Billie Eilish – Dont Smile At Me
Label: |
Darkroom (4) – B0032402-01 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Pop |
Style: |
Indie Pop |
Tracklist
| A1 | Copycat | |
| A2 | Idontwannabeyouanymore | |
| A3 | My Boy | |
| A4 | Watch | |
| B5 | Party Favor | |
| B6 | Bellyache | |
| B7 | Ocean Eyes | |
| B8 | Hostage |
Companies, etc.
- Phonographic Copyright ℗ – Darkroom (4)
- Phonographic Copyright ℗ – Interscope Records
- Copyright © – Darkroom (4)
- Copyright © – Interscope Records
- Published By – Drup
- Published By – Last Frontier
- Published By – Kobalt Songs Music Publishing
- Distributed By – Universal Music Enterprises
- Manufactured By – Universal Music Enterprises
- Mixed At – The Fortress of Amplitude
- Lacquer Cut At – Sterling Sound
- Exclusive Retailer – Target (11)
Credits
- A&R – Sam Riback
- Lacquer Cut By – JN-H*
- Layout – Dina Hovsepian
- Legal [For Mark Music & Media Law] – David Ferreria
- Management – Danny Rukasin
- Mastered By – John Greenham
- Mixed By – Rob Kinelski
- Photography By – Kenneth Cappello
- Producer, Engineer, Written-By – Finneas Baird O'Connell*
- Written-By – Billie Eilish O'Connell*
Notes
2020 reissue.
Pressed on half yellow / half red vinyl, limited to an unknown amount.
Housed in a full-colour, single-sleeve jacket.
Double-sided, full-colour, lyric & credit insert included.
All tracks stylised entirely in lowercase, except A1, stylised entirely in capitals.
Tracks are numbered sequentially, regardless of side.
Pressed on half yellow / half red vinyl, limited to an unknown amount.
Housed in a full-colour, single-sleeve jacket.
Double-sided, full-colour, lyric & credit insert included.
All tracks stylised entirely in lowercase, except A1, stylised entirely in capitals.
Tracks are numbered sequentially, regardless of side.
Barcode and Other Identifiers
- Barcode (Printed): 6 02507 34524 2
- Barcode (Scanned): 602507345242
- Rights Society: ASCAP
- Rights Society: BIEM/SDRM
- Label Code: LC 06406
- Matrix / Runout (Side A runout): B0027307-01A 3 IV JN-H STERLING
- Matrix / Runout (Side B runout): B0027307-01B 3 IV JN-H STERLING
Other Versions (5 of 33)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Dont Smile At Me (8×File, AAC, EP) | Interscope Records | none | US | 2017 | ||
|
Recently Edited
|
Dont Smile At Me (12", 33 ⅓ RPM, EP, Red) | Darkroom (4) | B0027307-01 | UK, Europe & US | 2017 | ||
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New Submission
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Dont Smile At Me (LP, EP, Limited Edition, Yellow) | Interscope Records | B0027307-01 | US | 2017 | ||
|
New Submission
|
Dont Smile At Me (CDr, EP, Promo, Stereo) | Polydor | none | 2017 | |||
|
Recently Edited
|
Dont Smile At Me (9×File, FLAC, EP) | Interscope Records | none | UK | 2017 |
Recommendations
Reviews
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There are heavy sibilance distortions on Ocean Eyes. "S" are audibly distorted and sound like scratch. -
Edited one year agoListening from a friend’s copy but I can’t deny that the mastering and overall pressing is not bad, like wow
Her voice is so clear and the separation is great. Not bad, not bad at all -
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My album sounds phenomenal, my only complaint is slight warp on the B side it is still playable but not flat, I get a lot of use out of this record tho cause every song is awesome so maybe I'll grab a 2nd and frame the original. -
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The sound quality has BLOWN me away. Shocking that this was a Target press because it sounds like Billie is in my room serenading me every time I play it. I've had a lot of problems when it comes to Target exclusives but this?? Gives me faith in them. -
Picked a copy up at my local Target today and I have to say I’m shocked at how good this sounds. I wasn’t expecting much but this is a rich, loud, dynamic pressing with full bodied low end. My inner sleeve was also strangely crumpled/bent, but I don’t really care. The record itself was warped around the edges but it doesn’t affect tracking at all. -
Great sound quality here. No distortion, very dynamic, balanced volume. The split colorway is aesthetically pleasing to look at with the album art. I will agree with the reviewer below that this is sibilant. However, so is the digital mix. Tried it out with a microlinear stylus, and I still had a fair amount of sibilance. If you can overlook that, then this is worth picking up. -
sounds amazing on my LP120x. kinda mad that the inner-sleeve is crumpled up, but i’m not the only person with that issue. there’s also a scratch on the label, which sucks, but i’m kinda used to it with target releases.
Release
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