The Rolling Stones – Aftermath
Label: |
London Records – PS-476 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Tracklist
A1 | Paint It Black | 3:20 | |
A2 | Stupid Girl | 2:52 | |
A3 | Lady Jane | 3:06 | |
A4 | Under My Thumb | 3:20 | |
A5 | Doncha Bother Me | 2:35 | |
A6 | Think | 3:10 | |
B1 | Flight 505 | 3:25 | |
B2 | High And Dry | 3:06 | |
B3 | It's Not Easy | 2:52 | |
B4 | I Am Waiting | 3:10 | |
B5 | Going Home | 11:35 |
Companies, etc.
- Published By – Gideon Music, Inc.
- Recorded At – RCA Studios, Hollywood
- Pressed By – Monarch Record Mfg. Co. – △9250
Credits
- Arranged By – The Rolling Stones
- Bass, Marimba, Bells, Piano, Organ, Harpsichord – Bill Wyman
- Design [Cover] – Stephen Inglis
- Drums, Percussion, Marimba, Bells – Charlie Watts
- Engineer, Liner Notes – Dave Hassinger
- Guitar, Marimba, Bells, Dulcimer, Sitar, Piano, Organ, Harpsichord – Brian Jones (5)
- Percussion, Piano, Organ, Harpsichord – Jack Nitzsche
- Photography By – Jerry Schatzberg
- Piano, Organ, Harpsichord – Ian Stewart
- Producer – Andrew Loog Oldham
- Songwriter [Songs By] – Jagger-Richards (tracks: Mick Jagger And Keith Richards)
- Vocals, Guitar – Keith Richards
- Vocals, Percussion, Lighting – Mick Jagger
- Written-By – Jagger; Richard*
Notes
• The side indicators on the labels read ''SIDE ONE'' and ''SIDE TWO''
• "Unauthorized Public Performance, Broadcasting And Copying Of This Recording Prohibited" at the bottom of the label
• "Made In U.S.A." is below the matrix number on labels
• Circular indent diameter is 2.87"
• Track listings are center aligned on labels
• Matrix numbers appear without parentheses
• Track A1 is listed as 'Paint It, Black' on label, 'Paint It Black' on jacket
• Track B5 is listed as 'Goin' Home' label, 'Going Home' on jacket
Label variation, pressed at Monarch Record Manufacturing, Los Angeles, California ( △ in the Matrix Number ).
Labels are dark blue with above attributes.
• "Unauthorized Public Performance, Broadcasting And Copying Of This Recording Prohibited" at the bottom of the label
• "Made In U.S.A." is below the matrix number on labels
• Circular indent diameter is 2.87"
• Track listings are center aligned on labels
• Matrix numbers appear without parentheses
• Track A1 is listed as 'Paint It, Black' on label, 'Paint It Black' on jacket
• Track B5 is listed as 'Goin' Home' label, 'Going Home' on jacket
Label variation, pressed at Monarch Record Manufacturing, Los Angeles, California ( △ in the Matrix Number ).
Labels are dark blue with above attributes.
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (Label side one): ZAL 7259
- Matrix / Runout (Label side 2): ZAL 7260
- Pressing Plant ID (Runouts stamped): MR
- Matrix / Runout (Variant 1, side one stamped, △9250 etched): ZAL 7259-1H △9250
- Matrix / Runout (Variant 1, side two stamped, △9250-X etched): ZAL-7260-1H △9250-X
- Matrix / Runout (Variant 2, side one stamped, △9250 etched): ZAL 7259-1H MR △9250
- Matrix / Runout (Variant 2, side two stamped, △9250-X etched): ZAL-7260-1H MR △9250-X
- Matrix / Runout (Variant 3, side one stamped, △9250 etched): ZAL 7259-1G MR △9250
- Matrix / Runout (Variant 3, side two stamped, △9250-X etched): ZAL 7260-1H MR △9250-X
Other Versions (5 of 436)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Aftermath (LP, Album, Stereo) | Decca | SKL 4786, SKL. 4786 | UK | 1966 | ||
Recently Edited
|
Aftermath (LP, Album, Stereo) | London Records | PS 476 | US | 1966 | ||
Aftermath (LP, Album, Mono) | Decca | LK 4786, LK.4786 | UK & Europe | 1966 | |||
Recently Edited
|
Aftermath (LP, Album, Mono) | London Records | LL 3476 | US | 1966 | ||
Recently Edited
|
Aftermath (LP, Album, Mono) | London Records | LL 3476, LL-3476 | US | 1966 |
Recommendations
Reviews
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I have variant 3 and this one sounds very good and clear and vibrant. I don’t have a UK OG to compare it to but like it better than the UK ABKCO stereo as it sounds a bit fresher. Cut a lot hotter than the recent US ABKCO Stereo . I know the length of the album has something to do with the lack of umph. This is my stereo favorite.
Release
See all versions
Recently Edited
Recently Edited
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