Tracklist
| A1 | Clash City Rockers | 3:55 | |
| A2 | I'm So Bored With The U.S.A. | 2:24 | |
| A3 | Remote Control | 3:00 | |
| A4 | Complete Control | 3:12 | |
| A5 | White Riot | 1:58 | |
| A6 | White Man In Hammersmith Palais | 3:58 | |
| A7 | London's Burning | 2:10 | |
| A8 | I Fought The Law | 2:40 | |
| B1 | Janie Jones | 2:00 | |
| B2 | Career Opportunities | 1:58 | |
| B3 | What's My Name | 1:40 | |
| B4 | Hate And War | 2:05 | |
| B5 | Police And Thieves | 5:58 | |
| B6 | Jail Guitar Doors | 3:05 | |
| B7 | Garageland | 3:09 | |
| C | Gates Of The West | 3:25 | |
| D | Groovy Times | 3:28 |
Companies, etc.
- Published By – Riva Music Ltd.
- Copyright © – CBS Records
- Phonographic Copyright ℗ – CBS Records
- Manufactured By – Epic Records
- Mastered At – Sterling Sound
Credits
- Bass – Paul Simonon
- Drums – Tory Crimes (tracks: A2, A3, A5, A7, B1 to B5, B7)
- Guitar, Vocals – Mick Jones
- Mastered By – Jack Skinner
- Photography By [Back Cover] – Rocco Macauley
- Photography By [Front Cover] – Kate Simon
- Producer – The Clash (tracks: A6, A8, C, D)
Notes
Warning regarding Epic 45rpm single: Release # AE7 1178 - Owners and re-sellers who only have the 45 (Epic – AE7 1178) single as a solo record. Please do not add it as a separate entry as it was not released as a solo record. A loose or stray 45 disc is from this LP exclusively and only belongs coupled with this USA LP.
Note: Early original releases came with bonus 7" white promo label 45rpm single "Gates Of The West" b/w "Groovy Times"
(listed here as tracks C/D) - with White (background) labels printed "Demonstration Not For Sale".
Inner sleeve contains photos and lyrics.
Songwriting credits from rear cover of LP.
Mastering info from "STERLING (stamped) JS (etched)" in runout.
--Catalog numbers--
LP spine and labels: JE 36060
LP rear sleeve and inner sleeve: 36060
7" bonus single: AE7 1178
Runouts are etched except for "STERLING"stamp.
Note: Early original releases came with bonus 7" white promo label 45rpm single "Gates Of The West" b/w "Groovy Times"
(listed here as tracks C/D) - with White (background) labels printed "Demonstration Not For Sale".
Inner sleeve contains photos and lyrics.
Songwriting credits from rear cover of LP.
Mastering info from "STERLING (stamped) JS (etched)" in runout.
--Catalog numbers--
LP spine and labels: JE 36060
LP rear sleeve and inner sleeve: 36060
7" bonus single: AE7 1178
Runouts are etched except for "STERLING"stamp.
Barcode and Other Identifiers
- Other (Bonus 7" Catalog #): AE7 1178
- Barcode (Text): 0 7464-36060-1
- Barcode (String): 07464360601
- Matrix / Runout (Side A label - LP): AL-36060
- Matrix / Runout (Side B label - LP): BL-36060
- Matrix / Runout (Side C label - 7"): ZSS-166141
- Matrix / Runout (Side D label - 7"): ZSS-166142
- Matrix / Runout (Side A runout, variant 1): AL-36060-1AL-36060-1AL-36060-1A JS STERLING NOTHING CAN CHANGE
- Matrix / Runout (Side B runout, variant 1): BL-36060-1D STERLING THE SHAPE Of THINGS TO CLASH
- Matrix / Runout (Side C runout, variant 1): ZSS-166141 -1A STERLING
- Matrix / Runout (Side D runout, variant 1): ZSS-166142 -1B STERLING
- Matrix / Runout (Side A runout, variant 2): 1S AL-36060-1F JS STERLING NOTHING CAN CHANGE...
- Matrix / Runout (Side B runout, variant 2): 1S BL-36060-1F AX STERLING THE SHAPE Of THINGS TO CLASH
- Matrix / Runout (Side C runout, variant 2): ZSS-166141-1E STERLING
- Matrix / Runout (Side D runout, variant 2): ZSS-166142-1E STERLING
Other Versions (5 of 285)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
The Clash (LP, Album) | Columbia | PES 90434, PES-90434 | Canada | 1977 | ||
|
Recently Edited
|
The Clash (LP, Album) | CBS | CBS 82000 | Greece | 1977 | ||
|
Recently Edited
|
The Clash (LP, Album) | CBS | SBP 234994 | Australia | 1977 | ||
| The Clash (LP, Album) | CBS | CBS 82000 | Europe | 1977 | |||
|
New Submission
|
The Clash (LP, Album) | CBS | 82000, S CBS 82000 | Yugoslavia | 1977 |
Recommendations
Reviews
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Edited 2 years agoI know this isn't a true "first press" since it's the US version, but I was still very underwhelmed by the sound quality on this release. It's more tinny than expected. Maybe I'm just used to the remastered sound of this album but a lot of the tracks just sound a lot harsher and treble-heavy than I'm used to. I assume this is authentic to the recording though. Does the UK version sound significantly better is the remastered vinyl the way to go? -
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Release
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Data Correct
Data Correct
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