Michael JacksonBad

Label:

Epic – OE 40600

Format:

Vinyl , LP, Album, Stereo , Carrollton Pressing, Gatefold

Country:

US

Released:

Genre:

Pop

Style:

Soul

Tracklist

A1 Bad
Arranged By [Horns]Jerry Hey
Arranged By [Rhythm]Quincy Jones
Arranged By [Vocals]Michael Jackson
Drum ProgrammingDouglas Getschal
DrumsJohn Robinson (2)
Organ [Hammond B3 Midi Solo]Jimmy Smith
PercussionPaulinho Da Costa
SaxophoneLarry Williams
SynthesizerMichael Boddicker
Synthesizer [Solo]Greg Phillinganes
Synthesizer [Synclavier], KeyboardsChristopher Currell
TrumpetJerry Hey
VocalsMichael Jackson
Written-ByMichael Jackson
4:06
A2 The Way You Make Me Feel
Arranged By [Horns]Jerry Hey
Arranged By [Rhythm And Vocals]Michael Jackson
Drum ProgrammingDouglas Getschal
DrumsJohn Robinson (2)
GuitarEric Gale
PercussionPaulinho Da Costa
Programmed By [Synthesizer]Larry Williams
SaxophoneLarry Williams
SynthesizerMichael Boddicker
Synthesizer [Synclavier]Christopher Currell
TrumpetJerry Hey
VocalsMichael Jackson
Written-ByMichael Jackson
4:58
A3 Speed Demon
Arranged By [Rhythm]Quincy Jones
Arranged By [Synthesizer And Horns]Jerry Hey
Arranged By [Vocals]Michael Jackson
Drum ProgrammingDouglas Getschal
DrumsOllie E. Brown*
GuitarDavid Williams (4)
PercussionPaulinho Da Costa
Programmed By [Synthesizer]Eric Persing
SaxophoneKim Hutchcroft
Saxophone [Synthesizer], SoloistLarry Williams
SynthesizerMichael Boddicker
Synthesizer [Synclavier], EffectsChristopher Currell
TrumpetJerry Hey
VocalsMichael Jackson
Written-ByMichael Jackson
4:01
A4 Liberian Girl
Arranged ByQuincy Jones
Arranged By [Rhythm]Michael Jackson
Arranged By [Swahili Chant]Caiphus Semenya
Arranged By [Synthesizer]Quincy Jones
Arranged By [Vocals]Michael Jackson
Drum ProgrammingDouglas Getschal
DrumsJohn Robinson (2)
PercussionPaulinho Da Costa
Programmed By [Synthesizer]Steve Porcaro
SynthesizerMichael Boddicker
Synthesizer [Synclavier]Christopher Currell
VocalsMichael Jackson
Vocals [Swahili Chant]Letta Mbulu
Written-ByMichael Jackson
3:52
A5 Just Good Friends
Arranged By [Horns]Jerry Hey
Arranged By [Rhythm, Synthesizer And Vocals]Terry Britten
Drum ProgrammingCornelius Mims
DrumsOllie E. Brown*
GuitarMichael Landau
PercussionPaulinho Da Costa
SaxophoneLarry Williams
SynthesizerRhett Lawrence
Synthesizer [Solo], SoloistStevie Wonder
Synthesizer [Synclavier]Christopher Currell
TrumpetJerry Hey
VocalsStevie Wonder
Written-ByTerry Britten
4:05
B1 Another Part Of Me
Arranged By [Horns]Jerry Hey
Arranged By [Rhythm And Vocals]Michael Jackson
GuitarPaul Jackson Jr.
SaxophoneLarry Williams
Synthesizer [Synclavier]Christopher Currell
TrumpetJerry Hey
VocalsMichael Jackson
Written-ByMichael Jackson
3:53
B2 Man In The Mirror
Arranged By [Rhythm]Quincy Jones
Arranged By [Synthesizer]Quincy Jones
Arranged By [Vocals]Andrea Crouch*
Backing VocalsThe Winans
GuitarDann Huff
Handclaps [Clap]Ollie E. Brown*
KeyboardsGreg Phillinganes
SynthesizerRandy Kerber
VocalsSiedah Garrett
Written-BySiedah Garrett
5:18
B3 I Just Can't Stop Loving You
Arranged ByQuincy Jones
Arranged By [Synthesizer]Quincy Jones
Arranged By [Vocals]Michael Jackson
BassNathan East
DrumsNdugu Chancler*
GuitarDann Huff
PercussionPaulinho Da Costa
PianoJohn Barnes
SynthesizerGreg Phillinganes
Synthesizer [Synclavier]Christopher Currell
VocalsSiedah Garrett
Written-ByMichael Jackson
4:23
B4 Dirty Diana
Arranged By [Rhythm]Michael Jackson
Arranged By [Strings]John Barnes
Arranged By [Synthesizer]Quincy Jones
Arranged By [Vocals]Michael Jackson
Drum ProgrammingDouglas Getschal
DrumsJohn Robinson (2)
GuitarPaul Jackson Jr.
Guitar [Solo], SoloistSteve Stevens
SynthesizerRandy Waldman
Synthesizer [Synclavier]Christopher Currell
Vocals, Percussion [Clave Clapstick]Michael Jackson
Written-ByMichael Jackson
4:52
B5 Smooth Criminal
Arranged By [Horns]Jerry Hey
Arranged By [Rhythm]Michael Jackson
Arranged By [Vocals]Michael Jackson
DrumsJohn Robinson (2)
Effects [Creaking And Heavy Breathing]Frank Dileo
Effects [Holophonics]Hugo Zuccarelli
GuitarDavid Williams (4)
Piano [Muted Steinway]Kevin Maloney (4)
Recorded By [Michael Jackson's Heartbeat]Eric Chevlen, Dr.*
SaxophoneLarry Williams
SynthesizerMichael Boddicker
Synthesizer [Synclavier]Christopher Currell
TrumpetJerry Hey
VocalsMichael Jackson
Voice [Chief Of Police Announcement]Bruce Swedien
Written-ByMichael Jackson
4:16

