The DoorsStrange Days

Label:

Doors Music Company LLC – 603497822454

Series:

Rhino High Fidelity

Format:

Vinyl , LP, Album, Limited Edition, Reissue, Stereo , 180g, Gatefold

Country:

US

Released:

Genre:

Rock

Style:

Blues Rock

Tracklist

A1 Strange Days 3:08
A2 You're Lost Little Girl 3:03
A3 Love Me Two Times 3:15
A4 Unhappy Girl 1:55
A5 Horse Latitudes 1:35
A6 Moonlight Drive 3:02
B1 People Are Strange 2:10
B2 My Eyes Have Seen You 2:29
B3 I Can't See Your Face In My Mind 3:22
B4 When The Music's Over 10:58

Companies, etc.

  • Phonographic Copyright ℗Elektra Records
  • Copyright ©Elektra Records
  • Record CompanyWarner Music Group
  • Manufactured ForRhino Entertainment Company
  • Marketed ByRhino Entertainment Company
  • Engineered AtSunset Sound Recorders
  • Lacquer Cut AtCohearent Audio
  • Pressed ByOptimal Media GmbH – BO17957

Credits

  • Art Direction [Rhino Hi-Fi], Design [Rhino Hi-Fi]Rachel Gutek
  • Bass [Occasional]Douglas Lubahn*
  • Design [Cover Concept], Art DirectionWilliam S. Harvey
  • DrumsJohn Densmore
  • EngineerBruce Botnick
  • GuitarRobby Krieger
  • Keyboards, MarimbaRay Manzarek
  • Lacquer Cut ByKPG*
  • Logo [Rhino Hi-Fi]Lisa Glines
  • Mastered ByKevin Gray
  • Photography By [Cover]Joel Brodsky
  • ProducerPaul A. Rothchild
  • Project Manager [Project Supervision]Patrick Milligan
  • Research [The Doors Archivist]David Dutkowski
  • Supervised By [Production Supervisor]Jac Holzman
  • VocalsJim Morrison
  • Words By, Music By, Arranged ByThe Doors

Notes

Unnumbered individual release of Strange Days, using the same cut/version as in The Doors - The Doors: 1967-1971.

The OBI reads:

- 180-Gram Vinyl
- Cut From Original Analog Master Tapes by Kevin Gray at Cohearent Audio
- Pressed At On Optimal Media
- Heavyweight Gatefold Jacket
- Includes Exclusive Insert with Recollections From Band and Studio Personnel Compiled by Doors Archivist David Dutkowski
- Limited Edition

Gatefold jacket constructed in tip-on fashion, as a reference to the original release. The inner contents of the jacket feature the image and song lyrics found on the inner sleeve of the original pressing.

Record comes in a Rhino High Fidelity branded poly-lined inner sleeve.

Rhino High Fidelity logo embossed in gold colour in the right-hand corner.

Barcode and Other Identifiers

  • Barcode (Text): 6 03497 82245 4
  • Barcode (Scanned): 603497822454
  • Matrix / Runout (Side A runout): RHF - 74014 - A 0603497822454 KPG@CA BO17957-01 A1 V1
  • Matrix / Runout (Side B runout): RHF - 74014 - B 0603497822454 KPG@CA BO17957-01 B1 /\1
  • Rights Society: GEMA/BIEM

Other Versions (5 of 392)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Strange Days (LP, Album, Stereo, CTH (Columbia Records Pressing Plant, Terre Haute)) Elektra EKS-74014 US 1967
Recently Edited
Strange Days (LP, Mono, Album) Elektra EKL-4014, EKS-74014 UK 1967
Strange Days (LP, Album, Stereo) Elektra EKS-7 4014, EKS-74014 UK 1967
Recently Edited
Strange Days (Reel-To-Reel, 3 ¾ ips, Stereo, Album) Elektra EKX 4014, EK 4014 US 1967
Strange Days (LP, Album, Stereo, Allentown Pressing) Elektra EKS-74014 US 1967

