Charli XCXCrash

Label:

Asylum Records – 0190296409981

Format:

Vinyl , LP, Album, Limited Edition , Grey

Country:

Europe

Released:

Genre:

Pop

Style:

Synth-pop

Tracklist

A1 Crash
Co-producerGeorge Daniel
Drums, Programmed By [Bass Programming], Synth, Programmed By [Keys Programming]George Daniel
EngineerA. G. Cook
GuitarWaylon Rector
Mastered ByRandy Merrill
Mixed ByGeoff Swan
Mixed By [Assistance]Niko Battistini
Programmed By, SynthesizerA. G. Cook
VocalsCharli XCX
Vocals [Vocal Chops], Producer [Additional Vocal Production]George Daniel
Written-ByWaylon Rector
A2 New Shapes
FeaturingChristine And The Queens
Keyboards, Bass, Drum Programming, Instrumentation ByLotus IV*
Mastered ByRandy Merrill
Mixed ByGeoff Swan
Mixed By [Assistance]Niko Battistini
ProducerLotus IV*
Recorded ByLotus IV*
Synth, Drum ProgrammingDeaton Chris Anthony
Vocals [Additional]Deaton Chris Anthony
Written-ByNoonie Bao
A3 Good Ones
Backing VocalsCaroline Ailin
EngineerThomas Warren (2)
Engineer [Bridge vocals]Lionel Crasta
Mastered ByRandy Merrill
Mixed BySerban Ghenea
Mixed By [Assistance]Bryce Bordone
ProducerOscar Holter
Programmed By, Drums, Bass, KeyboardsOscar Holter
VocalsCharli XCX
Written-ByRobin Fredriksson
A4 Constant Repeat
Keyboards, Bass, Drum Programming, Instrumentation ByLotus IV*
Mastered ByRandy Merrill
Mixed ByGeoff Swan
Mixed By [Assistance]Niko Battistini
ProducerLotus IV*
Recorded ByLotus IV*
VocalsCharli XCX
Written-ByNoonie Bao
A5 Beg For You
Backing Vocals [Additional]Sorana (3)
Engineer [Vocal Engineering]Ben Hogarth
FeaturingRina Sawayama
Mastered ByRandy Merrill
Mixed ByKevin Grainger
ProducerDigital Farm Animals
Producer [Rina's Vocal Production], EngineerJonathan Gilmore
Producer [Vocal Production]Alexander Soifer*
Recorded By [Charli's Vocals]Antonio Tucci Jr.
VocalsRina Sawayama
Written-BySorana (3)
A6 Move Me
Mastered ByRandy Merrill
Mixed ByManny Marroquin
ProducerIan Kirkpatrick
Producer [Additional Production]Jason Evigan
Recorded ByIan Kirkpatrick
VocalsCharli XCX
Written-ByJason Evigan
B1 Baby
EngineerSADPONY
Engineer [Assistant Engineering]Ainjel Emme
Guitar, EffectsJustin Raisen
Mastered ByRandy Merrill
Mixed ByGeoff Swan
Mixed By [Assisted By]Niko Battistini
ProducerSADPONY
Synthesizer, Bass, Drum ProgrammingSADPONY
VocalsCharli XCX
Written-ByJustin Raisen
B2 Lightning
Drum Programming, Synth, Classical Guitar [Nylon Guitar]Ariel Rechtshaid
EngineerMatt DiMona
Mastered ByRandy Merrill
Mixed ByGeoff Swan
Mixed By [Assisted By]Niko Battistini
ProducerAriel Rechtshaid
Recorded By [Vocals]Rami Yacoub
VocalsCharli XCX
Written-ByRami Yacoub
B3 Every Rule
Co-producerDaniel Lopatin
EngineerA. G. Cook
Mastered ByRandy Merrill
Mixed ByGeoff Swan
Mixed By [Assisted By]Niko Battistini
Producer [Additional], Engineer [Additional]Matt Cohn
Programmed By, SynthA. G. Cook
VocalsCharli XCX
Written-ByCharlotte Aitchison
B4 Yuck
Mastered ByRandy Merrill
Mixed ByGeoff Swan
Mixed By [Assisted By]Niko Battistini
ProducerMike Wise
VocalsCharli XCX
Written-ByNathan Ferraro
B5 Used To Know Me
EngineerThomas Warren (2)
Keyboards, Programmed ByJon Shave
Mastered ByRandy Merrill
Producer, Mixed ByDopamine (13)
VocalsCharli XCX
Written-ByNoonie Bao
B6 Twice
Keyboards, Bass, Drum Programming, Instrumentation ByLotus IV*
Mastered ByRandy Merrill
Mixed ByGeoff Swan
Mixed By [Assisted By]Niko Battistini
ProducerLotus IV*
Recorded ByLotus IV*
VocalsCharli XCX
Written-ByNoonie Bao

Companies, etc.

