Tracklist
1 | Pillar | 5:13 | |
2 | Good God | 5:46 | |
3 | All My Sadness | 5:46 | |
4 | Air Primary | 7:21 | |
5 | Air Secondary (Battery) | 5:45 | |
6 | Needle | 10:09 | |
7 | It Is Called Peace | 6:01 | |
8 | Fruit Molecules | 4:01 | |
9 | Exaggerated Depression | 3:47 |
Companies, etc.
- Phonographic Copyright ℗ – Apollo
- Copyright © – Apollo
- Record Company – R & S Records
- Recorded At – The Enclosure
- Licensed To – Apollo
- Published By – Chrysalis Music
- Glass Mastered At – DADC Austria
Credits
- Composed By [All Titles Composed By], Producer [Realised By] – Mark Van Hoen
- Design [Sleeve] – The Designers Republic
- Liner Notes – Mark Van Hoen
- Photography By – James Bignell
- Photography By [Photography Assisted By] – Mark Van Hoen
Notes
Recorded at The Enclosure, under exclusive licence to Apollo Records, Belgium.
Tracks 1, 2 + 3 taken From Locust Peel Session June 17th, 1994
Tracks 4 + 6 taken from 'The Needle Ep' - Apollo Limited Promo 500
Tracks 7 + 9 taken from 'In ance Of Times Past' - Apollo 18
℗ 1994 Apollo Records. © 1994 Apollo Records. Apollo is a division of R & S Records. Made in Austria.
The following years are written next to each track name:
Track 1, 3: 1994
Track 2, 4, 5, 6: 1993
Track 7, 9: 1985
Track 8: 1987
Issued in a standard, 10,4mm jewel case with a transparent tray and a 8-page foldout insert.
Tracks 1, 2 + 3 taken From Locust Peel Session June 17th, 1994
Tracks 4 + 6 taken from 'The Needle Ep' - Apollo Limited Promo 500
Tracks 7 + 9 taken from 'In ance Of Times Past' - Apollo 18
℗ 1994 Apollo Records. © 1994 Apollo Records. Apollo is a division of R & S Records. Made in Austria.
The following years are written next to each track name:
Track 1, 3: 1994
Track 2, 4, 5, 6: 1993
Track 7, 9: 1985
Track 8: 1987
Issued in a standard, 10,4mm jewel case with a transparent tray and a 8-page foldout insert.
Barcode and Other Identifiers
- Barcode (Text): 5 411659 169355 >
- Barcode (Scanned - EAN): 5411659169355
- Matrix / Runout (Variant 1 - partly mirrored): [DADC Austria logo] AMB4935CD 15 A1
- Mastering SID Code (Variant 1): none
- Mould SID Code (Variant 1): IFPI 94G1
- Matrix / Runout (Variant 2 - mirrored): [DADC Austria logo] AMB4935CD 15 A0
- Mastering SID Code (Variant 2): none
- Mould SID Code (Variant 2): none
- Matrix / Runout (Variant 3 - partly mirrored): [DADC Austria logo] AMB4935CD 15 A0
- Mastering SID Code (Variant 3): none
- Mould SID Code (Variant 3): IFPI 94C2
- Matrix / Runout (Variant 4 - partly mirrored): [DADC Austria logo] AMB4935CD 15 A1
- Mastering SID Code (Variant 4): none
- Mould SID Code (Variant 4): IFPI 94C2
Other Versions (2)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Natural Composite (2×LP, Compilation) | Apollo | AMB 4935 LP | Belgium | 1994 | ||
New Submission
|
Natural Composite (14×File, MP3, Compilation) | Apollo | AMB4935DB | Belgium | 2010 |
Recommendations
Reviews
-
Edited 7 years agoNice release I just recently discovered having been a huge fan of the utterly brilliant electronic odyssey Weathered Well.
This release is a little less coherent but thats because its more of a compilation of old and new material dating back to the 1980s. The music is still dark with alot of analog synths and sampling taking the percussion avenue without coming across as stale 90s techno. Its deep, dark and luscious electronic music thats a cut above.
I cannot believe he went the synth pop vocal route on later releases which I recommend anyone avoid esp after listening to Natural Composite and Weathered Well why would you! -
_Natural Composite_, Mark Van Hoen’s second album as Locust shares many of the qualities as his first: the darker edge, the ambience, the textures. Indeed, one could draw some comparisons to Aphex Twin’s _Selected Ambient Works, Vol. 2_ from the swirl and feel of “Pillar.” The siren-like tone that lingers behind “Good God” seems to belie the blasphemous little sample running through the track. The tonal “Fruit Molecules” hangs in the air like a mysterious odor. The titles, at times, seem at odds with conjured sounds: “Air Primary” is more of a whirlwind, while “Air Secondary (Battery)” jitters like an unstable molecule; “It Is Called Peace” doesn’t seem to be peaceful whatsoever with its metallic twitch and thrumming rhythm. At other times, tracks, such as the long and droning “Needle,” don’t develop fully. Not as accomplished as his debut, but still absorbing.
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