U2 – Rattle And Hum
Label: |
Island Records – 7 91003-1 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Pop Rock |
Tracklist
| A1 | U2– | Helter Skelter (Live) | 3:07 |
| A2 | U2– | Van Diemen's Land | 3:06 |
| A3 | U2– | Desire | 2:58 |
| A4 | U2– | Hawkmoon 269 | 6:22 |
| B1 | U2– | All Along The Watchtower (Live) | 4:24 |
| B2 | U2– | I Still Haven't Found What I'm Looking For (Live) | 5:53 |
| B3 | Sterling Magee– | (Freedom For My People) | 0:38 |
| B4 | U2– | Silver And Gold (Live) | 5:50 |
| B5 | U2– | Pride (In The Name Of Love) (Live) | 4:27 |
| C1 | U2– | Angel Of Harlem | 3:49 |
| C2 | U2– | Love Rescue Me | 6:23 |
| C3 | U2– | When Love Comes To Town | 4:14 |
| C4 | U2– | Heartland | 5:02 |
| D1 | U2– | God Part II | 3:15 |
| D2 | Jimi Hendrix– | The Star Spangled Banner | 0:43 |
| D3 | U2– | Bullet The Blue Sky (Live) | 5:37 |
| D4 | U2– | All I Want Is You | 6:30 |
Companies, etc.
- Distributed By – ATCO Records
- Recorded By – Remote Recording Services
- Phonographic Copyright ℗ – Island Records Ltd.
- Copyright © – Island Records Ltd.
- Copyright © – Paramount Pictures Corporation
- Pressed By – Specialty Records Corporation
- Published By – Northern Songs Ltd.
- Published By – SBK Blackwood Music Inc.
- Published By – ATV Music
- Published By – Chappell & Co.
- Published By – Warner Bros. Inc.
- Published By – Dwarf Music
- Published By – Bobby Robinson's Sweet Soul Music
- Published By – Amandia Music
- Published By – Special Rider Music
- Published By – Are You Experienced? Ltd.
- Recorded At – The Point Depot
- Recorded At – STS Dublin
- Recorded At – A&M Studios
- Recorded At – Justin Herman Plaza
- Recorded At – Madison Square Garden
- Recorded At – McNichols Arena
- Recorded At – Sun Studios
- Recorded At – Danesmoate House
- Recorded At – Ocean Way Recording
- Recorded At – Sun Devil Stadium
- Overdubbed At – Conway Studios
- Mixed At – A&M Studios
- Mastered At – A&M Mastering Studios
Credits
- Coordinator [Art Co-ordinator] – Anne-Louise Kelly
- Coordinator [Music Production Co-ordinator] – Greg McCarty
- Design – Tracy Weston
- Engineer [Additional Engineer] – Rob Jacobs
- Engineer [Assistant Engineer] – Ethan Johns
- Engineer [Post Production] – David Tickle
- Mastered By – Arnie Acosta
- Photography By [Back Cover] – Colm Henry
- Photography By [Front Cover] – Anton Corbijn
- Photography By [Middle Sleeve] – Thomas Busler
- Producer – Jimmy Iovine
- Technician [Additional Overdubbing] – Richard McKernan
Notes
Comes in gatefold sleeve and printed inner sleeves with lyrics, credits and band pictures.
Sound post production for the album and movie done at A&M Studios, Hollywood.
Post production engineering by David Tickle.
All live recording by Remote Recording Services (The Black Truck) operated by David Hewitt with Phil Gitomer, Fritz Lang, J.B. Matteotti.
Mastered by Arnie Acosta, A&M Mastering Studios, L.A.
Bob Dylan (Hammond Organ) appears courtesy of Columbia Records
New Voices Of Freedom appear courtesy of City Slicker Productions
B.B. King (Vocals and Guitar) appears courtesy of MCA Records
Brian Eno (Keyboards) appears courtesy of Opal Music Ltd.
Inner Sleeve Photos by Thomas Busler, Colm Henry, Bill Rubenstein, Anton Corbijn, Elvis Presley, and B.B. King photos courtesy of London Features International Ltd., and Billie Holiday photo courtesy of Associated Press Ltd.
Live movie photos courtesy of Phil Joanou, Robert Brinkmann and Paramount Pictures, TM & Copyright © 1988 by Paramount Pictures Corporation. All rights reserved.
Cat # 91003-1 appears on the labels and inner sleeves, back side, bottom-right.
Cat # 7 91003-1 appears on the spine.
