M83 – Hurry Up, We're Dreaming.
Label: |
Mute – 9510-1 |
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Format: |
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Country: |
USA & Canada |
Released: |
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Genre: |
Rock |
Style: |
Synth-pop |
Tracklist
A1 | Intro | 5:22 | |
A2 | Midnight City | 4:04 | |
A3 | Reunion | 3:55 | |
A4 | Where The Boats Go | 1:46 | |
A5 | Wait | 5:43 | |
B1 | Raconte-Moi Une Histoire | 4:04 | |
B2 | Train To Pluton | 1:15 | |
B3 | Claudia Lewis | 4:31 | |
B4 | This Bright Flash | 2:24 | |
B5 | When Will You Come Home? | 1:23 | |
B6 | Soon, My Friend | 3:09 | |
C1 | My Tears Are Becoming A Sea | 2:31 | |
C2 | New Map | 4:22 | |
C3 | OK Pal | 3:58 | |
C4 | Another Wave From You | 1:53 | |
C5 | Splendor | 5:07 | |
D1 | Year One, One UFO | 3:17 | |
D2 | Fountains | 1:21 | |
D3 | Steve McQueen | 3:48 | |
D4 | Echoes Of Mine | 3:39 | |
D5 | Klaus I Love You | 1:44 | |
D6 | Outro | 4:07 |
Companies, etc.
- Copyright © – M83 Recording Inc.
- Phonographic Copyright ℗ – M83 Recording Inc.
- Recorded At – Sunset Sound
- Recorded At – The Sound Factory
- Recorded At – Electro-Vox Recording Studios
- Recorded At – OTM
- Recorded At – M83 Studio
- Published By – Delabel Editions
- Published By – Justin's Polite Music
- Published By – Morgan Grace Music
- Published By – Copyright Control
- Mastered At – Elysian Masters
- Lacquer Cut At – Salt Mastering
- Pressed By – Rainbo Records – S-72191
- Pressed By – Rainbo Records – S-72192
- Pressed By – Rainbo Records – S-72193
- Pressed By – Rainbo Records – S-72194
Credits
- Art Direction, Design – Anthony Gonzalez
- Composed By – Anthony Gonzalez
- Composed By [Additional] – Justin Meldal-Johnsen
- Engineer – Todd Burke
- Engineer [Additional] – Mike Schuppan
- Engineer [Assistant] – Mike Schuppan
- Layout [Sleeve Layout] – Shane Konen
- Lyrics By [Additional] – Yann Gonzalez
- Management – Roland Brown
- Mastered By – Dave Cooley
- Mixed By – Tony Hoffer
- Producer – Justin Meldal-Johnsen
Notes
180g vinyl edition
Barcode and Other Identifiers
- Barcode: 724596951019
- Barcode (Text): 7 24596 95101 9
- Matrix / Runout (Side A Runout, Hand Etched): MUT 9510-1 A S-72191
- Matrix / Runout (Side B Runout, Hand Etched): MUT 9510-1 B S-72192 Salt
- Matrix / Runout (Side C Runout, Hand Etched): MUT 9510-1 C S-72193
- Matrix / Runout (Side D Runout, Hand Etched ): MUT 9510-1 D S-72194 Salt
Other Versions (5 of 26)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Hurry Up, We're Dreaming. (2×CD, Album) | Naïve | NV824311 | Europe | 2011 | |||
Recently Edited
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Hurry Up, We're Dreaming. (2×CD, Album) | Mute | 9510-2 | USA & Canada | 2011 | ||
Hurry Up, We're Dreaming. (2×LP, Album, 180 g) | Naïve | NV824361 | Europe | 2011 | |||
New Submission
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Hurry Up, We're Dreaming. (2×CD, Album, Gatefold Digipak) | Hostess Entertainment Unlimited | NV824311J, HSE-60079 | Japan | 2011 | ||
Recently Edited
|
Hurry Up, We're Dreaming. (LP, Pink, LP, Blue, All Media, Album, Limited Edition) | Mute | 9510-1 | US | 2011 |
Recommendations
Reviews
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Very well pressed record, sounds incredible and the separately sleeved records play perfectly with no defects. Super deep and dynamic range from this record duo, one of my favorites.
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Comments after picking up this year(likely repress):
Flat and quiet pressing.
Some slight surface noise that a cleaning took care of.
Dynamics on point.
Clear soundstage.
Good tonal balance.
Would have liked a gatefold, but you can't get everything-- I came for the music.
An absolute welcome addition to the collection with multiple listens already done.
What a seminal album!
👌🏻 -
Great album, pressing isn’t perfect but still very good. Dynamics and mastering are awesome, Midnight City sounds incredible. I feel there is a real depth to the sound with clear definition of elements of each track. But as others have mentioned there is the occasional pop and crackle. All in all, I still recommend highly.
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Huge, dynamic sound out of this record. One of the best synth pop albums in (sort of) recent years, just fantastic front to back.
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Edited 3 years agoAbsolutely solid pressing. The dynamics, soundstage and separation of sounds are all there. It sounds as 'expensive' as the production probably was. Very clean, pristine and bright sound that is well-balanced and not overly metallic. Just how classic records that are heavy on the synths should sound. The acoustic-based tracks were mastered so well too. The louder you play it, the better it gets.
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