Romany GilmourBetween Two Points

Label:

Sony Music – 019802886711

Format:

Vinyl , 12", 33 ⅓ RPM, EP, Record Store Day , Clear

Country:

Europe

Released:

Genre:

Rock

Style:

Psychedelic Rock

Tracklist

Vita Brevis / Between Two Points (Live From The Royal Albert Hall) (6:51)
A1.a Vita Brevis
Lap Steel GuitarDavid Gilmour
HarpHattie Webb
Electric GuitarBen Worsley
Music ByDavid Gilmour
A1.b Between Two Points
Music ByMark Tranmer
Lyrics ByRoger Quigley
Vocals, HarpRomany Gilmour
Backing Vocals, HarpHattie Webb
Backing VocalsLouise Marshall*
Keyboards, Backing VocalsRob Gentry
Backing Vocals, Acoustic GuitarBen Worsley
Electric GuitarDavid Gilmour
KeyboardsGreg Phillinganes
Bass GuitarGuy Pratt
DrumsAdam Betts
Producer [Produced By]Charlie Andrew
Mixed ByMatt Glasbey
Engineer [Engineered By]Damon Iddins
A2 Between Two Points (Gentry Remix)
GuitarDavid Gilmour
Mastered By [Mastering Engineer]Kevin Tuffy
Mixed By [Mix Engineer]John Calvert (5)
Piano, Keyboards, Synthesizer, Drum ProgrammingRob Gentry
Producer [Produced By], RemixRob Gentry
Vocals, HarpRomany Gilmour
6:48
B1 Between Two Points (Gentry Remix Edit)
GuitarDavid Gilmour
Mastered By [Mastering Engineer]Kevin Tuffy
Mixed By [Mix Engineer]John Calvert (5)
Piano, Keyboards, Synthesizer, Drum ProgrammingRob Gentry
Producer [Produced By], RemixRob Gentry
Vocals, HarpRomany Gilmour
3:51
B2 Between Two Points (Album Version)
Alto VocalsSophie Overin
Arranged By [Strings, Brass & Choir]Will Gardner (5)
Backing Vocals, Guitar, Keyboards [Additional]David Gilmour
CelloSergio Serra
Double BassLaurence Ungless
Drums, PercussionSteve Gadd
Engineer [Engineered By]Matt Glasbey
Mixed ByMatt Glasbey
PercussionAdam Betts
Piano, Keyboards, SynthesizerRob Gentry
Producer [Produced By]David Gilmour
Soprano VocalsSam Cobb (3)
Tenor VocalsKieran Brunt
TromboneTrevor Mires
ViolaNick Barr
ViolinWilliam Hillman
Vocals, Backing Vocals, HarpRomany Gilmour
5:46

Companies, etc.

  • Record CompanyDavid Gilmour Music Ltd.
  • Record CompanySony Music Entertainment International Services GmbH
  • Record CompanySony Music UK
  • Licensed FromDavid Gilmour Music Ltd.
  • Phonographic Copyright ℗Sony Music Entertainment
  • Copyright ©Sony Music Entertainment
  • Recorded AtRoyal Albert Hall
  • Mixed AtUnit 25 Studios
  • Mastered AtTuff Mastering
  • Mastered At360 Mastering
  • Recorded AtAngel Studios
  • Lacquer Cut AtAbbey Road Studios
  • Distributed BySony Music Entertainment
  • Published ByPink Floyd Music Publishers Ltd.
  • Published ByConcord Copyrights Limited
  • Pressed ByRecord Industry – 406164

Credits

  • Design, ArtworkBlade Design Ltd.
  • Lacquer Cut By [Vinyl Cut By]Miles Showell
  • ManagementPaul Loasby
  • Management [Charlie Andrew]Hannah Management Ltd.
  • MarketingChris Salmon (7)
  • Mastered ByDick Beetham
  • Photography By [Front Cover Photo By]Gavin Elder

Notes

RSD 2025 issue with hype sticker:

RECORD STORE DAY
12" Exclusive Crystal Clear Vinyl Edition
Between Two Points
Live from the Royal Albert Hall
Gentry Remix
Gentry Remix Edit
Album Version
19802886711

Printed inner sleeve withy lyrics and other information.

Matrices are stamped/etched.

Made in the EU.