Gatefold cover, sleeves, labels, catalog numbers and Pressing Ring/Plant Variation is similar to Specialty Records Corporation with one large and one small pressing ring. However, this entry has very different matrix/runout identifiers--both the Allied logo [stamped lower-case a] and SRC logo [S coiled around R and C] are present.
Appears to be perhaps a hybrid (or "Frankenstein") pressing, with sides A, B, and D stamped with the Allied logo and Side C stamped with the SRC logo. The "J" after the ℗ appears to perhaps be an engineer's highly stylized mark.
"A" is stamped near center hole of sides B, C, and D.
Sound post production for the album and movie done at A&M Studios, Hollywood.
Post production engineering by David Tickle.
All live recording by Remote Recording Services (The Black Truck) operated by David Hewitt with Phil Gitomer, Fritz Lang, J.B. Matteotti.
Mastered by Arnie Acosta, A&M Mastering Studios, L.A.
Bob Dylan (Hammond Organ) appears courtesy of Columbia Records
New Voices Of Freedom appear courtesy of City Slicker Productions
B.B. King (Vocals and Guitar) appears courtesy of MCA Records
Brian Eno (Keyboards) appears courtesy of Opal Music Ltd.
Inner Sleeve Photos by Thomas Busler, Colm Henry, Bill Rubenstein, Anton Corbijn, Elvis Presley, and B.B. King photos courtesy of London Features International Ltd., and Billie Holiday photo courtesy of Associated Press Ltd.
Live movie photos courtesy of Phil Joanou, Robert Brinkmann and Paramount Pictures, TM & Copyright © 1988 by Paramount Pictures Corporation. All rights reserved.
Cat # 91003-1 appears on the labels and inner sleeves, back side, bottom-right.
Cat # 7 91003-1 appears on the spine.
Gatefold cover, sleeves, labels, catalog numbers and Pressing Ring/Plant Variation is similar to Specialty Records Corporation with one large and one small pressing ring. However, this entry has very different matrix/runout identifiers--both the Allied logo [stamped lower-case a] and SRC logo [S coiled around R and C] are present.
Appears to be perhaps a hybrid (or "Frankenstein") pressing, with sides A, B, and D stamped with the Allied logo and Side C stamped with the SRC logo. The "J" after the ℗ appears to perhaps be an engineer's highly stylized mark.
"A" is stamped near center hole of sides B, C, and D.
Barcode and Other Identifiers
- Barcode (Text): 0 7567-91003-1 3
- Matrix / Runout (Side A Label): ST-IL-887165
- Matrix / Runout (Side B Label): ST-IL-887166
- Matrix / Runout (Side C Label): ST-IL-887167
- Matrix / Runout (Side D Label): ST-IL-887168
- Matrix / Runout (Side A, Etched except ɑ and ℗ stamped): ST-IL-887165 D ɑ B-33128-D [triangle] 22699 ℗ J AA 1-1
- Matrix / Runout (Side B Etched except ɑ and ℗ stamped): ST-IL-887166-D ɑ B-33129-D ℗ J AA [triangle] 22699-X 1-1
- Matrix / Runout (Side C Etched except ℗ and SRC logo which are stamped): ST-IL-887167-B ℗ J AA [triangle]22700 -0- B-33130-B [SRC logo] SPAR 1-6
- Matrix / Runout (Side D Etched except ɑ and ℗ stamped): ST-IL-887168-D ɑ B-33131-D [triangle] 22700-X ℗ J AA 1-1 WE LOVE YOU A.L.K.
- Other (Stamped near center hole of sides B, C, and D.): A
- Rights Society: ASCAP
- Rights Society: BMI
Other Versions (5 of 346)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Rattle And Hum (CD, Album, PDO ) | Island Records | 353 400, 353400 | Europe | 1988 | |||
| Rattle And Hum (2×LP, Album, Stereo, Gatefold) | Island Records | U 27 | Italy | 1988 | |||
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Recently Edited
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Rattle And Hum (2×LP, Album) | Island Records | 91003-1, 7 91003-1 | US | 1988 | ||
|
Recently Edited
|
Rattle And Hum (2×LP, Album, Stereo, Gatefold) | Island Records | 303 400 | Europe | 1988 | ||
|
Recently Edited
|
Rattle And Hum (CD, Album) | Island Records | CID U27 | Scandinavia | 1988 |
Recommendations
Reviews
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Edited 2 months agoAmazing pressing and sound quality but I hate the idea of mixing live and new studio tunes together; do them separately. I really dislike like this complication, but I love every single song on it. -
This is a really great combination of live performance and studio recordings. I feels like a U2 concert - which were amazing to attend. The covers are excellent and things they would perform at their concerts. Takes me back listening to this album. This band was great live.
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