Lauryn Hill – The Miseducation Of Lauryn Hill
Label: |
Columbia – K 69035-S1 |
|---|---|
Format: |
CD
, Album, Stereo
|
Country: |
US |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Contemporary R&B |
Tracklist
| 1 | Intro | 0:47 | |
| 2 | Lost Ones | 5:33 | |
| 3 | Ex-Factor | 5:26 | |
| 4 | To Zion | 6:09 | |
| 5 | Doo Wop (That Thing) | 5:20 | |
| 6 | Superstar | 4:57 | |
| 7 | Final Hour | 4:16 | |
| 8 | When It Hurts So Bad | 5:42 | |
| 9 | I Used To Love Him | 5:39 | |
| 10 | Forgive Them Father | 5:15 | |
| 11 | Every Ghetto, Every City | 5:14 | |
| 12 | Nothing Even Matters | 5:50 | |
| 13 | Everything Is Everything | 4:53 | |
| 14 | The Miseducation Of Lauryn Hill | 4:17 | |
| 15 | Can't Take My Eyes Off Of You | 3:41 | |
| 16 | Tell Him | 4:40 |
Companies, etc.
- Published By – Songs Of PolyGram International, Inc.
- Published By – Sony/ATV Tunes LLC
- Published By – Obverse Creation Music
- Published By – Sony / ATV Music Publishing
- Published By – Colgems-EMI Music Inc.
- Published By – Careers-BMG Music Publishing, Inc.
- Published By – Wu-Tang Publishing
- Published By – Rodali Music
- Published By – Fox-Gimbel Productions, Inc.
- Published By – Doors Music Company
- Published By – Jermaine Music
- Published By – Fifty-Six Hope Road Music Ltd.
- Published By – Odnil Music Ltd.
- Published By – PolyGram International Publishing, Inc.
- Published By – Scanian Music
- Published By – Silktone Songs, Inc.
- Published By – Last Song Inc.
- Copyright © – Ruffhouse Records LP
- Recorded At – Marley Music, Inc. (2)
- Recorded At – RPM Studios
- Recorded At – Chung King Studios
- Recorded At – Perfect Pair Studios
- Recorded At – Circle House Studios
- Recorded At – Sony Music Studios, New York City
- Recorded At – Metropolis Studios
- Recorded At – Right Track Recording
- Mixed At – Marley Music, Inc. (2)
- Mixed At – The Hit Factory
- Mixed At – Chung King Studios
- Mixed At – Sony Music Studios, New York City
- Mastered At – Powers House Of Sound
- Phonographic Copyright ℗ – Ruffhouse Records LP
- Produced For – Invisible Society Inc.
- Manufactured By – Columbia Records
- Glass Mastered At – Sony Disc Manufacturing, Springfield – CTDP-096034
- Distributed By – Columbia Records
Credits
- A&R – Suzette Williams
- Art Direction – Lauryn Hill
- Edited By [Digital Editing] – Devon Kirkpatrick
- Executive-Producer – Lauryn Hill
- Hair – Veronica Fletcher
- Make-Up – Anita Gibson
- Mastered By – Herb Powers, Jr.*
- Mixed By – Commissioner Gordon (tracks: 1 to 8, 10 to 16)
- Photography By – Eric Johnson (15)
- Photography By [Back Cover / Spine Sheet Photography] – Marc Baptiste
- Producer, Written-By, Arranged By, Performer – Lauryn Hill
- Stylist [Styling] – Tameka Foster
- Supervised By [Project Supervisor] – Gordon Williams
Notes
© 1998 Ruffhouse Records LP/℗ 1998 Ruffhouse Records LP/Manufactured and Distributed by Columbia Records/550 Madison Avenue, New York, NY 10022-3211/"Columbia" and "Ruffhouse" Reg. U.S. Pat. & Tm. Off. Marca Registrada.
This pressing does not have the manufacturing code on the label (CTDP 096034 is NOT printed on the disc face).
The Miseducation Of Lauryn Hill are Pitman pressings
& have the CTDP code on the labels (CTDP 096034 is printed on the disc face of both).
Tracks 15 and 16 are unlisted bonus tracks.
Some versions come with The Refugee Project T-Shirts Order Form.
This pressing does not have the manufacturing code on the label (CTDP 096034 is NOT printed on the disc face).
The Miseducation Of Lauryn Hill are Pitman pressings
& have the CTDP code on the labels (CTDP 096034 is printed on the disc face of both).
Tracks 15 and 16 are unlisted bonus tracks.
Some versions come with The Refugee Project T-Shirts Order Form.