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Reviews

  • tomwebb101's avatar
    tomwebb101
    These Doors titles are right up there with the best of this series so far. This particular one pretty much matches the AP45rpm but has the bonus of less flipping. Bit of non fill spoils a few brief moments but its a 50/50 with these Rhino HF for non fills and ive had far worse than this. The best one remains The Doors and Waiting for the Sun. Its probably only LA Woman where i can hear the advantages of the AP45 ive long had. That makes these a real success!!
    • yeedy's avatar
      yeedy
      Amazing presentation of my favourite Doors’ album. Glossy gatefold sleeve, with a cool insert. And the dead-silent vinyl, one can tell, is of the highest quality. Perhaps the best sounding LP in my entire collection! I’m really kickin’ myself for not getting their debut as a Rhino High Fidelity record.
      • rDin's avatar
        rDin
        Bought a copy of this as a backup for the box set. It has exactly the same scratch on A1 as my box set copy did (and which was replaced). Faulty stamper?
        • oztin79's avatar
          oztin79
          Edited 2 months ago
          This record is immaculate in both playback and mastering.

          I don't have a problem with albums being reissued as 2x45rpm LPs. In some cases, I strongly prefer them, as in the case of the KIND OF BLUE UHQRs. I don't have a huge issue with flipping a record over. There's the benefit of way more cutting space to let the grooves "breathe," as in the case of the FOLK SINGER AP-45. I would want neither of those records in 33rpm. AP did them perfectly. But if I can get an equal or better pressing at 33 than 45, it's a no brainer.

          I bought the four bookend albums of their discography on Rhino, because I'm not a fan of the middle two. These four I own are nearly perfect pressings. I say nearly because I'm sure a microscope would reveal an imperfection and we know vinyl is charmingly imperfect. But these are damn near perfect. Jackets are amazing, too. And they sound AT LEAST least as good as the same four AP-45s I own. The LA WOMAN AP-45, UHQR, and Rhino sound different, but ALL sound absolutely phenomenal. I could take any of the three to a desert island.

          I've heard some collectors complain about the jackets being too tight to fit the record in. Tbh, I haven't housed a record in an outer sleeve in years. No reason to go through the hassle or risk damaging the jackets from regular use. I strongly recommend collectors pull the vinyl out, discard inner sleeves if they're not the MoFi archival type, slip their outer jackets into a crystal clear (not inferior milky) plastic outer sleeve from the top. That's usually the last time I even touch the jacket with my bare hands, unless I want to see something about it while listening to the album, but in my case, that's almost never. I can look at the front and back of the jacket through the plastic. In the case of these Rhinos, I slide the booklet in between the gatefold for easy extraction and protection from the top. I'll slip the vinyl into new archival inner sleeves and slip that sleeved vinyl along the rear of jacket, facing out so I can see the record. This has proven a perfect way to store my vinyl and keep everything in impeccable condition. This way, you don't even know what people are talking about when they complain about gatefold sleeves being too tight. You only deal with them once.

          Thanks to Rhino HiFi, Kevin Gray, the Doors, and Optimal Media for daring to improve on Doug Sax/AP's standard setting by making this incredible audiophile production.
          • Vashon_Vinyl's avatar
            Vashon_Vinyl
            Does anyone know when these will be available in stores? Like one person up here, I am seeking to replace two of the defective discs in the box set I ordered. (Strange Days was severely dish warped and WFTHS had major surface noise because of non-fill). Rhino told me that they couldn't replace the discs because they were sold out, which is weird because these appeared two months later. To be fair, they issued a generous partial refund. Anyway, I would rather purchase from a brick and mortar so I can return easily if there are issues, which considering who I am dealing with is a possibility.
            • dipietro531's avatar
              dipietro531
              I found this reissue to sound absolutely amazing. Far better than the CD's and tapes of it that I owned in the past. Except... The first 45 seconds or so of the first track on the copy I received has a light repeated tick. I noticed that weeks before it went up for sale on Rhino's website, there was a copy for sale on here for a reduced price that described this exact issue, so maybe there is an issue with the pressing. Also on side A is a whooshing sound between a few of the tracks. And the poly lined sleeve on my copy came rather wrinkled. I put in for a replacement copy, so I'm hoping that one does not have these issues, because the music sounds so crisp and dynamic that it is really a joy to listen to.

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