Companies, etc.

  • Phonographic Copyright ℗MJJ Productions Inc.
  • Copyright ©MJJ Productions Inc.
  • Copyright ©Mijac Music
  • Copyright ©Myaxe Music Ltd.
  • Copyright ©MCA Music Publishing
  • Copyright ©Aerostation Corporation
  • Copyright ©Yellow Brick Road Music
  • Published ByWarner-Tamerlane Publishing Corp.
  • Published ByWb Music Corp.
  • Published ByGood Single Ltd.
  • Published ByAlmo Music Corp.
  • Published ByMCA Music Publishing
  • Produced ForQuincy Jones Productions
  • Produced ForMJJ Productions
  • Manufactured ByEpic Records
  • Record CompanyCBS Inc.
  • Recorded AtWestlake Audio
  • Mixed AtWestlake Audio
  • Mastered AtBernie Grundman Mastering
  • Pressed ByColumbia Records Pressing Plant, Carrollton, GA

Credits

  • Art DirectionTony Lane (2)
  • Co-producerMichael Jackson
  • Coordinator [Production Coordinator], ContractorJolie Levine
  • Crew [Assistant To Michael Jackson]Mary "May-reeh" Coller*
  • Crew [Epic Records Product Direction]Larry Stessel
  • Crew [MJJ Staff]Miko Brando
  • Crew [Qjp Staff]Raoul Roach
  • Crew [Slam Dunk Sisters]Laura Raynor
  • Directed By [Technical]Craig Johnson
  • Engineer [Additional]Humberto Gatica
  • Engineer [Assistant]Laura Livingston
  • Lettering ["Bad" Lettering]Jeffrey Spear
  • Make-Up [Makeup]Karen Faye*
  • ManagementFrank Dileo Management*
  • Management [Frank Dileo Management]Meredith Besser
  • Mastered ByBernie Grundman
  • Mixed By, Recorded ByBruce Swedien
  • Music Consultant [Vocal]Seth Riggs*
  • Photography By [Back Cover]Greg Gorman
  • Photography By [Front Cover]Sam Emerson
  • Photography By [Inside Spread]Matthew Rolston
  • ProducerQuincy Jones
  • Recorded By [Additional Recording By]Matt Forger
  • Technician [Westlake Audio Technical ]Rich Markowitz

Notes

Columbia Records, Carrolton pressing, per "G1" or "G2" or "G3" etching in runouts.