  • Phonographic Copyright ℗Warner Music UK Ltd.
  • Copyright ©Warner Music UK Ltd.
  • Mastered AtGZ Media – 236792E

Credits

  • Art DirectionImogene Strauss
  • Design [Design Assistance]MacAndrew Martin
  • Graphic DesignCollin Fletcher
  • Photography ByTerrence O'Connor

Notes

Grey vinyl pressing housed on a gatefold including inner printed sleeve and insert.

℗ © 2022 Warner Music UK Limited. An Asylum Records UK release, with the exception of tracks A2 and A3 ℗ 2021.
Made in Czech Republic.

Graphic design by Collin Fletcher for Charli P.
All tracks mastered [...] at Sterling Sound.

A1 "Crash"
Published by Sony Music Pub / Stellar Songs (ASCAP), Good Soldier Songs, BMG Rights Management (UK) Limited and Copyright Control
Mixed [...] in The Nest
Recorded at PC Music Studios

A2 "New Shapes"
Published by Sony Music Pub / Stellar Songs (ASCAP), Sony Music Scandinavia (BMI/STIM), EMI Blackwood Music Inc. (BMI) o/b/o EMI Music Publishing, Deaton Chris Anthony (BMI), Intraquilité. Christine And The Queens appears courtesy of Because Music; and Avant Garçon istered by Songs of Kobalt Music Publishing (AMRA)
Mixed [...] in The Nest
Recorded at Lotus Lounge (Los Angeles, CA) and Lotus Library (Stockholm, Sweden)
* "Intraquilité" is a typo and should be read as "Intranquillité."

A3 "Good Ones"
Published by Sony Music Pub / Stellar Songs (ASCAP), Wolf Cousins (STIM) / Warner Chappell Music SCAND (STIM), Noonie Bao (BMI) - EMI Blackwood Music Inc. (BMI) o/b/o EMI Music Publishing Scandinavia AB (STIM), Sony/ATV Songs LLC (BMI)
Produced [...] for Wolf Cousins Productions
Mixed [...] at MixStar Studios, Virginia Beach, VA
Recorded at House Mouse Studios, Stockholm, Sweden and Stellar House, Venice, Los Angeles

A4 "Constant Repeat"
Published by Sony Music Pub / Stellar Songs (ASCAP), EMI Blackwood Music Inc. (BMI) o/b/o EMI Music Publishing Scandinavia AB (STIM) and Sony Music Publishing Scandinavia AB (BMI/STIM)
Mixed [...] in The Nest
Recorded at Lotus Lounge (Los Angeles, CA) and Lotus Library (Stockholm, Sweden)

A5 "Beg For You"
Published by Sony Music Pub / Stellar Songs (ASCAP), Universal Music Publishing Ltd © - Rina Sawayama appears courtesy of Dirty Hit, Rollowritessongs / Artist 101 Publishing Group (BMI). All rights istered by Songs of Kobalt Music Publishing. Alexander Soifer - Singles Publishing, LLC istered by Songtrust LLC (BMI) and Universal Music Publishing AB / Sony Music Publishing Scandinavia
Mixed [...] at Wired Masters
Charli's vocals recorded [...] at Atlantic Studios, LA
Rina's vocals recorded at Sea Level

A6 "Move Me"
Published by Sony Music Pub / Stellar Songs (ASCAP), Big Tall Guy Music (BMI) (istered by Sony/ATV Songs LLC) and Warner-Tamerlane Publishing Corp (BMI)
Recorded [...] at zenseven Studios in Los Angeles, CA

B1 "Baby"
Published by Sony Music Pub / Stellar Songs (ASCAP), Brought To You By Heavy Duty Music (ASCAP) / Heavy Duty Music Publishing
Mixed [...] in The Nest
Recorded at Planet Paulie, Los Angeles

B2 "Lightning"
Published by Sony Music Pub / Stellar Songs (ASCAP), MXM (. by Kobalt) (STIM), Wolf Cousins (STIM) / Warner Chappell Music SCAND (STIM) and LiveMove / Artist Publishing Group West (ASCAP). All rights istered by Kobalt Songs Music Publishing (ASCAP)
Mixed [...] in The Nest
Recorded at MXM Studios and "Ariel's Studio" in Los Angeles, CA

B3 "Every Rule"
Published by Sony Music Pub / Stellar Songs (ASCAP) and BMG Rights Management (UK) Limited
Mixed [...] in The Nest
Recorded at PC Music Studios

B4 "Yuck"
Published by Sony Music Pub / Stellar Songs (ASCAP), Songs of Universal, Inc. / This Is Noise Publishing (BMI), APG / Kobalt (SOCAN) and Hyvecity Music Inc. (SOCAN/ASCAP)
Mixed [...] in The Nest
Recorded at APG Studios, LA

B5 "Used To Know Me"
Published by Sony Music Pub / Stellar Songs (ASCAP), EMI Blackwood Music Inc. (BMI) o/b/o EMI Music Publishing and Zeet Dot Music Publishing (BMI) / Warner-Tamerlane Publishing Corp. (BMI) and Sony Music Scandinavia (BMI/STIM)
"Used To Know Me" contains elements from "Show Me Love" (George / McFarlane). Published by EMI Music Publishing Ltd / EMI Blackwood Music Inc / Song-A-Tron Music Music
Recorded at Stellar House, Los Angeles, and Grove 2, London

