Adele (3)30

Label:

Sony Music – 19439937971

Format:

2 x Vinyl , LP, Album , MRP Pressing, 180 Gram

Country:

Europe

Released:

Genre:

Pop

Style:

Piano Blues

Tracklist

A1 Strangers By Nature
Arranged By [Strings]Serena Goransson*
Conductor [Strings]David Campbell
Engineer [Mix]Matt Scatchell
Mixed ByTom Elmhirst
Producer [Produced By], Piano, Bass, Electric Piano [Rhodes], Mellotron, Synth, Programmed ByLudwig Goransson*
Recorded ByRiley Mackin
Recorded By [Strings]Steve Churchyard
Written-ByLudwig Goransson*
3:02
A2 Easy On Me
Conductor [Strings], Arranged By [Strings]David Campbell
EngineerJulian Burg
Engineer [Additional]Alex Pasco
Engineer [Mix]Matt Scatchell
Mixed ByTom Elmhirst
Producer [Produced By], Engineer, Bass, Bass Drum [Kick], PianoGreg Kurstin
Recorded By [Strings]Steve Churchyard
Written-ByGreg Kurstin
3:44
A3 My Little Love
Arranged By [Strings], Conductor [Strings]David Campbell
Drums, PercussionChris Dave
EngineerJulian Burg
Engineer [Additional]Alex Pasco
Engineer [Mix]Matt Scatchell
Mixed ByTom Elmhirst
Producer [Produced By], Engineer, Bass, Mellotron, Piano, Steel GuitarGreg Kurstin
Recorded By [Strings]Steve Churchyard
Voice [Notes]Angelo*
Written-ByGreg Kurstin
6:29
B1 Cry Your Heart Out
Bongos, Drums, VibraslapChris Dave
EngineerJulian Burg
Engineer [Additional]Alex Pasco
Engineer [Mix]Matt Scatchell
Mixed ByTom Elmhirst
Producer [Produced By], Engineer, Bass, Handclaps, Guitar, Organ [Hammond B3], Mellotron, PianoGreg Kurstin
Written-ByGreg Kurstin
4:15
B2 Oh My God
DrumsChris Dave
EngineerJulian Burg
Engineer [Additional]Alex Pasco
Mixed By [Assistant]Bryce Bordone
Mixed By [Engineer For The Mix]John Hanes
Mixed By [Engineering For The Mix]Serban Ghenea
Producer [Produced By], Engineer, Bass, Handclaps, Drum Programming, Organ [Hammond B3], Keyboards, Percussion, PianoGreg Kurstin
TambourineAdele (3)
Written-ByGreg Kurstin
3:45
B3 Can I Get It
Body Percussion [Stomps], HandclapsAdele (3)
Drums, Bass, Guitar, Percussion, Programmed By, Whistle, Keyboards, Body Percussion [Stomps], HandclapsShellback (2)
EngineerSam Holland
Mixed By [Assistant]Bryce Bordone
Mixed By [Engineer For The Mix]John Hanes
Mixed By [Engineering For The Mix]Serban Ghenea
Piano, Programmed By, Keyboards, Backing VocalsMax Martin
Producer [Produced By]Shellback (2)
Written-ByShellback (2)
3:30
C1 I Drink Wine
Arranged By [Strings], Conductor [Strings]David Campbell
EngineerJulian Burg
Engineer [Additional]Alex Pasco
Engineer [Mix]Matt Scatchell
Mixed ByTom Elmhirst
Producer [Produced By], Engineer, Bass, Drums, Organ [Hammond B3], Mellotron, Keyboards [Orchestron], Piano, Percussion, Electric Piano [Rhodes]Greg Kurstin
Recorded By [Strings]Steve Churchyard
Written-ByGreg Kurstin
6:16
C2 All Night Parking (Interlude)
Drums, Piano [Additional], Trumpet, ViolinJoey Pecoraro
Engineer [Mix]Matt Scatchell
Engineer [Vocals]Julian Burg
Featuring [With], PianoErroll Garner
Mixed ByTom Elmhirst
Producer [Produced By]Joey Pecoraro
Written-ByErroll Garner
2:41
C3 Woman Like Me
Drums, PercussionChris Dave
Engineer [Additional]Todd Monfalcone
Engineer [Assistant]Ryan Lytle
Engineer [Mix]Matt Scatchell
Mixed ByTom Elmhirst
Producer [Produced By], Engineer [Recording], Bass, GuitarInflo
Written-ByDean Josiah Cover
5:00
D1 Hold On
Arranged By [Strings], Conductor [Strings]David Campbell
Engineer [Additional]Tom Campbell (8)
Engineer [Assistant]Brian Rajaratnam
Engineer [Mix]Matt Scatchell
Mixed ByTom Elmhirst
Producer [Produced By], Engineer [Recording], Drums, Piano, Organ, Bass, Electric Guitar, PercussionInflo
Recorded By [Strings]Steve Churchyard
Written-ByDean Josiah Cover
6:06
D2 To Be Loved
Engineer [Additional]Ivan Wayman
Engineer [Mix]Matt Scatchell
Mixed ByTom Elmhirst
PianoTobias Jesso Jr.
Producer [Produced By]Tobias Jesso Jr.
Recorded ByShawn Everett
Written-ByTobias Jesso Jr.
6:43
D3 Love Is A Game
Arranged By [Strings], Conductor [Strings]David Campbell
Engineer [Additional]Todd Monfalcone
Engineer [Mix]Matt Scatchell
HandclapsAdele (3)
Mixed ByTom Elmhirst
PercussionChris Dave
Producer [Produced By], Engineer [Recording], Drums, Piano, Electric Piano [Wurlitzer], Organ, Electric Guitar, Bass, Handclaps, PercussionInflo
Recorded By [Strings]Steve Churchyard
Written-ByDean Josiah Cover
6:43