Barcode and Other Identifiers

  • Barcode (Printed): 1 98028 86711 5
  • Barcode (Scanned): 198028867115
  • Matrix / Runout (Runout side A): 406164 1A 19802886711 MILES.ABBEYROADINSIDEOUT1/2SPEED.ROOM30
  • Matrix / Runout (Runout side B): 406164 1B 19802886711 MILES.ABBEYROADINSIDEOUT1/2SPEED.ROOM30
  • Rights Society: BIEM/GEMA

Other Versions (1)

View All
Title (Format) Label Cat# Country Year
New Submission
Between Two Points (12", 33 ⅓ RPM, EP, Record Store Day, Clear) Sony Music 019802886711 US 2025

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Reviews

  • maxal's avatar
    maxal
    Edited 10 hours ago
    To dispense with the production, my copy is a good pressing, silent, flat, clean. Flawless and the price demands that.

    I first heard Romany cover the song on the official video. The song then made a real impression on me when I saw Romany perform it live on Jools Holland. It was magical to see the interaction between her and her pappy. Romany’s voice, the harp plucking is celestial – so, too, of course is David's guitar, there are decades of emotional foundation in his playing. I sort of wondered why the song is headed by David’s name, big and bold to sell it / or did he do most of the work? But what work? The song is writ and Romany sings and plucks . . .

    Between Two Points is by The Montgolfier Brothers; the song is on their debut album, Seventeen Stars, 1999. I prefer the original Montgolfier version, it’s got more of a quirky individuality to it (coming after the tail-end of the Brit Indie scene, it kind of harks back to it). It’s a poignant song and is directly of their experience, so it would take a lot for me to change my idea of it. That said, the Romany version is very strong, she has a lovely, pure voice and she does enough to claim her mark on the song. On the original, I think the starting beats to the main tune are some kind of glockenspiel (?), Romany understandably replaces it with her harp. Great.

    I don’t like being negative, but I sort of agree with some of the below opinions. There is too much of either the same thing or not different enough. As for the Gentry remix, at first, I thought it was bland, not really taking off, just an echo of the original; the off tempo actually disturbed the song for me. On repeated plays I got to like it a bit more, in that the off tempo no longer irritated, but the remix still doesn’t take you anywhere. Or if you have to, it kind of works as a coda. I did like the bit with the lower voice coming in, it hints where the remix could have been developed to become more; but generally, the remix should have gone further and instead . . . is between two points: bland and good.

    The result: the other three tracks water down a powerful song. I am fine with remixes and covers, when they offer something – a significantly new way of hearing a song or a strong singer’s impression of it. This RSD release leaves me with mixed feelings, somehow an opportunity for something really special was missed.

    I like the album version of the song enough to want this physical single. But as the other tracks are more of an interference, I wish the Album Version had been treated its due respect (!). The purpose of a 12” is to record it at 45rpm, benefiting from finer detail and more resonant bass. With a lack of anything better, the Album Version should be on the A side with high quality 45rpm production. Hey! Wouldn’t it have been interesting to have the Montgolfier original on the B side!
    • DJFastAndFluid's avatar
      DJFastAndFluid
      Can't deny I'm disappointed and now regret purchasing. The packaging and audio quality are fine but the asking price is ridiculous given how little you get - the album version of the track you will undoubtedly already own, a so-so live version and then one incredibly dull club-style dubby remix - presented as two tracks by simply editing one version down. Poor value for money. Why weren't more remixes commissioned?
      • Floydianfella's avatar
        Floydianfella
        Great pressing; instrument separation and wide soundstage are absolutely exquisite. Cherry on the cake for me is the live version is from The Royal Albert Hall concert of the 15th October 2024 which I was fortunate enough to attend.
        • Fishman313's avatar
          Fishman313
          Paid 23$ cdn. For this release and couldn’t be happier, this ep is awesome looking and sounds even better than it looks, remixes are growing on me and the live track is something special, a must for any fan.
          • ajdavo1972's avatar
            ajdavo1972
            Was so excited to get this record only to be let down by quality control. The record has a dish warp the paper inner’s corner was bunched up against the record totally creased and folded across the writing. The record itself was noisy in between tracks even after vacuum cleaning and ultra sonic.
            • myrjan695's avatar
              myrjan695
              This is a cover from the band Low-Album Trust (Track 1 Amazing Grace)
              • Edgaronline's avatar
                Edgaronline
                Love the cover of this song on Gilmour’s album. So yes, this is a 12” with variations on the theme, but I truly dig the remixes. Pressing is flawless. Nice release!
                • Felixfn's avatar
                  Felixfn
                  Indeed quite expensive but still a great pressing, looking forward to a full live show release...
                  • adamdaley's avatar
                    adamdaley
                    Very clean - lyrics are tight and bright - great contrast to music. 4/5 stars because for $19.99 USD we got 1 song (4 recordings) - expensive for a single I feel

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