The Miles Davis Quintet – Cookin' With The Miles Davis Quintet
Tracklist
| A1 | My Funny Valentine | |
| A2 | Blues By Five | |
| B1 | Airegin | |
| B2 | Tune Up | |
| B3 | When Lights Are Low |
Companies, etc.
- Record Company – Prestige Records Inc.
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
- Pressed By – Quality Record Pressings
- Printed By – Stoughton Printing Co.
- Phonographic Copyright ℗ – Craft Recordings
- Published By – Prestige Music (3)
- Licensed From – Concord
- Licensed To – Analogue Productions
Credits
- Artwork [Cover] – Phil Hays*
- Bass – Paul Chambers (3)
- Design [Cover] – Reid Miles
- Drums – Philly Joe Jones*
- Lacquer Cut By, Engineer [Mastering Engineer] – Kevin Gray
- Liner Notes, Liner Notes [Notes By] – Ira Gitler
- Piano – Red Garland
- Recorded By [Recording By] – Van Gelder*
- Supervised By [Supervision By] – Bob Weinstock
- Tenor Saxophone – John Coltrane
- Trumpet – Miles Davis
Notes
Recorded on October 26, 1956.
"KEVIN GRAY" and "QRP" stamped in dead wax.
Deluxe high-gloss tip-on album jacket.
[On spine, label and rear]
℗ 2022 Craft Recordings. Under license courtesy of Concord to Analogue Productions. All rights reserved.
Runouts are etched except "QRP KEVIN GRAY" is stamped.
"KEVIN GRAY" and "QRP" stamped in dead wax.
Deluxe high-gloss tip-on album jacket.
[On spine, label and rear]
℗ 2022 Craft Recordings. Under license courtesy of Concord to Analogue Productions. All rights reserved.
Runouts are etched except "QRP KEVIN GRAY" is stamped.
Barcode and Other Identifiers
- Barcode (Printed on sticker on outer shrinkwrap): 7 53088 70943 2
- Barcode (Scanned from sticker on outer shrinkwrap, UPC-A): 753088709432
- Rights Society (A2 to B2): BMI
- Pressing Plant ID (On dead wax): QRP
- Matrix / Runout (A-side label): PRLP 7094 A
- Matrix / Runout (B-side label): PRLP 7094 B
- Matrix / Runout (Side A runout): PRLP-7094-A KPG @ CA QRP KEVIN GRAY
- Matrix / Runout (Side B runout): PRLP-7094-B KPG @ CA QRP KEVIN GRAY
Other Versions (5 of 139)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Cookin' With The Miles Davis Quintet (LP, Album, Mono) | Prestige | 7094, PRLP 7094 | US | 1957 | ||
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New Submission
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Cookin' With The Miles Davis Quintet (LP, Album, Mono) | Metronome | Prestige 7094 | Denmark | 1957 | ||
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New Submission
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Cookin' With The Miles Davis Quintet (LP, Album, Mono) | Music | LPM 2036 | Italy | 1957 | ||
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Recently Edited
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Cookin' With The Miles Davis Quintet (LP, Album, Mono, Deep Groove With Small Pressing Ring On B-Side) | Prestige | 7094, PRLP 7094 | US | 1957 | ||
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New Submission
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Cookin' With The Miles Davis Quintet (LP, Album, Mono, Deep Groove With Small Pressing Ring On B-Side) | Prestige | 7094, PRLP 7094 | US | 1957 |
Recommendations
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2022 USVinyl —LP, Album, Limited Edition, Reissue, Repress, Mono -
2023 WorldwideVinyl —LP, Album, Reissue, Mono -
2022 USVinyl —LP, Album, Limited Edition, Reissue, Repress, Mono -
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Reviews
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Its not as terrible as AP's Relaxin' which has tape issues galore but this still sounds soft, bass player shy and musically dead vs the more humble packaged and priced recentish OJC which has a LIFE that this one can only dream of. I swear people see AP and KPG and that because another persons spunked off with hyperbole, they just repeat what that other person says verbatim without actually listening to records or comparing them. This isnt terrible and the tapes at least not fudged but its easily the worst sounding version ive heard taking in the OJC cd and vinyl and a Jap SHM disc.
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I paid exactly 18.95 DM (9.40 euros) for the German stereo reissue (Original Jazz Classics) in 1987. With a good cartridge (Koetsu Rosewood), it sounds smoother and more light-footed than the 2022 mono repress from Analogue Productions (58 euros), which I played with an Ortofon SPU/MPU MONO cartridge. Freshly unpacked, it has a slight treble punch (Relaxin with Miles as well) and is therefore not worth 45 euros in of sound, let alone 58 euros.
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This is one of those examples where a Mono recording would likely kill its stereo counterpart in comparison, it is deep and wide with an amazing sound stage and presence and most importantly being a Mono it's true to its era.
The quintet is literally in your room. -
Ecstatically happy with this. Such a wonderful lifelike mono sound and at times it’s like they really are in the room with you.
Detected one very brief moment of tape dropout on A2 but apart from that this is as close to perfection both musically and pressing-wise as you can get.
Superb. -
Don’t wait on this one. Killer pressing. Even though it’s mono it has some depth and the dynamics are great.
Release
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