Companies, etc.

  • Phonographic Copyright ℗Melted Stone
  • Copyright ©Melted Stone
  • Licensed ToColumbia Records
  • Record CompanySony Music Entertainment
  • Lacquer Cut AtSterling Sound
  • Mastered AtGZ Media – 233626E
  • Produced ForMXM Productions
  • Manufactured ByColumbia Records
  • Distributed ByColumbia Records
  • Recorded AtELBO Studios
  • Recorded AtThe Eastwood Scoring Stage
  • Recorded AtMXM Studios
  • Recorded AtHouse Mouse Studios, Stockholm
  • Recorded AtKallbacken Studios, Stockholm, Sweden
  • Recorded AtMXM Studios, Los Angeles
  • Recorded AtEastcote Studios
  • Recorded AtSerenity West Studios
  • Recorded AtHenson Recording Studios
  • Recorded AtMetropolis Studios
  • Recorded AtWill's Grandma's House
  • Engineered AtNo Expectations Studios
  • Mixed AtElectric Lady Studios
  • Mixed AtMixStar Studios
  • Mastered AtSterling Sound
  • Designed AtUntold Studios
  • Published ByMelted Stone Publishing Limited
  • Published ByLudovin Music
  • Published ByKurstin Music
  • Published ByEMI Music Inc.
  • Published ByMXM Music
  • Published ByKobalt Music
  • Published ByOctave Music Licensing, LLC
  • Published ByDowntown Music Services
  • Published ByDean Josiah Cover
  • Published BySongs of Universal, Inc.
  • Pressed ByMemphis Record Pressing – 3461

Credits

  • Creative Director, DesignPhil Lee (5)
  • Lacquer Cut ByRKS*
  • Mastered ByRandy Merrill
  • Photography By [Cover]Simon Emmett
  • Photography By [Studio Photos]Raven B. Varona
  • Vocals, Creative Director, DesignAdele (3)

Notes

Same barcode as the US version, the text at the bottom of the back of the sleeve mentions made in EU and has two lines, US version has one line; additionally, this edition features a Sony Music logo on back of sleeve.
This version pressed by GZ Media.
Runout parts "JN-H", "RKS", parentheses and all ending with "L19439937971" are etched; the rest is stamped.
Made in the EU.
Printed inners with lyrics.