B6 "Twice"
Published by Sony Music Pub / Stellar Songs (ASCAP), EMI Blackwood Music Inc. (BMI) o/b/o Sony Music Publishing Scandinavia AB (BMI/STIM)
Mixed [...] in The Nest
Recorded at Lotus Lounge (Los Angeles, CA) and Lotus Library (Stockholm, Sweden)

Hypesticker info:
Charli XCX Crash
Contains the tracks: Good Ones, New Shapes (Feat. Christine And The Queens and Caroline Polachek) & Beg For You (Feat. Rina Sawayama)
Exclusive Limited Edition Grey Disc

300 copies of this release were released with a numbered Japanese style obi strip and sold by Assai Records as part of the Assai Obi Editions series. An additional 200 copies were released that were un-numbered

Barcode and Other Identifiers

  • Barcode: 0190296409950
  • Rights Society: GEMA/MS
  • Matrix / Runout (Side A, Stamped): 236792E1 1118554
  • Matrix / Runout (Side B, Stamped): 236792E2 1118557

Other Versions (5 of 25)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Crash (LP, Album, Limited Edition, Red Opaque & Black Marbled) Asylum Records 0190296409981 Europe 2022
New Submission
Crash (LP, Album, Limited Edition, Grey) Asylum Records 0190296409981 US 2022
New Submission
Crash (LP, Album, Limited Edition, Red Opaque & Black Marbled) Asylum Records 0190296409981 US 2022
Recently Edited
Crash (Cassette, Album, Limited Edition, Stereo) Asylum Records 0190296409943 UK & US 2022
New Submission
Crash (LP, Album, Limited Edition, White) Asylum Records 0190296409981, 0190296409974 UK & Europe 2022

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Reviews

  • sooodamnfancy's avatar
    sooodamnfancy
    Sounds amazing and looks great (both the vinyl and the artwork). I'm not sure how this version is Ltd, since it can be found literally EVERYWHERE, but whatever!
    • CarlosAGarnica's avatar
      CarlosAGarnica
      Edited one year ago
      I got say, I wasn't crazy over any of the variants of the album, In my opinion they were pretty underwhelming.
      That's why I got this variant, I have been curious about this Obi variants for a while and since I wanted this album on vinyl cause it's such an amazing album (Musically, definitely one of the strongest albums of the year so far).

      But, I got to say, I don't know about the indie pressing, but this pressing sounds amazing, I've had this album on repeat since it came out and I found myself listening to new details on the pressing that I didn't have the change on the Spotify version. I'm completely in love with the sound this album has on vinyl, for me it's worth it.

      Now, the Obi thing, I think it's a cool detail, in my opinion, if you're getting the grey variant (which I think fits the album, for the cold tones that this album has chromatically talking) It's worth to get this variant, I like how it's a nice detail to have the paper thing and it's numbered, we collectors love a good numbered variant hahaha.
      • tangerinedreamz's avatar
        tangerinedreamz
        Edited one year ago
        The only other Assai OBI Release I own is “Chemtrails Over The Country Club” and I was much more impressed with that release compared to this one. The OBI for “Crash” is wrapped around both sleeves of the gatefold so it’s hard to open it up and appreciate the gatefold art or even take out the record. The Printed OBI is nice but doesn’t line up exactly with the cover. It just feels lazy. I will say it was packaged well and arrived in the US with absolutely zero flaws after being in transit for 2+ weeks. It’s cute but didn’t feel worth it. I guess it’s better than just owning the regular indie grey.
        • osianxcx's avatar
          osianxcx
          Edited one year ago
          angels pls dont pay for an overpriced piece of paper, it’s literally just the indie exclusive, grey variant with a fake obi. it isn’t even a good looking obi
          • boytoysoldierco's avatar
            boytoysoldierco
            Fantastic pressing. No inner groove distortion on my copy. Booming bass, highs are crispy and loud. No clipping on Charli’s vocals, mixing is clear and balanced. B5 “Used to Know Me” does sound like an alternative version. Vocals are slightly different to the streaming version, there is a new adlib after the first chorus, production sounds more faithful to the original sample as well. Thought that was interesting, probably an earlier mix was turned in. Packaging is very pretty. Printed inner sleeve, lyric insert, full photo gatefold jacket.
            • laszlloboda's avatar
              laszlloboda
              On my copy there was some distortion on Used To Know Me and Twice, but after a few spins they are mostly gone. Might have to give it a more thorough clean (i played after cleaning it with only a record cleaning brush, which is usually enough). Overall an amazing record, has deep bass and I am absolutely in love with the color! Gonna update later abt the cleaning
              • neophoenix's avatar
                neophoenix
                Some loud pops at the end of Lightning and at the start of Every Rule. Gave it a good clean but unfortunately they're still there. Otherwise a good pressing with no static or pops on any of the other tracks.

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