Pink FloydThe Dark Side Of The Moon

Label:

Harvest – MFQR 1-017

Series:

UHQR Vinyl Series

Format:

Box Set , Limited Edition, Numbered
Vinyl , LP, Album, Reissue, Remastered, Stereo

Country:

US

Released:

Genre:

Rock

Style:

Psychedelic Rock

Tracklist

A1 Speak To Me
A2 Breathe
A3 On The Run
A4 Time
A5 The Great Gig In The Sky
VocalsClare Torry
B1 Money
SaxophoneDick Parry
B2 Us And Them
SaxophoneDick Parry
B3 Any Colour You Like
B4 Brain Damage
B5 Eclipse

Companies, etc.

  • Licensed FromCapitol Records, Inc.
  • Distributed ByMobile Fidelity Sound Lab, Inc.
  • Manufactured ByMobile Fidelity Sound Lab, Inc.
  • Phonographic Copyright ℗The Gramophone Co. Ltd.
  • Pressed ByVictor Company Of Japan, Ltd.
  • Published ByTRO-Hampshire House Publishing Corp.
  • Recorded AtAbbey Road Studios

Credits

  • Artwork [Sleeve Art], Sleeve [Sleeve Art]George Hardie N.T.A.*
  • Backing VocalsLiza Strike
  • Bass, Vocals, Synthesizer [VCS3], Lyrics By [All Lyrics By], Tape [Tape Effects], Effects [Tape Effects]Roger Waters
  • EngineerAlan Parsons
  • Engineer [Assistant]Peter James
  • Keyboards, Vocals, Synthesizer [VCS3]Richard Wright
  • Lacquer Cut BySR/2*
  • Mixed By [Mixing Supervised By], Supervised By [Mixing Supervised By]Chris Thomas
  • Music ByPink Floyd
  • Percussion, Effects [Tape], Effects [Tape Effects]Nick Mason
  • Photography ByHipgnosis (2)
  • Photography By, Sleeve [Sleeve Design], Design [Sleeve Design]Hipgnosis (2)
  • Producer [Produced By]Pink Floyd
  • Vocals, Guitar, Synthesizer [VCS3]David Gilmour
  • Written-ByWaters* (tracks: A2 to A4, B1, B2, B4, B5)

Notes

Half-speed production and mastering by Original Masteringworks™
Specially plated and pressed on high definition super vinyl by Victor Company of Japan Ltd.
Special static free—dust free inner sleeve.
Special heavy duty protective packaging.
Source: The original stereo master tape.
Mastered with the Ortofon Cutting System.
Limited edition of 5000 custom pressings.
Manufactured and distributed by MFSL, Inc. under license from Capitol Records, Inc.
Originally released in 1973.
Recorded at Abbey Road Studios, London between June 1972 and January 1973.

Runouts etched, except '2 17' (side A) + '2 22' (side B) stamped, '1' behind A + 'H' (side A) + '1 behind B + 'H' (side B) crossed out

The MFSL UHQR LP is the only vinyl pressing without peak level distortion during the clocks sequence at the beginning of "Time".

Barcode and Other Identifiers

  • Matrix / Runout (Label side A): (MFSL 1-017 A2)
  • Matrix / Runout (Label side B): (MFSL 1-017 B2)
  • Matrix / Runout (Runout side A): MFSL-1-0 17 -A12-1 SR/2 UH 2 17 ꔰꔰꔰ
  • Matrix / Runout (Runout side B): MFSL-1-0 17 - B1 B2-2 SR/2 UH 2 22 ꔰ

Other Versions (5 of 1437)

View All
Title (Format) Label Cat# Country Year
Recently Edited
The Dark Side Of The Moon (LP, Album, Winchester Pressing, Wly Mastering, Gatefold) Harvest SMAS-11163 US 1973
Recently Edited
The Dark Side Of The Moon (LP, Album, Stereo, Circle On Back, Gatefold) EMI Electrola 1 C 062-05 249 1973
Recently Edited
The Dark Side Of The Moon (LP, Album, Stereo, Gatefold) Harvest 3C 064-05249 Italy 1973
The Dark Side Of The Moon (LP, Album, Stereo, Gatefold) Harvest 3C 064-05249 Italy 1973
Recently Edited
The Dark Side Of The Moon (LP, Album, Repress, Stereo, Gatefold) Harvest 5C 062-05249, 5C062-05249 Netherlands 1973

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Reviews

  • the3rdmac's avatar
    the3rdmac
    I know it goes against what people say, but I think this TROUNCES over the A2/B2. I have no particular reason to say why but after listening I just feel the need to never reach for my A2/B2 again. I don't think it's buyer delusion, I never suffer from that. If I don't like something I don't convince myself I do. Also, the actual quality of the vinyl is millennia better than the A2/B2 obviously and that would be enough for me
    • Darrdod53's avatar
      Darrdod53
      After acquiring this and owning every "Sought After" pressing known to man lol, my favorite is the Japanese Quad vinyl pressing. It is perfect in every way. My second favorite is the A2/B2 UK and my third favorite is between this and the Japanese second pressing. Different systems may have different results, but that is my ranking based on what I hear on my system.
      • SteadyDietOfRecords's avatar
        Has anyone compared this pressing with the Pro-Use edition ?
        • pappyland's avatar
          pappyland
          In the off chance someone has one, I’m looking for a box for this release. Thanks!
          • Darrdod53's avatar
            Darrdod53
            I finally have a copy of this on the way. I hope that it sounds as awesome as everyone says..will leave my opinion once it arrives and I have the opportunity to give it a listen.
            • WBillstrom's avatar
              WBillstrom
              Well, did the bubble break for everyone on the selling platform, sellers, manufacturers balloon the prices before the end is near of sales dippiping into oblivion. I agree you need to take a second out on a house to get some repressed that, maybe, might sound better, but afraid to play due to reselling damage. Totally agree with some pressings sound better, but highly believe a 2nd 3rd press, or even a Nimbus press exceeds in sonic representations of this, or equivalent classic LPs.
              The vinyl market now is like collecting used cars and putting them into garages, having them, not enjoying them. Prime example, Led Zepplelin Box set, you could get it here for $25k. 52 single sided 200gm albums in a nice road case that you can store right along your other massive box sets you acquire.
              The spirit of finding OG presses in the wild are still here, but rare. But to overlook and buy this, or some other UHQ, or other Walmart reissues, Ide rather spend the extra time and scavenge through stores where I just got a CBS Halfspeed of Bostons self titled LP. Pristine quality $60, watch it go on Mofi for double .
              I think when the market is oversaturated with reissues, the bubble is over as far resales quality 1st presses. Walmart will continue to get richer for selling colored limited pressings of God knows what, compared to go to a original brick and mortar store getting the equivalent for less.
              The bubble has burst, and soon this will become a fad once again, fall among the wayside of corporate creed and overpriced zealots hoping to make a quick buck in the process.
              IMO
              • Vivalafica's avatar
                Vivalafica
                For a couple thousand dollars Gilmour might show up to your house and play a few tracks live.....
                • mcgoum20's avatar
                  mcgoum20
                  I'm gonna tell you right now that this price for this pressing is not worth it and there's others that will get you more bang for your buck. The 30th anniversary pressing from 2003 is AAA and sounds fantastic, you can get a clean copy for an easy $200 and is the third best pressing of this album

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