A1 recorded at Elbo Studios, CA. Strings recorded at The EastWood Scoring Stage, CA.
Mixed at Electric Lady Studios, NY.

A2 to B1, C1 engineered at No Expectations Studios, Los Angeles, CA. Strings recorded at The EastWood Scoring Stage, CA.
Mixed at Electric Lady Studios, NY.

B2 engineered at No Expectations Studios, Los Angeles, CA.
Engineered for mix at MixStar Studios, Virginia Beach, VA.

B3 recorded at MXM Studios - House Mouse Studios - Källbachen Studios, Stockholm Sweden,
MXM Studios, Los Angeles, CA & Eastcote Studios, London.
Engineered for mix at MixStar Studios, Virginia Beach, VA.

C2 vocal engineering at No Expectations Studios, Los Angeles, CA.
Mixed at Electric Lady Studios, NY.

C3 Recorded at Serenity West Studios & Henson Recording Studios, CA.
Mixed at Electric Lady Studios, NY.

D1 Recorded at Serenity West Studios & Henson Recording Studios, CA. Strings recorded at The EastWood Scoring Stage, CA.
Mixed at Electric Lady Studios, NY.

D2 Recorded at Will's Grandma's House, CA.
Mixed at Electric Lady Studios, NY.

D3 Recorded at Henson Recording Studios, CA & Metropolis Studios, London. Strings recorded at The EastWood Scoring Stage, CA.
Mixed at Electric Lady Studios, NY.
Mastered at Sterling Sound, NJ.

Erroll Garner appears courtesy of Octave Music Licensing and Mack Avenue Music Group.

For April x

Barcode and Other Identifiers

  • Barcode (Text): 1 94399 37971 4
  • Barcode (Scanned): 0194399379714
  • Label Code: LC00162
  • Rights Society: BIEM/GEMA
  • Rights Society: ASCAP
  • Rights Society: BMI
  • Rights Society: SOCAN
  • Rights Society: STIM
  • Matrix / Runout (Side A label): AL 19439937971
  • Matrix / Runout (Side B label): BL 19439937971
  • Matrix / Runout (Side C label): CL 19439937971
  • Matrix / Runout (Side D label): DL 19439937971
  • Matrix / Runout (Side A runout, variant 1): JN-H STERLING AL19439937971 (2-2) MRP3461/19439937971-A 233626E1
  • Matrix / Runout (Side B runout, variant 1): RKS STERLING BL19439937971 (1-0) MRP3461/19439937971-B 233626E2
  • Matrix / Runout (Side C runout, variant 1): JN-H STERLING CL19439937971 (2-1) MRP3461/19439937971-C 233626E3
  • Matrix / Runout (Side D runout, variant 1): JN-H STERLING DL19439937971 (2-1) MRP3461/19439937971-D 233626E4
  • Matrix / Runout (Side A runout, variant 2): JN-H STERLING AL19439937971 (2-1) MRP3461/19439937971 A 233626E1 1081526
  • Matrix / Runout (Side B runout, variant 2): RKS STERLING BL19439937971 (2-0) MRP3461/19439937971 B 233626E2 1084210
  • Matrix / Runout (Side C runout, variant 2): RKS STERLING CLA̶L̶ 19439937971 (2-0) MRP3461/19439937971-C 233626E3 1090294
  • Matrix / Runout (Side D runout, variant 2): RKS STERLING DL19439937971 (2-0) MRP3461/19439937971 D 233626E4 1083326
  • Matrix / Runout (Side A runout, variant 3): JN-H STERLING MRP3461/19439937971 A AL19439937971 (2-1) 233626E1 1089817
  • Matrix / Runout (Side B runout, variant 3): JN H STERLING MRP3461/19439937971 B BL19439937971 (2-1) 233626E2 1067961
  • Matrix / Runout (Side C runout, variant 3): RKS STERLING 233626E3 1085093 CLA̶L̶ 19439937971 (2-0) MRP3461/19439937971 C
  • Matrix / Runout (Side D runout, variant 3): JN-H STERLING MRP3461/19439937971 D DL19439937971 (2-1) 233626E4 1087421
  • Matrix / Runout (Side A runout, variant 4): JN-H STERLING AL19439937971 (2-2) MRP3461/19439937971 A 233626E1 1065867
  • Matrix / Runout (Side B runout, variant 4): RKS STERLING BL19439937971 (2-0) MRP3461/19439937971 B 233626E2 1084210
  • Matrix / Runout (Side C runout, variant 4): JN-H STERLING CL19439937971 (2-1) MRP3461/19439937971-C 233626E3 1058184
  • Matrix / Runout (Side D runout, variant 4): JN-H STERLING DL19439937971 (2-1) MRP3461/19439937971 D 233626E4 1097301