Gatefold with printed lyric sleeve.

Some copies have a gold promo stamp on back of sleeve.

Recorded and mixed at Westlake Audio Studios, Los Angeles, California.

Includes inner sleeve with lyrics.

Ⓒ&Ⓟ1987 MJJ Productions Inc.

Barcode and Other Identifiers

  • Pressing Plant ID (Runouts): G
  • Barcode (Printed): 0 7464-40600-1
  • Barcode (Scanned): 074644060010
  • Rights Society: ASCAP
  • Rights Society: PRS
  • Rights Society: BMI
  • Matrix / Runout (Label A): AL 40600
  • Matrix / Runout (Label B): BL 40600
  • Matrix / Runout (Runout A, variant 1, etched): PAL-40600-1E G1
  • Matrix / Runout (Runout B, variant 1, etched): PBL-40600-1A G1
  • Matrix / Runout (Runout A, variant 2, etched): PAL-40600-1M G1
  • Matrix / Runout (Runout B, variant 2, etched): PBL-40600-1D G1
  • Matrix / Runout (Runout A, variant 3, etched): PAL-40600-1J G1
  • Matrix / Runout (Runout B, variant 3, etched): PBL-40600-1C G1
  • Matrix / Runout (Runout A, variant 4, etched): PAL-40600-1K G1
  • Matrix / Runout (Runout B, variant 4, etched): PBL-40600-3B G1
  • Matrix / Runout (Runout A, variant 5, etched): PAL-40600-1M G1
  • Matrix / Runout (Runout B, variant 5, etched): PBL-40600-2B G1
  • Matrix / Runout (Runout A, variant 6, etched): PAL-40600-1E G2 A2
  • Matrix / Runout (Runout B, variant 6, etched): PBL-40600-1A G1 H 12
  • Matrix / Runout (Runout A, variant 7, etched): PAL-40600-1F G1 B21
  • Matrix / Runout (Runout B, variant 7, etched): PBL-40600-1B D G1
  • Matrix / Runout (Runout A, variant 8, etched, C stamped): PAL-40600-1E G2 C E4-
  • Matrix / Runout (Runout B, variant 8, etched, D stamped): PBL-40600-1B D G2 A2
  • Matrix / Runout (Runout A, variant 9, etched, 2nd M stamped): PAL-40600-1M M G1 F3
  • Matrix / Runout (Runout B, variant 9, etched, D stamped): PBL-40600-2B D G1 A16
  • Matrix / Runout (Runout A, variant 10, etched): PAL-40600-1M G1 C21
  • Matrix / Runout (Runout B, variant 10, etched, D stamped): PBL-40600-1A D G2 A30
  • Matrix / Runout (Runout A, variant 11, etched, E stamped): PAL-40600-1F G1 E B19
  • Matrix / Runout (Runout B, variant 11, etched, M stamped): PBL-40600-1A M G2 C8
  • Matrix / Runout (Runout A, variant 12, etched): PAL-40600-1E G3
  • Matrix / Runout (Runout B, variant 12, etched): PBL-40600-1C G1
  • Matrix / Runout (Runout A, variant 13, etched, E stamped): PAL-40600-1F G1 E B21
  • Matrix / Runout (Runout B, variant 13, etched, M stamped): PBL-40600-1A M G2 F1
  • Matrix / Runout (Runout A, variant 14, etched, E stamped): PAL-40600-1AB G1 E A4
  • Matrix / Runout (Runout B, variant 14, etched, E stamped): PBL-40600-1B G1 E F2
  • Matrix / Runout (Runout A, variant 15, etched): PAL-40600-1M G1 C8
  • Matrix / Runout (Runout B, variant 15, etched): PBL-40600-1A G2 F2C
  • Matrix / Runout (Runout A, variant 16, etched, E stamped): PAL-40600-1C G1 E Al2
  • Matrix / Runout (Runout B, variant 16, etched, M stamped): PBL-40600-1F M G1 C7
  • Matrix / Runout (Runout A, variant 17, etched): PAL-40600-1F G1
  • Matrix / Runout (Runout B, variant 17, etched): PBL-40600-1A G1
  • Matrix / Runout (Runout A, variant 18, etched, E stamped): PAL-40600-1E G2 E E2
  • Matrix / Runout (Runout B, variant 18, etched, D stamped): PBL-40600-1D D G1 D1
  • Matrix / Runout (Runout A, variant 19, etched, E stamped): PAL-40600-1M E G1 C37
  • Matrix / Runout (Runout B, variant 19, etched, D stamped): PBL-40600-1A D G2 A39
  • Matrix / Runout (Runout A, variant 20, etched, E stamped): PAL-40600-1E E G1 A44
  • Matrix / Runout (Runout B, variant 20, etched, D stamped): PBL-40600-1A D G2 A33
  • Matrix / Runout (Runout A, variant 21, etched): PAL-40600-1M G1
  • Matrix / Runout (Runout B, variant 21, etched): PBL - 40600-3C G1
  • Matrix / Runout (Runout A, variant 22, etched, E stamped): PAL-40600-1E E G1 A19
  • Matrix / Runout (Runout B, variant 22, etched, E stamped): PBL-40600-1C G1 E A16
  • Matrix / Runout (Runout A, variant 23, etched): PAL - 40600 - 1J G1 C3
  • Matrix / Runout (Runout B, variant 23, etched): PAL - 40600 - 1D G1 E14
  • Matrix / Runout (Runout A, variant 24, etched): PAL-40600-1M G1 A8
  • Matrix / Runout (Runout B, variant 24, etched): PBL-40600-1D G1 A28
  • Matrix / Runout (Runout A, variant 25, etched): PAL-40600-1G G1 [[ ]] ↓ ↓ ↓ B11
  • Matrix / Runout (Runout B, variant 25, etched): PBL-40600-1C D G1 D12
  • Matrix / Runout (Runout A, variant 26, etched): PAL-40600-1AC. G1 B28
  • Matrix / Runout (Runout B, variant 26, etched): PBL-40600-3B D G1 C9
  • Matrix / Runout (Runout A, variant 27, etched, D stamped): PAL-40600-1E D G3 A33
  • Matrix / Runout (Runout B, variant 27, etched, D stamped): PBL-40600-1A D G1 J10