Barcode and Other Identifiers
- Barcode (Text): 0 7464-69035-2 0
- Barcode: 074646903520
- Rights Society: BMI
- Rights Society: ASCAP
- Matrix / Runout (Variant 1): CTDP-096034 02
- Mastering SID Code (Variant 1): IFPI L336
- Mould SID Code (Variant 1): IFPI 5100
- Matrix / Runout (Variant 2): CTDP-096034 30
- Mastering SID Code (Variant 2): IFPI L323
- Matrix / Runout (Variant 3): CTDP-096034 74
- Mastering SID Code (Variant 3): IFPI L329
- Mould SID Code (Variant 3): IFPI 5083
- Matrix / Runout (Variant 4): CTDP-096034 22
- Mastering SID Code (Variant 4): IFPI L336
- Mould SID Code (Variant 4): IFPI 5100
- Matrix / Runout (Variant 5): CTDP-096034 7
- Mastering SID Code (Variant 5): IFPI L322
- Mould SID Code (Variant 5): IFPI 6608
- Matrix / Runout (Variant 6): CTDP-096034 28
- Mastering SID Code (Variant 6): IFPI L336
- Mould SID Code (Variant 6): IFPI 5100
- Matrix / Runout (Variant 7): CTDP-096034 19
- Mastering SID Code (Variant 7): IFPI L337
- Mould SID Code (Variant 7): IFPI 5100
- Matrix / Runout (Variant 8): CTDP-096034 4 A07
- Mastering SID Code (Variant 8): IFPI L322
- Mould SID Code (Variant 8): IFPI 5018
- Matrix / Runout (Variant 9): CTDP-096034 05
- Mastering SID Code (Variant 9): IFPI L336
- Mould SID Code (Variant 9): IFPI 5100
- Matrix / Runout (Variant 10): CTDP-096034 25
- Mastering SID Code (Variant 10): IFPI L323
- Mould SID Code (Variant 10): IFPI 5023
- Matrix / Runout (Variant 11): CTDP-096034 74
- Mastering SID Code (Variant 11): IFPI L329
- Mould SID Code (Variant 11): IFPI 50A4
Other Versions (5 of 97)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Miseducation Of Lauryn Hill (2×LP, Album, Stereo) | Ruffhouse Records | C2 69035 | US | 1998 | |||
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Recently Edited
|
The Miseducation Of Lauryn Hill (CD, Album) | Ruffhouse Records | 758.481/2-489843 | Brazil | 1998 | ||
| The Miseducation Of Lauryn Hill (CD, Album, CB 608) | Columbia | 489843 2, COL 489843 2 | Europe | 1998 | |||
| The Miseducation Of Lauryn Hill (CD, Album) | Ruffhouse Records | 489843 2 | Australia | 1998 | |||
| The Miseducation Of Lauryn Hill (2×LP, Album) | Columbia | 489843 1, COL 489843 1 | Europe | 1998 |
Recommendations
Reviews
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Edited one year agoI sort of get what Lauryn was 'trying' to do on her long-awaited solo debut. Problem is, Michael Franti (Spearhead) and Meshell Ndegeocello have already "been there-done that" several times over with far superior results to back it up on their end. I still distinctly buying 2 CD copies of this album in a desperate attempt to understand why it was considered one of the best ever made by critics and industry insiders around the time it was released. Both times I ended up EXTREMELY disappointed (more like "pissed off" actually, lol) and ultimately traded them in for basically nothing in return. It was right at that very moment I finally learned that hype and quality don't always go hand-in-hand, especially when it comes to the mainstream music scene nowadays...
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Edited 8 years agoSuperb Album! Lots of groove !! Still very good to here today. Some talking around here and there.. but if you take that out... I love it! Superbe Album ! Belle groove !!! Encore très bon aujourd'hui. Un peu de placotages par -ci, par-la ..qui casse un peu le rytme .. mais sinon j'adore ! Scusez mon francais. - Superb Album! Still very good to here today. Some talking around here and there.. but apart from that I love it!
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Is this going to be my own feeling on how the record is or the greatest that this album had on the recording business. Could this be the link between the Janet Jackson of the eighties with a hint of Queen Latifah to the Beyonce that we know today? That India Arie and Erikha Badu that came afterwards, a mix of soul with pop thrown in it. All comes through in this album, listen to Ex-Factor, Everything Is Everything, and the amazingly Doo Wop (That Thing), it blends so many styles into what is mainstream. I know it takes from Motown and what we only think that is as a distant sound from memory but makes it fresh and still listenable today
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