Pantera – The Great Southern Trendkill
Label: |
EastWest Records America – 61908-2 |
|---|---|
Format: |
CD
, Album
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Groove Metal |
Tracklist
| 1 | The Great Southern Trendkill | 3:47 | |
| 2 | War Nerve | 4:53 | |
| 3 | Drag The Waters | 4:55 | |
| 4 | 10's | 4:49 | |
| 5 | 13 Steps To Nowhere | 3:37 | |
| 6 | Suicide Note Pt. I | 4:44 | |
| 7 | Suicide Note Pt. II | 4:19 | |
| 8 | Living Through Me (Hells' Wrath) | 4:50 | |
| 9 | Floods | 6:59 | |
| 10 | The Underground In America | 4:33 | |
| 11 | (Reprise) Sandblasted Skin | 5:39 |
Companies, etc.
- Record Company – Atlantic Recording Corporation
- Record Company – Time Warner
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Copyright © – Atlantic Recording Corporation
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – WEA International Inc.
- Recorded At – Chasin Jason Studios
- Mixed At – Larrabee Sound Studios
- Recorded At – Nothing Studios
- Mastered At – Future Disc
- Mastered At – Sterling Sound
- Copyright © – VDPR Music
- Copyright © – Cota Music
- Published By – Warner-Tamerlane Music
- Made By – WEA Manufacturing Inc.
- Glass Mastered At – Specialty Records Corporation
- Pressed By – Specialty Records Corporation
Credits
- Art Direction, Design – "Wild" Jim deBarros*
- Backing Vocals [Here And There] – Vinnie Paul
- Co-producer [Co-Produced By] – Pantera
- Design [Assistance] – David Manteau
- Engineer [Assistant Mix Engineer] – Lamont Hyde
- Engineer [Assistant, New Orleans] – Sean Beavan
- Illustration [Photo Illustrations] – Exum
- Keyboards – Big Ross* (tracks: 6, 8)
- Mastered By – Tom Baker (3)
- Performer [Pantera:], Bass – Rex*
- Performer [Pantera:], Drums – Vinnie Paul
- Performer [Pantera:], Guitar [Guitars] – Dimebag Darrell
- Performer [Pantera:], Vocals – Phil Anselmo
- Photography By [Band Photo] – Joe Giron
- Photography By [Cover Photo Courtesy] – Zig Leszczynski
- Producer [Produced], Recorded By, Mixed By – Vinnie Paul
- Recorded By [Also Recorded By] – Ulrich Wild
- Recorded By [Studio Assistants] – Sterling Winfield
- Songwriter [All Songs Written], Arranged By – Pantera
- Voice [Additional Screams] – Seth Putnam (tracks: 1, 2, 7)
Notes
[Rear cover]:
℗© 1996 Atlantic Recording Corporation [...] Printed in U.S.A.
[Liner notes]:
Vocals Recorded at Nothing Studios, New Orleans, LA
Mastered by Tom Baker at Future Disc & Ted Jensen at Sterling Sound
Seth Putnam appears courtesy of Earache Records
Big Ross appears courtesy of himself
[Disc face]:
Made in U.S.A.
℗© 1996 Atlantic Recording Corporation [...] Printed in U.S.A.
[Liner notes]:
Vocals Recorded at Nothing Studios, New Orleans, LA
Mastered by Tom Baker at Future Disc & Ted Jensen at Sterling Sound
Seth Putnam appears courtesy of Earache Records
Big Ross appears courtesy of himself
[Disc face]:
Made in U.S.A.
Barcode and Other Identifiers
- Barcode: 075596190824
- Barcode (Text): 0 7559-61908-2 4
- Rights Society (All Songs): BMI
- Matrix / Runout (Variant 1): [Specialty 'S' logo] 3 61908-2 SRC**01 M1S17
- Mould SID Code (Variant 1): IFPI 2U7C
- Matrix / Runout (Variant 2): 3 61908-2 SRC**01 M1S8
- Mould SID Code (Variant 2): none
- Matrix / Runout (Variant 3): [Specialty 'S' logo] 3 61908-2 SRC**01 M1S19
- Mould SID Code (Variant 3): IFPI 2U6B
- Matrix / Runout (Variant 4): [Specialty 'S' logo] 3 61908-2 SRC**01 M1S28
- Mould SID Code (Variant 4): IFPI 2U8E
- Matrix / Runout (Variant 5): [Specialty 'S' logo] 3 61908-2 SRC**01 M1S12
- Mould SID Code (Variant 5): unknown
- Matrix / Runout (Variant 6): [Specialty 'S' logo] 3 61908-2 SRC**01 M1S3
- Mould SID Code (Variant 6): IFPI 2U3X
- Matrix / Runout (Variant 7): [Specialty 'S' logo] 3 61908-2 SRC**01 M1S11
- Mould SID Code (Variant 7): IFPI 2U2R
- Matrix / Runout (Variant 8): [Specialty 'S' logo] 3 61908-2 SRC**01 M1S15
- Mould SID Code (Variant 8): none
- Matrix / Runout (Variant 9): [Specialty 'S' logo] 3 61908-2 SRC**01 M1S4
- Mould SID Code (Variant 9): unknown
Other Versions (5 of 99)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Great Southern Trendkill (CD, Album, Stereo) | EastWest | 7559-61908-2 | Europe | 1996 | |||
| The Great Southern Trendkill (Cassette, Album) | EastWest | 7559-61908-4 | Poland | 1996 | |||
|
Recently Edited
|
The Great Southern Trendkill (Cassette, Album, Unofficial Release) | Best Music | none | Ukraine | 1996 | ||
| The Great Southern Trendkill (LP, Album) | EastWest Records America | 7559-61908-1 | Europe | 1996 | |||
|
Recently Edited
|
The Great Southern Trendkill (CD, Album) | EastWest | 7559-61908-2 | Europe | 1996 |
Recommendations
Reviews
-
What is the difference between the ‘white’ cd tray version and the ‘black’ cd tray version? Everything else seems to be identical (barcode etc.). I I got the‘white’ version in 1996 and had no idea the ‘black’ version even existed until I saw it in 2003. Does anyone know if this means the ‘white’ was released before the ‘black’? I am now the proud owner of both versions which makes me even more curious about this issue for the simple fact that I want to know exactly what I have to say the least. Can someone please help answer this question or does anybody have more info on the topic? -
Edited 5 years agoI'm sure in '96 every Pantera fan was taken aback by the first 20 seconds of this album; I know in 2006 I was. I wasn't fortunate to be old enough to see Pantera before their breakup, but thank heavens CDs exist. For me, Trendkill is Pantera's best album. When the first song scares the shit out of you when it starts, you know something good is about to happen.
Some people dislike the rawness of Trendkill, or think it doesn't groove. I disagree entirely. The album is pure, unfiltered raw aggression and is the best example of the musicianship every member of Pantera possessed. It wasn't the pretty, meticulous riffing of Cowboys from Hell. It wasn't the sledgehammer-to-the-face, calculated Far Beyond Driven. What it was was a band at its breaking point still able to produce music, still able to have soul, still able to have ion, without releasing a stinking pile of crap. It may not have been as planned out as every other album, but it was still Pantera.
I'll give fans who dislike this album that it is different from the rest of the Pantera catalog, but for me that just reaffirms their greatness. To begin with the title track, progress to 10s, and have a track like Floods, all on what many consider to be a "brutal" album is a sheer stroke of genius. It's a must have in my opinion, and has stood the test of time. This album is the one I hear the Texas blues, the Texas rock, and the Texas metal in. It truly is a beautiful conglomeration of many styles of music.
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