Tracklist
| A1 | Dreaming | 3:02 | |
| A2 | The Hardest Part | 3:37 | |
| A3 | Union City Blue | 3:19 | |
| A4 | Shayla | 3:51 | |
| A5 | Eat To The Beat | 2:35 | |
| A6 | Accidents Never Happen | 4:10 | |
| B1 | Die Young Stay Pretty | 3:27 | |
| B2 | Slow Motion | 3:25 | |
| B3 | Atomic | 4:35 | |
| B4 | Sound-A-Sleep | 4:12 | |
| B5 | Victor | 3:19 | |
| B6 | Living In The Real World | 2:38 |
Companies, etc.
- Record Company – Phonogram GmbH
- Phonographic Copyright ℗ – Chrysalis Records
- Pressed By – PRS Hannover
- Published By – Rare Blue Music
- Published By – Monster Island Music
- Recorded At – Power Station
- Recorded At – Electric Lady Studios
- Recorded At – Mediasound
- Mixed At – MCA Whitney Recording Studios
- Mastered At – MCA Whitney Recording Studios
- Lacquer Cut At – PRS Hannover
Credits
- Art Direction – Billy Bass
- Bass Guitar – Nigel Harrison
- Design, Typography – John Van Hamersveld
- Drums – Clem Burke
- Engineer – Peter Coleman
- Guitar – Chris Stein
- Guitar, Vocals – Frank Infante
- Keyboards, Vocals – Jimmy Destri
- Mastered By – Steve Hall
- Photography By, Design – Norman Seeff
- Producer – Mike Chapman
- Vocals – Deborah Harry
- Written-By – N. Harrison* (tracks: A3, A5)
Notes
Printed inner sleeve.
On labels:
Made in West
℗ 1979 Chrysalis Records
On back cover:
High Quality Pressing
Made in
(CDL 1225)
Herausgeber: PHONOGRAM GmbH., Hamburg
Printed in West
Unlike to Eat To The Beat, this version don't show an embossed PRS stamp at the bottom rear cover.
On spine:
(CDL 1225)
Some releases have a Merchandising order slip from the Blondie Official Fan Club
On labels:
Made in West
℗ 1979 Chrysalis Records
On back cover:
High Quality Pressing
Made in
(CDL 1225)
Herausgeber: PHONOGRAM GmbH., Hamburg
Printed in West
Unlike to Eat To The Beat, this version don't show an embossed PRS stamp at the bottom rear cover.
On spine:
(CDL 1225)
Some releases have a Merchandising order slip from the Blondie Official Fan Club
Barcode and Other Identifiers
- Matrix / Runout (Label side A): AA 6307 661.1 Y
- Matrix / Runout (Label side B): AA 6307 661.2 Y
- Matrix / Runout (Runout side A, variant 1): 10 AA6307661 1Y 320
- Matrix / Runout (Runout side B, variant 1): 10 AA6307661 2Y 320
- Matrix / Runout (Runout side A, variant 2): 10 AA6307661 1Y 320 DL 5
- Matrix / Runout (Runout side B, variant 2): 10 AA6307661 2Y 320 G2
- Matrix / Runout (Runout side A, variant 3): 10 AA6307661 1Y 320 X 6
- Matrix / Runout (Runout side B, variant 3): 10 AA6307661 2Y 320 A C 1
- Matrix / Runout (Runout side A, stamped, ✲✲ ✲✲ etched, variant 4): 10 AA6307661 1Y 320 ✲✲ ✲✲ 2 AC
- Matrix / Runout (Runout side B, stamped, variant 4): 10 AA6307661 2Y 320 4 W
- Matrix / Runout (Runout side A, variant 5): 10 AA6307661 1Y 320 AW 5
- Matrix / Runout (Runout side B, variant 5): 10 AA6307661 2Y 320 AL 3
- Matrix / Runout (Runout side A, variant 6): 10 AA6307661 1Y 320 5 AF
- Matrix / Runout (Runout side B, variant 6): 10 AA6307661 2Y 320 2 AZ
- Matrix / Runout (Runout side A, variant 7): 10 AA6307661 1Y 320 R 6
- Matrix / Runout (Runout side B, variant 7): 10 AA6307661 2Y 320 A C 1
- Matrix / Runout (Runout side A, variant 8): 10 AA6307661 1Y 320 5 AM
- Matrix / Runout (Runout side B, variant 8): 10 AA6307661 1Y 320 6 A0
- Label Code: LC 1626
- Rights Society (Boxed): GEMA
Other Versions (5 of 190)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Eat To The Beat (LP, Album) | Chrysalis | CDL-1225, CDL 1225 | UK | 1979 | |||
| Eat To The Beat (LP, Album) | Chrysalis | CHE 1225, CHE-1225 | Canada | 1979 | |||
| Eat To The Beat (LP, Album, Stereo) | Chrysalis | 6307 661 | 1979 | ||||
| Eat To The Beat (LP, Album, Stereo) | Chrysalis | 51.1225, 511 225 | Benelux | 1979 | |||
| Eat To The Beat (LP, Album, Santa Maria Pressing) | Chrysalis | CHE-1225, CHE 1225 | US | 1979 |
Recommendations
Reviews
-
Got my copy sealed for 2 euros. The album itself is magnificent, the most eclectic music they've ever recorded. Though the pressing leaves a confusing impression : the sound is okay for the most part, but the last grooves tend to be messy and even unlistenable (Accidents Never Happen, a hot mess during 30 last seconds), no matter what type of stylus you use.
Release
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