Miles Davis – Live-Evil
Tracklist
| A1 | Sivad | 15:15 | |
| A2 | Little Church | 3:15 | |
| Medley | (5:54) | ||
| A3a | Gemini | ||
| A3b | Double Image | ||
| B1 | What I Say | 21:11 | |
| B2 | Nem Um Talvez | 4:03 | |
| C1 | Selim | 2:13 | |
| C2 | Funky Tonk | 23:26 | |
| D | Inamorata And Narration By Conrad Roberts | 26:37 |
Companies, etc.
- Manufactured By – Columbia Records
- Manufactured By – CBS Inc.
- Mastered At – Customatrix
- Pressed By – Columbia Records Pressing Plant, Pitman
Credits
- Artwork [Cover Art] – Abdul Mati
- Bass – Ron Carter (tracks: B2, C1)
- Design [Cover] – John Berg
- Drums – Jack DeJohnette
- Electric Piano, Whistling – Hermeto Pascoal (tracks: A2)
- Engineer – Stan Tonkel
- Guitar – John McLaughlin (tracks: A1 to B1, C2, D)
- Keyboards – Keith Jarrett (tracks: A2, B2, C1)
- Percussion – Airto Moreira
- Photography By [inside Cover] – Don Hunstein
- Piano – Keith Jarrett (tracks: A1, B1, C2, D)
- Producer – Teo Macero
- Saxophone – Wayne Shorter (tracks: A3)
- Sitar – Khalil Balakrishna (tracks: A3)
- Trumpet – Miles Davis
- Voice – Hermeto Pascoal (tracks: B2, C1)
Notes
Auto-coupled release.
Record one has side A and side D.
Record two has side B and side C.
G 30954 appears on the front cover, on the spine and inside the cover.
Printed in U.S.A.
Housed in a gatefold sleeve.
There is no specific USA promotional pressing, but some copies may have a radio timing sticker and/or gold promo stamping on the cover.
Record one has side A and side D.
Record two has side B and side C.
G 30954 appears on the front cover, on the spine and inside the cover.
Printed in U.S.A.
Housed in a gatefold sleeve.
There is no specific USA promotional pressing, but some copies may have a radio timing sticker and/or gold promo stamping on the cover.
Barcode and Other Identifiers
- Other (Cat # LP 1): C 30955
- Other (Cat # LP 2): C 30956
- Matrix / Runout (Label side A): AL 30955
- Matrix / Runout (Label side B): AL 30956
- Matrix / Runout (Label side C): BL 30956
- Matrix / Runout (Label side D): BL 30955
- Matrix / Runout (Runout side A, variant 1): P AL 30955-1D C
- Matrix / Runout (Runout side B, variant 1): P AL 30956-1A CC
- Matrix / Runout (Runout side C, variant 1): P BL 30956-1A P DJ
- Matrix / Runout (Runout side D, variant 1): P BL 30955-1A AJJ
- Matrix / Runout (Runout side A, stamped variant 2): P AL 30955-1D ᴘ B0
- Matrix / Runout (Runout side B, stamped variant 2): o P AL 30956-1E ᴘ
- Matrix / Runout (Runout side C, stamped variant 2): o P BL 30956-1A ᴘ A1
- Matrix / Runout (Runout side D, stamped variant 2): o P BL 30955-1A ᴘ 1 B1
- Matrix / Runout (Runout side A, stamped variant 3): AL-30955-1B
- Matrix / Runout (Runout side B, stamped variant 3): P AL-30956-1C
- Matrix / Runout (Runout side C, stamped variant 3): P BL 30956-1C
- Matrix / Runout (Runout side D, stamped variant 3): P BL-30955-1C
- Matrix / Runout (Runout side A, variant 4): P AL 30955-1D I P 1 A
- Matrix / Runout (Runout side B, variant 4): o P AL 30956-1A P 6 C
- Matrix / Runout (Runout side C, variant 4): o P BL 30956-1A P B4
- Matrix / Runout (Runout side D, variant 4): o P BL 30955-1A P 1 A 6
Other Versions (5 of 81)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Live-Evil (2×LP, Album) | Columbia | G 30954 | Canada | 1971 | ||
|
Recently Edited
|
Live-Evil (2×LP, Album) | CBS | S 67219 | Netherlands | 1971 | ||
|
New Submission
|
Live-Evil (2×LP, Album, Club Edition) | Columbia | P2S 5668 | US | 1971 | ||
|
New Submission
|
Live-Evil (Reel-To-Reel, Album, 3 ¾ ips, 4-Track Stereo, 7" Cine Reel) | Columbia | GR 30954 | US | 1971 | ||
|
Recently Edited
|
Live-Evil (2×LP, Album, Gatefold) | CBS | S2BP-220088, G 30954 | Australia | 1971 |
Recommendations
Reviews
-
At first, I thought this could be a good copy, despite being pressed at URP. Then, my stylus hit a weird tiny scuff on side two that made noise for several es and once again provided a reminder of why URP isn't a great place to press vinyl. -
Edited 6 years agoGary Bartz did an interview which finally cleared up the mystery of the final track
Its a band recording made from the stage by either Gary, Keith or Jack sometime in 1971.
Miles heard them playing it on the tour bus, and liked what he heard so much that he took the tape to Teo Macero who was putting together the album and asked him to include it on the album.
on some reissues this segment has been smothered in noise reduction but the MOV LP 1483 sounds excellent
its a tribute to Miles that he spotted the value of this piece of live music for what it was and wasn't hung up on the rough nature of the recording.
and its a tribute to Teo that he skillfully wove it into the fabric of the album.
Release
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Data Correct
Data Correct
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