Daft Punk – Human After All
Label: |
Virgin – LP-V 2996 |
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Format: |
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Country: |
Europe |
Released: |
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Genre: |
Electronic |
Style: |
Experimental |
Tracklist
A1 | Human After All | 5:20 | |
A2 | The Prime Time Of Your Life | 4:23 | |
A3 | Robot Rock | 4:26 | |
B1 | Steam Machine | 5:21 | |
B2 | Make Love | 4:49 | |
C1 | The Brainwasher | 4:08 | |
C2 | On/Off | 0:19 | |
C3 | Television Rules The Nation | 4:46 | |
D1 | Technologic | 4:43 | |
D2 | Emotion | 6:57 |
Companies, etc.
- Published By – Zomba Music Publishing
- Published By – Daft Music
- Published By – Pizzazz Music
- Mastered At – The Exchange
- Phonographic Copyright ℗ – Daft Life
- Copyright © – Daft Life
- Licensed To – Virgin Records Ltd.
- Licensed To – Virgin Music
- Lacquer Cut At – The Exchange
- Pressed By – Record Industry – 57257
Credits
- Coordinator [Production Coordinator] – Gildas Loaëc
- Guitar [All Guitars By] – Daft Punk
- Lacquer Cut By – Nilz*
- Management – Pedro Winter
- Mastered By – Nilesh Patel
- Written-By – T. Bangalter*
Notes
Gatefold sleeve:
Published by Zomba Music Publishing, Daft Music. "Robot Rock" Published By Pizzazz Music (BMI), Zomba Music Publishing, Daft Music. Incorporating elements of "Release The Beast" by Kae Williams. Published by Pizzazz Music. Used by permission. All rights reserved. "Robot Rock" contains a sample of "Release The Beast" performed by Breakwater. (P)1980 Arista Records Inc. Courtesy of Sony BMG Music Entertainment .
Mastered at The Exchange, London. Management: Pedro Winter for Headbangers Entertainment. Production coordinators for daft life: Cédric Hervet & Gildas Loaëc.
(P) & (C) 2005 Daft Life under exclusive license to Virgin Records Ltd/Virgin Music, a division of EMI Music . Printed in EU
Colour Printed Inner Sleeves:
Paris, September 13 To November 9, 2004
Labels:
Printed In EU
Runouts are stamped, except for "NiLZ - THE EXCHANGE" which is etched. There are Xs over two digits in side C runouts.
Published by Zomba Music Publishing, Daft Music. "Robot Rock" Published By Pizzazz Music (BMI), Zomba Music Publishing, Daft Music. Incorporating elements of "Release The Beast" by Kae Williams. Published by Pizzazz Music. Used by permission. All rights reserved. "Robot Rock" contains a sample of "Release The Beast" performed by Breakwater. (P)1980 Arista Records Inc. Courtesy of Sony BMG Music Entertainment .
Mastered at The Exchange, London. Management: Pedro Winter for Headbangers Entertainment. Production coordinators for daft life: Cédric Hervet & Gildas Loaëc.
(P) & (C) 2005 Daft Life under exclusive license to Virgin Records Ltd/Virgin Music, a division of EMI Music . Printed in EU
Colour Printed Inner Sleeves:
Paris, September 13 To November 9, 2004
Labels:
Printed In EU
Runouts are stamped, except for "NiLZ - THE EXCHANGE" which is etched. There are Xs over two digits in side C runouts.
Barcode and Other Identifiers
- Rights Society: bel BIEM
- Barcode (Text): 7 24356 35621 4
- Barcode (Scanned): 724356356214
- Label Code: 03098
- Other (Catalog# Disc 1): 724356356313
- Other (Catalog# Disc 2): 724356356412
- Matrix / Runout (Runout A side): 57257 2A 5635621 NiLZ - THE EXCHANGE .
- Matrix / Runout (Runout B side): 57257 2B 5635621 NiLZ - THE EXCHANGE .
- Matrix / Runout (Runout C side): 57257 2C ̷5̷7̷5635621 NiLZ - THE EXCHANGE .
- Matrix / Runout (Runout D side): 57257 2D 5635621 NiLZ - THE EXCHANGE .
Other Versions (5 of 62)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Human After All (CD, Album) | Virgin | 724356356221, CDV 2996 | Europe | 2005 | |||
Recently Edited
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Human After All (CD, Enhanced, Album) | Virgin | 724356356207 | Brazil | 2005 | ||
Recently Edited
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Human After All = 原点回帰 (CD, Album, Enhanced, Slipcase) | Virgin | VJ-68735, 724356356207 | Japan | 2005 | ||
Human After All (CD, Album) | EMI | 7243 5 63562 2 1 | US | 2005 | |||
Recently Edited
|
Human After All (CD, Album, Enhanced) | Virgin | 724356356207 | 2005 |
Recommendations
Reviews
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i was disappointed with this album at the time, mostly b/c its the followup to their magnus opus (imo) and I had a tough time being objective. but after I listened to alive2007, I became a believer. I do now love the songs on this album, it just took me the long way to get there. but yeah, if you asked me do i like this album or alive2007 more? i'd still say alive2007 haha
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I was a bit disappointed at the time. It’s a minimalist affair. I’m still glad I own this pressing! Hate to be shelling out for it now! I presume it will be repressed sometime.
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When this was released, "no-one" liked it. Yes - now there will maybe be a few hundreds of thousands who will say that "this was my favourite album back then".
OK, but if I all the people that I spoke to back then, friends, at the DJ shop, reviews, everybody was like "naah, I couldn't really be bothered" - it wasn't that they were angry or disappointed - they simply didn't like it. I thought it was bangin' like 'ell, full of raw, simple and honest daft punk music and that the simplistic criticism of the State of the Nation was just the perfect continuation of the Daft Punk aesthetics - so they turned a bit anarcho aggressive AFTER Homework? I think it became them perfectly. -
Edited 3 years ago10/10 banger of an album, I love every track and this original press is insane. Would have been great to have a second DP album in this style but I guess Alive 2007 is a logical follow up.
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I've noticed that there are two different releases of this record. Is the Virgin release or the Astralwerks version better? Or ar they both good?
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Edited 12 years agoI can't believe how many people think this album wasn't some of their best work. If they released an ep every six months with this kind of content your eyes would explode out of your sockets. People may be upset they didn't get another discovery but probably only because they make us wait so darn much before they show what they've been working on. I think history will show this as a masterpiece.
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Edited 14 years agoThere were so many critical words about this album. A german music-magazine was going so far to say for Daft Punk it´s maybe time to stop producing music. Yes, they were the Superheroes in the mid-90s and this release would be watched with different eyes than other artists. So the expectation is big, the way narrow and the result often another thing (the same with Massive Attack). Human After All is not in the class of Homework and Discovery. Though there are just straight and solid tracks in the known Daft Punk-Style, but they have a smack of bitterness and not the depth of the first two albums. HAA is also a clear defined attack to the TV-media. For me it´s not a bad album, good quality music, and maybe Bangalter and Homem-Christo needs this release to breathe free. But in spite of all the critical words Daft Punk deserves respect for bringing us music in their unique style. Keep on doing this...
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