BadBadNotGood – III
Label: |
Innovative Leisure Records – IL2019 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Contemporary Jazz |
Tracklist
| A1 | Triangle | 3:48 | |
| A2 | Can't Leave The Night | 4:40 | |
| B3 | Confessions | 5:01 | |
| B4 | Kaleidoscope | 7:06 | |
| C5 | Eyes Closed | 5:58 | |
| C6 | Hedron | 5:41 | |
| C7 | Differently, Still | 4:43 | |
| D8 | Since You Asked Kindly | 4:42 | |
| D9 | CS60 | 6:53 |
Companies, etc.
- Copyright © – Innovative Leisure Records, Inc.
- Recorded At – Revolution Recording
- Recorded At – HalfPad69Studios
- Lacquer Cut At – Stan Ricker Mastering
- Pressed By – Rainbo Records – S-89542
- Pressed By – Rainbo Records – S-89543
- Pressed By – Rainbo Records – S-89544
- Pressed By – Rainbo Records – S-89545
Credits
- Band [Aka BadBadNotGood] – M. Tavares*
- Baritone Saxophone, Tenor Saxophone, Bass Clarinet, Violin – L. Whitty*
- Bass Guitar, Electric Upright Bass, Electric Guitar, Keyboards, Synthesizer, Sampler – C. Hansen*
- Composed By – M. Tavares*
- Cover, Design, Photography By – R. Flutur*
- Drums, Percussion, Wood Block [Brocken], Synthesizer, Sampler – A. Sowinski*
- Electric Piano, Piano [Acoustic Piano], Keyboards, Synthesizer, Electric Guitar – M. Tavares*
- Engineer [Assistant] – Matt MacNeil
- Engineer, Mixed By – Stephen Koszler
- Lacquer Cut By – SR*
- Mastered By – Joao Carvalho
- Photography By [Collage] – S. Zaret*
- Producer – M. Tavares*
- Trumpet – T. Moffat*
- Violin, Cello – T. Paxton*
Notes
Gatefold sleeve, plain white inner sleeves
[on inner gatefold]
Recorded at Revolution Recording & STUDIO 69
© 2014 Innovative Leisure Records, Inc.
[on sleeve rear and labels]
© 2014 Innovative Leisure
[on inner gatefold]
Recorded at Revolution Recording & STUDIO 69
© 2014 Innovative Leisure Records, Inc.
[on sleeve rear and labels]
© 2014 Innovative Leisure
Barcode and Other Identifiers
- Barcode: 810874020505
- Barcode (Text): 8 10874 02050 5
- Matrix / Runout (Runout side A, hand-etched): IL-2019-A S-89542 SR/2 @ SRM
- Matrix / Runout (Runout side B, hand-etched): IL-2019-B S-89543 SR/2 @ SRM
- Matrix / Runout (Runout side C, hand-etched): IL-2019-C S-89544 SR/2 @ SRM
- Matrix / Runout (Runout side D, hand-etched): IL-2019-D S-89545 SR/2 @ SRM
Other Versions (5 of 17)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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III (2×LP, Album, Limited Edition, Clear) | Innovative Leisure Records | IL2019 | US | 2014 | ||
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New Submission
|
III (Cassette, Album) | Innovative Leisure Records | IL2019 | USA & Canada | 2014 | ||
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New Submission
|
III (CDr, Album, Promo) | Because Music | none | 2014 | |||
|
New Submission
|
III (CD, Album, Digipak) | Beat Records | BRC-416 | Japan | 2014 | ||
|
New Submission
|
III (CD, Album, Digipak) | Innovative Leisure Records | IL2019 | US | 2014 |
Recommendations
Reviews
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Wow, Jazz mal anders, sehr gut, musikalisch, abwechslungsreich, eine absolute Vinyl-Scheibe mit Sucht Faktor. Kaufen, Hören, glücklich sein. Pressung 1A -
Phenomenal pressing. Unfortunate that some others seems to have received bad copies in the past, but the one I just purchased new (arrived unsealed in outer sleeve with album sticker from UK) sounds really amazing. The vinyl is dead silent, flat, and dynamic. The bass on this release is unreal. Highly recommended! -
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Edited 4 years agoGreat album but one of the worst pressings in my collection. Absolutely full of non-fill which gives off an audible static sound during each . Very disappointing.
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This album is really good, but the vinyl is not top of the range. For a newish vinyl I’ve come to lower my expectations for sound quality. And good that I did because the highs here aren’t great and generally the mid varies quite a lot. The cymbal crashes on Kaleidoscope tires my ears. -
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Great album. Spotty pressing. My disc one plays pretty quiet. But disc 2, side 3, the last track has a loud tick during the fadeout. A replacement copy yields the same. Really annoying since it's such a sublime mellow track.
Can owners confirm whether their copies do this? -
The Good: My copy is super quiet, realistic and have good sound, the drums and bass seem to be in the room, and it have good presence and definition.
The bad: The cymbals are harsh and distorted in the highest spectrum, the bass is muddy at times, and the sound loses definition in the loudest parts and when all the instruments are played at the same time.
The quality control is terrible, it came open, both records came with scratches and tamper marks, which fortunately do not affect the sound. The plastic outer sleeve also came with strange markings. I bought it in Juno by the way.
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