Other Versions (5 of 521)

View All
Title (Format) Label Cat# Country Year
Bad (LP, Album, Stereo, Gatefold) Epic EPC 450290 1, OE 40600 Europe 1987
Recently Edited
Bad (LP, Album, Picture Disc) Epic EPC 450290 0 Europe 1987
Recently Edited
Bad (Cassette, Album, Club Edition, CrO2) Epic OET 40600 Canada 1987
Recently Edited
Bad (Cassette, Album) Epic 450290 4 UK 1987
Bad (CD, Album, Stereo, 1st Press, Original Mixes) Epic EK 40600 US 1987

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Reviews

  • hvaladares's avatar
    hvaladares
    Ok this pressing is really really good… but the original Japanese one is way better ! More separation, more dynamics, clearer, punchier! Both are great, though, but the Japanese “goes to 11”
    • Bvm195's avatar
      Bvm195
      Edited 7 months ago
      Promotional copy sent to Ted Currier, the original first DJ in New York
      • Vonzip's avatar
        Vonzip
        I just picked up a Europe copy made in Holland etc. and it matches the matrix number of the 1987 version, but it has a slightly different back cover and the record label does not match anything i have seen here.It has a white background with a blue symbol above the epic label name with black lettering for the song titles, and uses the letters A and B for side names instead of 1 and 2. Don't know how to post a new version. Does anyone have any idea about it or have seen one before?
        • deezycolon's avatar
          deezycolon
          One of the best music in the world but physically album cover has it’s little writings
          • dbasile's avatar
            dbasile
            THIS IS THE DEFINITIVE PRESSING OMG!!! IT SOUNDS OUT OF THIS WORLD AMAZING!!!!

