Premiata Forneria Marconi – Storia Di Un Minuto
Label: |
Numero Uno – ZSLN 55055 |
|---|---|
Format: |
|
Country: |
Italy |
Released: |
|
Genre: |
Rock |
Style: |
Symphonic Rock |
Tracklist
| A1 | Introduzione | 1:08 | |
| A2 | Impressioni Di Settembre | 5:40 | |
| A3 | È Festa | 4:50 | |
| A4 | Dove… Quando… (Parte I) | 4:06 | |
| B1 | Dove… Quando… (Parte II) | 6:00 | |
| B2 | La Carrozza Di Hans | 6:46 | |
| B3 | Grazie Davvero | 5:50 |
Companies, etc.
- Distributed By – RCA S.p.A.
- Manufactured By – RCA S.p.A.
- Pressed By – RCA Records Factory, Italy – AKAY 26380
- Pressed By – RCA Records Factory, Italy – AKAY 26381
- Printed By – Campi Grafica
- Published By – Universale
- Published By – Edizioni Numero Uno
- Recorded At – Fonorama Studios
Credits
- Bass, Vocals – Giorgio Piazza
- Co-producer – Claudio Fabi
- Cover [Copertina Realizzata Da] – Wanda Spinello
- Drums, Synthesizer [Moog], Vocals, Other [Aggeggi] – Franz Di Cioccio
- Electric Guitar, Acoustic Guitar, Twelve-String Guitar, Mandocello [Mandoloncello], Vocals – Franco Mussida
- Engineer – Gaetano Ria
- Flute, Violin, Vocals, Flute [Ottavino] – Mauro Pagani
- Music By – M. Pagani* (tracks: A2 to B3)
- Organ, Piano, Mellotron, Synthesizer [Moog], Vocals, Piano [Piano A Puntine] – Flavio Premoli
- Written-By, Arranged By [In Collaboration With] – Claudio Fabi
- Written-By, Arranged By, Producer – P.F.M.*
Notes
This release is first press, with gatefold cover and date 1/72 printed on the lower left corner of the back of the cover (see pics).
First press has both labels with large "deep groove".
CAMPI GRAFICA FOLIGNO 1/72
For later similar gatefold editions with later dates see these subsequent releases:
Premiata Forneria Marconi - Storia Di Un Minuto (1/75)
LP releases with single (non gatefold) cover are later reissues from 1976 to 1980s.
Runouts are etched.
First press has both labels with large "deep groove".
CAMPI GRAFICA FOLIGNO 1/72
For later similar gatefold editions with later dates see these subsequent releases:
Premiata Forneria Marconi - Storia Di Un Minuto (1/75)
LP releases with single (non gatefold) cover are later reissues from 1976 to 1980s.
Runouts are etched.
Barcode and Other Identifiers
- Rights Society (Boxed): SIAE
- Matrix / Runout (Side A label): AKAY 26380
- Matrix / Runout (Side B label): AKAY 26381
- Matrix / Runout (Side A runout, variant 1): AKAY 26380 2S - 1B 1
- Matrix / Runout (Side B runout, variant 1): AKAY 26381 2S - 1A 1
- Matrix / Runout (Side A runout, variant 2): AKAY 26380 1S - 2A 9 P Δ
- Matrix / Runout (Side B runout, variant 2): AKAY 26381 6S - 1A 3 P Δ
- Matrix / Runout (Side A runout, variant 3): AKAY 26380 1S - 1A 6 Δ
- Matrix / Runout (Side B runout, variant 3): AKAY 26381 2S - 1B 4 P Δ
- Matrix / Runout (Side A runout, variant 4): AKAY 26380 1S - 1A 6 Δ
- Matrix / Runout (Side B runout, variant 4): AKAY 26381 2S - 1A 6 Δ
- Matrix / Runout (Side A runout, variant 5): AKAY 26380 3S - 1A 2 P Δ
- Matrix / Runout (Side B runout, variant 5): AKAY 26381 2S - 1B 4 P Δ
- Matrix / Runout (Side B runout, variant 6): AKAY 26380 2S - 2A 5 P Δ
- Matrix / Runout (Side B runout, variant 6): AKAY 26381 3S - 1A 2 P Δ
- Matrix / Runout (Side A runout, variant 7): AKAY 26380 1S - 1A 2 Δ
- Matrix / Runout (Side B runout, variant 7): AKAY 26381 2S - 1B 2 Δ
Other Versions (5 of 61)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Storia Di Un Minuto (LP, Album, Reissue, Gatefold) | Numero Uno | ZSLN 55055 | Italy | 1972 | ||
|
New Submission
|
Storia Di Un Minuto (Cassette, Album) | Numero Uno | ZKN 80037 | Italy | 1972 | ||
| Storia Di Un Minuto (8-Track Cartridge, Album) | Numero Uno | Z8SLN 80037 | Italy | 1972 | |||
|
Recently Edited
|
Storia Di Un Minuto (LP, Album, Reissue, Gatefold) | Numero Uno | ZSLN 55055 | Italy | 1974 | ||
|
New Submission
|
Storia Di Un Minuto (LP, Album, Reissue) | Numero Uno | ZSLN 55055 | Italy | 1974 |
Recommendations
Reviews
-
I also have a release with this Matrix/Runout:
side 1: AKAY 26380 1S - 2A 1 P Δ
side 2: AKAY 26381 2S - 1B 6 P Δ -
I have a release with a different Matrix/Runout:
side 1: AKAY 26380 1S - 2A 1 P Δ
side 2: AKAY 26381 2S - 1B 6 P Δ
Gat with "CAMPI GRAFICA - FOLIGNO 1/72" printed on the lower left corner of the back cover.
-
I have a release with a different Matrix/Runout:
side 1: AKAY 26380 1S - 1A 6 Δ
side 2: AKAY 26381 2S - 1A 6 Δ
Gat with "CAMPI GRAFICA - FOLIGNO 1/72" printed on the lower left corner of the back cover. -
Found a release with a different Matrix/Runout:
- side1: AKAY 26380 1S - 2A 9
- side2: AKAY 26381 6S - 1A 3
Gat with "CAMPI GRAFICA - FOLIGNO 1/72" printed on the lower left corner of the back cover -
Marco Damiani (2) (born in Petosino, Bergamo), as a self-taught painter, has realized the artwork for this album "Storia Di Un Minuto" by Premiata Forneria Marconi in a decisive phase of transition between a starting point and natural mimetic, where the actual reality still holds in some places known to the observer.
The artist is conscious of the need to give free space to a new language, be able to free the colors of soul and mind to be taken immediately, but inappropriately, decipherable. His figures are then cut out from the background and tends to become sign and chromaticism, while the colors are adequate to be representative (in fact, in this work) "impressions" (see the titled of a song in the opera) nuanced and perhaps where there is light, there shines, where the eye of the traditional reader expects a shadow. -
Marco Damiani (2) (born in Petosino, Bergamo), as a self-taught painter, has realized the artwork for this album "Storia Di Un Minuto" by Premiata Forneria Marconi in a decisive phase of transition between a starting point and natural mimetic, where the actual reality still holds in some places known to the observer.
The artist is conscious of the need to give free space to a new language, be able to free the colors of soul and mind to be taken immediately, but inappropriately, decipherable. His figures are then cut out from the background and tends to become sign and chromaticism, while the colors are adequate to be representative (in fact, in this work) "impressions" (see the titled of a song in the opera) nuanced and perhaps where there is light, there shines, where the eye of the traditional reader expects a shadow.
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