sides B and D. Meaning pitch is noticeably varying. -
I ended up with two copies of the first record in mine (Side A & B on both records). The inner sleeve is the same as well, shows track list and lyrics for only side A&B. I know this happens from time to time, so I may just be lucky, but thought I'd check to see if this is a widespread thing before I look for a replacement thing.
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A VERY STROG RETURN IN SOME WAY DIFFERENT RESPECT " THE INVADERS MUST DIE " ,
THE SOUND IS MORE STONG , TOUGHT IN FEW WORDS , BADASS AND RIPE !
the rhythm is mostly breakbeat , MY PERSONAL FAVORITE SONGS ARE
" the invisible sound " destroy " wild frontier " beyond the deathray , ibiza ......in fact all the fucked album!
Release
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Recently Edited
Recently Edited
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18 copies from $33.78