            Not Only Does It Have All The Superior Original Album Mixes Of The Songs But The Sound Quality Is Utterly Immaculate. The Detail Is All Their In The Highest Quality One Could Ever Want. The Bass Is Deep And The Drums And Synths Really Pop, It Just Has To Be One Of The Greatest Sounding Pop Record In History.
            • dawrite's avatar
              dawrite
              Edited 2 years ago
              My pressing has side A Etched PAL - 40600 - 1M Etched G1
              side B Etched PBL - 40600 - 3C Etched G1
              • echauhan1's avatar
                echauhan1
                Just compared this original 1987/Promo to the MOV 2009 (that has Leave Me Alone). The original wins again. There is an overall smoother presentation in the highs and mids, with better defined bass in the original. Vocals have more presence here too. I've had the MOV for a couple of years now and very glad I searched out a nice original copy. It's worth having for sure!
                • Jizo30's avatar
                  Jizo30
                  Some interesting commentary about the sound quality of this LP When Quincy Jones Sued the Estate of Michael Jackson
                  • isaacmusicman's avatar
                    isaacmusicman
                    Edited one year ago
                    Album Revolution # 3:

                    By the time "Bad" was released, "Michael Jackson" have taken over the Music world...There was no where you could go and not see or hear some kind of "Michael Jackson" influence (that also went for "Prince" and "Madonna" as well).....

                    The first single " I Just Can't Stop Loving You" (featuring "Siedah Garrett") was a very unlikely first single with it being a ballad....But it was a WHOPPING #1 HIT, and , he did the same kind of thing for "Thriller"....

                    The "Title Track" and second single became a WORLDWIDE PHENOMENON with it's long video co-starring "Wesley Snipes", trying to make "Mike" into a thug....

                    The third single "The Way You Make Me Feel", also became a WORLDWIDE PHENOMENON, and an all time "Michael Jackson" favorite....It also was accompanied by a long video with "Mike" Rappin' to a beautiful lady....It also started the famous "Michael Jackson" YELL....

                    The next single was "Man In The Mirror"....Now don't get me wrong, I love the Song, but I hate the Video!!!!! The subject matter is FANTASTIC, but the Video doesn't really reflect it well...The world is still in such a mess, and, well I won't get into the politics, I just feel like a Video with "Mike" in it would have been much better!!!!!

                    "Another Part Of Me" is another standout single, I only wish it had a little more "Funk" to it.....

                    I can't prove it, but I think "Dirty Diana" is what "Mike" was trying to accomplish in having his pure "Rock" anthem.....

                    Then "Smooth Criminal" continues "Mike's" #1 MEGA HIT ways, with it's "Electronic Funk" jam....

                    I know "Mike" had a video for "Liberian Girl", I don't know if it's a single, but it is a very nice smooth Slow Jam....

                    The last two songs to mention are pure filler to me...

                    "Speed Demon" is just straight up terrible!!!! I don't know what he was trying to do with that one, but yuck!!!!!

                    And even though "Stevie Wonder" helped on "Just Good Friends", to me it is a very weak Song...

                    The one thing that BURNS MY BACON is that the FANTASTIC "Leave me Alone" song is not on here!!!!...In my opinion, "Mike" could have kicked off either "Just Good Friends" or that terrible "Speed Demon" to make room for it!!!!!!!

                    Through it all, even with it's minor flaws, and even though it doesn't come close to "Off The Wall" and "Thriller", it is a very classic album by the man who took over the Music world.....

                    PS: This is the last album "Mike" worked with Super Producer "Quincy Jones"....I don't think they split on bad , I just think "Mike" was ready to move on, that's all.....
                    • kyle12ellis's avatar
                      kyle12ellis
                      Sounds absolutely stunning! I picked this up because I’ve heard great things about the first issue. The bass on this it absolutely thrilling! I honestly couldn’t believe it! I know there were a lot of copies of those pressed but at some point in the future this will be a very sought after album. Years from now all the master tables will be rotten and disintegrated. And people will realize that digital music is throwaway crap. And for CDs… well nobody cares about a CD right lol

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