Pearl Jam – Ten
Label: |
Sony Music – 88985376871 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Grunge |
Tracklist
| A1 | Once | |
| A2 | Even Flow | |
| A3 | Alive | |
| A4 | Why Go | |
| A5 | Black | |
| A6 | Jeremy | |
| B1 | Oceans | |
| B2 | Porch | |
| B3 | Garden | |
| B4 | Deep | |
| B5 | Release |
Companies, etc.
- Phonographic Copyright ℗ – Epic Records
- Copyright © – Epic Records
- Published By – Write Treatage Music
- Published By – Innocent Bystander
- Published By – Jumpin' Cat Music
- Published By – Scribing C-ment Songs
- Published By – 3 Kick Heads
- Recorded At – London Bridge Studio
- Mixed At – Ridge Farm Studios
- Produced For – Worlds End America Inc
- Mastered At – Gateway Mastering
- Distributed By – Sony Music Entertainment
- Lacquer Cut At – SST GmbH
- Pressed By – Schallplattenfabrik Pallas GmbH – 60731
- Record Company – Sony Music Entertainment
- Record Company – Sony Music Entertainment International Services GmbH
Credits
- A&R – Michael Goldstone
- Art Direction, Concept By [Concept] – Jeff Ament
- Artwork [Additional Art] – Steve Pitstick
- Bass [Basses] – Jeff*
- Booking [Agent] – Triad*
- Design – Risa Zaitschek
- Drums – Dave*
- Engineer [Additional Engineering By] – Don Gilmore
- Guitar [Guitars] – Stone*
- Lacquer Cut By – Kr*
- Lead Guitar [Lead Guitars] – Mike*
- Legal [Attorney] – Richard Leher
- Lyrics By [All] – Eddie Vedder
- Management – Kelly Curtis
- Mastered By [2008] – Bob Ludwig
- Mixed By – Tim Palmer
- Music By – Gossard* (tracks: A1 to A3, A5, B1, B3 to B5)
- Performer [Additional Players], Cello – Walter Gray
- Performer [Additional Players], Other [Fire Extinguisher, Pepper Shaker] – Tim Palmer
- Performer [Additional Players], Piano, Organ, Percussion – Rick Parashar
- Photography By [Photos] – Lance Mercer
- Producer [Produced By] – Rick Parashar
- Vocals – Eddie*
Notes
2023 repress of 2017 reissue with this stamped and etched matrix runout details:
This release has no [MPO logo]. Only the -60731- catalog number (stamped) in both sides dead wax and “Kr” and “SST” and the barcode (etched) both sides too. (The -XXXXX- catalog numbers belongs to Schallplattenfabrik Pallas)
Epic and Sony logos in the back sleeve are side by side.
Contains double-sided printed inner sleeve with lyrics and glossy cover.
Mixed by Tim Palmer for Worlds End (America) Inc.
Recorded at London Bridge Studios, Seatlle - March/April 91
Mixed at Ridge Farm Studios Dorking, England - June 91
Mastered 2008 by Bob Ludwig at Gateway Mastering, Portland, ME
All songs © 1991 Write Treatage Music/Innocent Bystander/Jumpin' Cat Music/Scribing C-Ment Songs/3 Kick Heads (GMR)
© 1991, 2017 Epic Records, a division of Sony Music Entertainment
℗ 1991 Epic Records, a division of Sony Music Entertainment
Made in the EU.
This release has no [MPO logo]. Only the -60731- catalog number (stamped) in both sides dead wax and “Kr” and “SST” and the barcode (etched) both sides too. (The -XXXXX- catalog numbers belongs to Schallplattenfabrik Pallas)
Epic and Sony logos in the back sleeve are side by side.
Contains double-sided printed inner sleeve with lyrics and glossy cover.
Mixed by Tim Palmer for Worlds End (America) Inc.
Recorded at London Bridge Studios, Seatlle - March/April 91
Mixed at Ridge Farm Studios Dorking, England - June 91
Mastered 2008 by Bob Ludwig at Gateway Mastering, Portland, ME
All songs © 1991 Write Treatage Music/Innocent Bystander/Jumpin' Cat Music/Scribing C-Ment Songs/3 Kick Heads (GMR)
© 1991, 2017 Epic Records, a division of Sony Music Entertainment
℗ 1991 Epic Records, a division of Sony Music Entertainment
Made in the EU.
Barcode and Other Identifiers
- Barcode (Printed): 8 89853 76871 4
- Barcode (Text): 889853768714
- Label Code: LC00199
- Rights Society: BIEM/GEMA
- Matrix / Runout (Side A runout, Variant 1): 88985376871 A Kr SST -60731-
- Matrix / Runout (Side B runout, Variant 1): 88985376871 B Kr SST -60731-
- Matrix / Runout (Side A runout, Variant 2): 88985376871 A Kr SST -60731-I
- Matrix / Runout (Side B runout, Variant 2): 88985376871 B Kr SST -60731-I
- Other (inner sleeve left bottom corner): 88985376871SV1
- Other (Side A Label): 88985376871A
- Other (Side B Label): 88985376871B
Other Versions (5 of 310)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Ten (CD, Album, Pitman Pressing) | Epic Associated | ZK 47857, 47857 | US | 1991 | |||
|
Recently Edited
|
Ten (CD, Album) | Epic | EPC 468884 2, 468884 2 | Europe | 1991 | ||
|
Recently Edited
|
Ten (Cassette, Album, Dolby System) | Epic Associated | ZT 47857, ZT47857, 47857 | US | 1991 | ||
|
Recently Edited
|
Ten (LP, Album) | Epic | 188.228, 1-468884 | Brazil | 1991 | ||
|
Recently Edited
|
Ten (CD, Album) | Sony | SRCS 5634 | Japan | 1991 |
Recommendations
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2015 EuropeVinyl —LP, Album, Reissue, Remastered, Stereo -
Reviews
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Audio quality aside, it has always bugged me terribly that after all these years, they have been unable to fix the printing mistake on the cover from the 1991 LP version that distorts the cut-out "PEARL JAM" letters in the background!
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Unfortunately my copy suffers from terrible QC with several chips along the outside (1 leading to a crack) and an off-centre pressing.
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Mastering seems preferable to the CD, however is also very varied between tracks, with a big difference between dynamics. Has nice soundstage and width with the background instruments more audible than on digital. My copy isn't too bad but not sure about QC as there were vinyl shreds hanging off the edge. Comes in a paper sleeve so will need to be replaced.
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Now that the rather unnecessary 30th anniversary double vinyl 45RPM reissue of Vs. is coming soon, it got me thinking-- why has PJ never done a double vinyl reissue of Ten?? We just keep getting these same 1LP reissues over and over and over. It just begs to be spread out across two records for better sound quality. Like so:
A1 Once
A2 Even Flow
A3 Alive
B1 Why Go
B2 Black
B3 Jeremy
C1 Porch
C2 Oceans
C3 Garden
D1 Deep
D2 Release -
Nice sounding issue but God they should have made this as 2xLP version. Side A lacks a bit of dynamics, and my guess this is due to the vinyl beign packed full. A shame really as my favorite Jeremy suffered from that. Side B sounds noticeably better, Garden is just mind blowing. -
A few quiet pops in the first 15 seconds on my LP, otherwise a very good, dynamic sound. I prefer the mastering to what's on digital.
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