Companies, etc.
- Distributed By – Sony Music
- Phonographic Copyright ℗ – Sony Music Entertainment (UK) Ltd.
- Phonographic Copyright ℗ – Sony Music Entertainment Inc.
- Copyright © – Sony Music Entertainment (UK) Ltd.
- Pressed By – Sony/CBS, Haarlem – 31 656667 04
- Published By – Nineden Ltd.
- Published By – The Voice Of London
Credits
- Photography By [Photos By] – Pennie Smith
- Sleeve – Bullitt (4)
Notes
[Labels]
Made in Holland.
[Label side A]
℗ 1982 Sony Music Entertainment (U.K.) Ltd.
The Copyright In This Sound Recording Is Owned By Sony Music Entertainment (U.K.) Ltd.
Original Sound Recording Made By Sony Music Entertainment (U.K.) Ltd.
Nineden Ltd.
Taken from Combat Rock
[Label side AA]
℗ 1990 Sony Music Entertainment Inc.
The Copyright In This Sound Recording Is Owned By Sony Music Entertainment Inc.
Original Sound Recording Made By Sony Music Entertainment Inc.
The Voice of London
[Back cover]
Levi's logo used by kind permission of Levi Strauss UK Ltd.
© 1991 Sony Music Entertainment (U.K.) Ltd.
Distribution: Sony Music
[Additional information]
Runouts are stamped, except for the last character which is etched.
This version has a large centre hole, and a BIEM/STEMRA credit. Similar release: small centre hole version.
There is also an almost identical UK version also having a large centre hole but different rights societies.
Made in Holland.
[Label side A]
℗ 1982 Sony Music Entertainment (U.K.) Ltd.
The Copyright In This Sound Recording Is Owned By Sony Music Entertainment (U.K.) Ltd.
Original Sound Recording Made By Sony Music Entertainment (U.K.) Ltd.
Nineden Ltd.
Taken from Combat Rock
[Label side AA]
℗ 1990 Sony Music Entertainment Inc.
The Copyright In This Sound Recording Is Owned By Sony Music Entertainment Inc.
Original Sound Recording Made By Sony Music Entertainment Inc.
The Voice of London
[Back cover]
Levi's logo used by kind permission of Levi Strauss UK Ltd.
© 1991 Sony Music Entertainment (U.K.) Ltd.
Distribution: Sony Music
[Additional information]
Runouts are stamped, except for the last character which is etched.
This version has a large centre hole, and a BIEM/STEMRA credit. Similar release: small centre hole version.
There is also an almost identical UK version also having a large centre hole but different rights societies.
Barcode and Other Identifiers
- Barcode (Text): 5 099765 666779
- Barcode (Scanned): 5099765666779
- Label Code: LC 0162
- Price Code: CB 111
- Price Code: A
- Rights Society: BIEM/STEMRA
- Other (Computer number on back cover): 01-656667-00
- Matrix / Runout (Label side A): 31-656667-04-A
- Matrix / Runout (Label side AA): 31-656667-04-B
- Matrix / Runout (Runout side A, variant 1): 31 656667 04 1 A1 K
- Matrix / Runout (Runout side AA, variant 1): 31 656667 04 1B 1 G
- Matrix / Runout (Runout side A, variant 2): 31 656667 04 1 A1 L
- Matrix / Runout (Runout side AA, variant 2): 31 656667 04 1B 1 D
- Matrix / Runout (Runout side A, variant 3): 31 656667 04 1 A1 E
- Matrix / Runout (Runout side AA, variant 3): 31 656667 04 1B 1 G
- Matrix / Runout (Runout side A, variant 4): 31 656667 04 1A1 j
- Matrix / Runout (Runout side AA, variant 4): 31 656667 04 1B1 D
- Matrix / Runout (Runout side A, variant 5): 31 656667 04 1 A1 E
- Matrix / Runout (Runout side AA, variant 5): 31 656667 04 1B1 F
Other Versions (5 of 19)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Should I Stay Or Should I Go / Rush (12", 45 RPM) | Columbia | 656667 6 | Europe | 1991 | ||
Recently Edited
|
Should I Stay Or Should I Go / Rush (12", Promo) | Columbia | XPR 1609 | UK | 1991 | ||
Recently Edited
|
Should I Stay Or Should I Go / Rush (12", 45 RPM, Maxi-Single) | Columbia | 656667 6, COL 656667 6 | Europe | 1991 | ||
Should I Stay Or Should I Go (CD, Maxi-Single, Stereo) | Columbia | 656667 2, COL 656667 2 | Europe | 1991 | |||
New Submission
|
Should I Stay Or Should I Go (Cassette, Single) | Columbia | 656667-4 | UK | 1991 |
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