Other Versions (5 of 40)

View All
Title (Format) Label Cat# Country Year
New Submission
30 (CD, Album) Sony Music 19439937972 Australia 2021
Recently Edited
30 (2×LP, Album, Stereo, MPO Pressing) Columbia 19439937971 US 2021
New Submission
30 (CD, Album) Sony Records Int'l SI-6426 Japan 2021
New Submission
30 (CD, Album, Limited Edition, Stereo, Paper Gatefold Sleeve) Sony Records Int'l SI-6425 Japan 2021
New Submission
30 (2×LP, Album, Limited Edition) Columbia SIJP-113~4, 19439937971 Japan 2021

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Reviews

  • Dormeguyivy's avatar
    Dormeguyivy
    As a business owner this is a bad record on all s, First it's not the best from what adele could do.
    Too many fillars, and then comes the price plan.... First 5 months the prices could not be dropped because of the record company.
    We had to put more than 40% on top and that's on a return.. We're getting srewed by everyone sideways.

    Now we are left with a ton of LP's Nobody want anymore.... I have a total of +100 vinyl :(
    • carterwrombouts's avatar
      this is a great pressing, a little sibilant but nothing major. vinyl is mostly quiet, i haven't weighed the discs but they do feel a little less than 180g. i could be wrong though.
      ive never been a huge fan of Adele, but i always had an appreciation for her music. i still believe someone like you is one of the best songs ever written.
      this album completely blew me away. when i heard the first single, i rolled my eyes - more of the same old adele. but once i finally heard the entirety of the album, it was clear that she is more than just a one trick pony. of course there are still the things that make her "Adele"; soulful vocals, R&B influences. But this album expanded on a lot of previous limitations. 25 was very pop oriented, and overall a generally weak album. This album not only expands her musical palette, but also her lyrical one. Woman Like Me is dark and direct. Strangers by Nature is a sweeping and mournful opener. The song that stands out on this album for me is To Be Loved. Lyrically, it is one of her strongest songs. Vocally, one of her best performances. A towering ballad running for nearly seven minutes, she takes her time in painting a portrait of someone so broken by love but who doesn't want to give up on it. It is easily one of the best songs of the decade so far. Of course there are some weaker moments. Can I Get It has to be one of her worst songs, obviously made for radio, with the obligatory Max Martin hook. The "folky" stomp/acoustic guitar/handclap/whistle production sounds painfully 2013. Oh My God falls into a similar category as the aforementioned.
      Overall this stands as her best work. Were 500,000 vinyl copies of this necessary? Absolutely not. These will be sale bin staples in a few months, along with ABBA and Ed Sheeran. I've already seen at least one copy of this album go through a used record store. But this is still an excellent effort, and it proves that sometimes major pop stars can still put out artistically meaningful albums, without chasing trends or streams.
      • vinylofillargest's avatar
        Také máte v A3 lupnutí? Čas cca 3:59 a 4:04.
        • ugwu.alaeze's avatar
          ugwu.alaeze
          Edited 3 years ago
          I don't think this is a GZ pressing. I think that this is a Memphis Record Pressing. Yes. GZ owns MRP now but this wasn't pressed in the Czech Republic.
          • EclecticMusicMan's avatar
            Good dynamic sound but certainly not the best Adele album.

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            • Avg Rating:4.17 / 5
            • Ratings:110
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