Depeche Mode – It's No Good
Label: |
Mute – LCD BONG 26 |
|---|---|
Format: |
CD
, Single, Limited Edition
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Synth-pop |
Tracklist
| 1 | It's No Good (Hardfloor Mix) | 6:44 | |
| 2 | Slowblow | 5:28 | |
| 3 | It's No Good (Andrea Parker Mix) | 6:15 | |
| 4 | It's No Good (Motor Bass Mix) | 3:48 |
Companies, etc.
- Phonographic Copyright ℗ – Mute Records Ltd.
- Copyright © – Mute Records Ltd.
- Published By – EMI Music Publishing Ltd.
- Published By – Grabbing Hands Music Ltd.
- Recorded At – Eastcote Studios
- Recorded At – Larrabee West
- Recorded At – Abbey Road Studios
- Mixed At – Abbey Road Studios
- Distributed By – RTM (2)
- Distributed By – Disc (3)
- Glass Mastered At – Nimbus – C5461
Credits
- Art Direction, Photography By, Cover [Front Cover] – Anton Corbijn
- Layout [Sleeve Layout] – Area (10)
- Management – Jonathan Kessler
- Mixed By – Tim Simenon
- Musician [Depeche Mode] – Martin Gore*
- Producer – Tim Simenon
- Written-By – Martin L Gore*
Notes
Management for Baron Inc.
'It's No Good': Recorded at - Eastcote, London & Larrabee West, Los Angeles.
Mixed at - Abbey Road, London.
'Slowblow': Recorded & mixed at - Abbey Road, London.
Track 4 remixed for Motor Bass, Paris, 1997.
Published by - EMI Music Publishing Ltd.
Assigned by - Grabbing Hands Music Ltd.
Distributed by - RTM/DISC. Made in England.
℗ & © 1997 Mute Records Ltd.
________________________
Comes in standard jewel case.
Catalog number on disc: "LCD Bong 26".
Catalog number on spine: "LCD BONG 26".
Track durations are not printed on the release.
'It's No Good': Recorded at - Eastcote, London & Larrabee West, Los Angeles.
Mixed at - Abbey Road, London.
'Slowblow': Recorded & mixed at - Abbey Road, London.
Track 4 remixed for Motor Bass, Paris, 1997.
Published by - EMI Music Publishing Ltd.
Assigned by - Grabbing Hands Music Ltd.
Distributed by - RTM/DISC. Made in England.
℗ & © 1997 Mute Records Ltd.
________________________
Comes in standard jewel case.
Catalog number on disc: "LCD Bong 26".
Catalog number on spine: "LCD BONG 26".
Track durations are not printed on the release.
Barcode and Other Identifiers
- Barcode (Text): 5 016025 930265
- Barcode (String): 5016025930265
- Matrix / Runout (Variant 1, Mirrored): C5461 LCDBONG 26 · MASTERED BY NIMBUS
- Mastering SID Code (Variant 1): IFPI L122
- Mould SID Code (Variant 1): ifpi 2316
- Matrix / Runout (Variant 2, Mirrored): C5461 LCDBONG 26 · 1:0 MASTERED BY NIMBUS
- Mastering SID Code (Variant 2): IFPI L122
- Mould SID Code (Variant 2): ifpi 2319
- Matrix / Runout (Variant 3, Mirrored): C5461 LCDBONG 26 · 1:1 MASTERED BY NIMBUS
- Mastering SID Code (Variant 3): IFPI L122
- Mould SID Code (Variant 3): ifpi 2316
- Matrix / Runout (Variant 4, Mirrored): C5461 LCDBONG 26 · 1:2 MASTERED BY NIMBUS
- Mastering SID Code (Variant 4): IFPI L122
- Mould SID Code (Variant 4): ifpi 2329
- Label Code: LC 5834
Other Versions (5 of 73)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| It's No Good (CD, Single) | Mute | CD Bong 26 | UK | 1997 | |||
|
Recently Edited
|
It's No Good (CD, Maxi-Single) | Mute | 9 43845-2 | US | 1997 | ||
|
Recently Edited
|
It's No Good (12", 33 ⅓ RPM, Single) | Mute | 12 BONG 26 | UK | 1997 | ||
| It's No Good (12", 33 ⅓ RPM, Maxi-Single) | Mute | 9 43845-0, 0-43845 | US | 1997 | |||
|
Recently Edited
|
It's No Good (CD, Single, Promo) | Mute | RCD BONG 26 | UK | 1997 |
Recommendations
Reviews
-
Edited 18 years agoI bought this thinking that the version as played by Paul Van Dyk and Paul Oakenfold on their Essential Mixes (20/04/1997 & 19/10/1997 respectively) was the Hardfloor Mix. After all, with its searing acid accentuating the intense vocals, it sounded just like the Hardfloor remix of 'Blue Monday' by New Order. How wrong I was. The Hardfloor mix is certainly worthy, in a slow burning acid meets trip hop kind of way, but it wasn't the mix I was expecting.
It so transpires that the version I am referring to is by none other than B.T, and it is by all s impossible to get hold of. I can't imagine why it was never released because it totally kicks arse, and turns the song from a sad tale of unrequited love into something all the more desperate and profound.
Release
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Recently Edited
Recently Edited
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