Supertramp – Breakfast In America
Label: |
A&M Records – SP-3708 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Soft Rock |
Tracklist
| A1 | Gone Hollywood | 5:14 | |
| A2 | The Logical Song | 4:08 | |
| A3 | Goodbye Stranger | 5:47 | |
| A4 | Breakfast In America | 2:37 | |
| A5 | Oh Darling | 4:01 | |
| B1 | Take The Long Way Home | 5:02 | |
| B2 | Lord Is It Mine | 4:04 | |
| B3 | Just Another Nervous Wreck | 4:22 | |
| B4 | Casual Conversations | 2:58 | |
| B5 | Child Of Vision | 7:23 |
Companies, etc.
- Mastered At – A&M Mastering Studios
- Pressed By – RCA Records Pressing Plant, Indianapolis
- Recorded At – The Village Recorder
- Mixed At – Crystal Sound
- Copyright © – A&M Records, Inc.
- Phonographic Copyright ℗ – A&M Records, Inc.
- Copyright © – Almo Music Corp.
- Copyright © – Delicate Music
- Published By – Almo Music Corp.
- Published By – Delicate Music
Credits
- Art Direction, Design Concept [Cover Concept] – Mike Doud (2)
- Bass – Dougie Thomson
- Design – Mick Haggerty
- Drums – Bob C Benberg*
- Engineer [Assistant Engineer] – Lenise Bent
- Engineer [Concert Sound Engineer] – Russel Pope
- Engineer [Engineered By] – Peter Henderson
- Management – Mismanagement*
- Photography By [Back Cover] – Mark Hanauer
- Photography By [Cover] – Aaron Rapoport
- Producer [Produced By] – Supertramp
- Programmed By [Oberheim Programming] – Gary Mielke
- Tuba, Trombone – 'Slide' Hyde*
- Vocals, Keyboards – Rick Davies
- Vocals, Keyboards, Guitar [Guitars] – Roger Hodgson
- Woodwind [Woodwind Instruments] – John A Helliwell*
- Words By, Music By – Rick Davies & Roger Hodgson
Notes
Similar RCA Indianapolis pressing to A&M Mastering Studios, for the mastering of this pressing.
Rehearsed at Southcombe Studios, Burbank.
Recorded at the Village Recorder, Los Angeles.
Mixed at Crystal Sound's Studio 'B', Los Angeles.
Engineered by Peter Henderson of Air London.
All songs © 1979 Almo Music Corp. and Delicate Music (ASCAP)
Printed on spine:
℗ 1979 A&M Records, Inc. / Printed in U.S.A.
Printed on labels:
All selections published by Almo Music Corp. & Delicate Music (ASCAP)
℗ 1979 A&M Records, Inc.
© 1979 A&M Records, Inc.
Printed in U.S.A.
Jacket may have "Promotion Not For Sale A&M" embossed in gold on the back cover.
Runouts: Mostly hand-etched with the exception of the A&M 'trumpet' stamp, the RCA Records Pressing Plant, Indianapolis "I", and some alphanumeric plating characters that follow "A&M SP37## RC##" part of the runout string. The "^" in runouts could be an "A".
Rehearsed at Southcombe Studios, Burbank.
Recorded at the Village Recorder, Los Angeles.
Mixed at Crystal Sound's Studio 'B', Los Angeles.
Engineered by Peter Henderson of Air London.
All songs © 1979 Almo Music Corp. and Delicate Music (ASCAP)
Printed on spine:
℗ 1979 A&M Records, Inc. / Printed in U.S.A.
Printed on labels:
All selections published by Almo Music Corp. & Delicate Music (ASCAP)
℗ 1979 A&M Records, Inc.
© 1979 A&M Records, Inc.
Printed in U.S.A.
Jacket may have "Promotion Not For Sale A&M" embossed in gold on the back cover.
Runouts: Mostly hand-etched with the exception of the A&M 'trumpet' stamp, the RCA Records Pressing Plant, Indianapolis "I", and some alphanumeric plating characters that follow "A&M SP37## RC##" part of the runout string. The "^" in runouts could be an "A".
Barcode and Other Identifiers
- Rights Society: ASCAP
- Barcode (Text): 0 7502 13708 1
- Barcode (Scanned): 075021370814
- Pressing Plant ID (Stamped Ⅰ in runout): I
- Matrix / Runout (Side A label): SP-3729
- Matrix / Runout (Side B label): SP-3730
- Matrix / Runout (Side A runout, variant 1): A&M SP3729-RC6 [trumpet]
- Matrix / Runout (Side B runout, variant 1): A&M -SP3730-RC14 [trumpet]
- Matrix / Runout (Side A runout, variant 2): A&M SP3729-RC2
- Matrix / Runout (Side B runout, variant 2): A&M SP3730-RC11
- Matrix / Runout (Side A runout, variant 3): A&M SP3729-RC11
- Matrix / Runout (Side B runout, variant 3): A&M SP3730-RC22
- Matrix / Runout (Side A runout, variant 4): A&M SP3729-RC9 [trumpet]
- Matrix / Runout (Side B runout, variant 4): A&M SP3730-RC11 [trumpet]
- Matrix / Runout (Side A runout, variant 5): A&M SP3729-RC7
- Matrix / Runout (Side B runout, variant 5): A&M SP3730-RC18
- Matrix / Runout (Side A runout, variant 6): A&M SP3729-RC2 [trumpet] 22 I
- Matrix / Runout (Side B runout, variant 6): A&M SP3730-RC4
- Matrix / Runout (Side A runout, variant 7): A&M SP3729-RC15 [trumpet] 1 22I
- Matrix / Runout (Side B runout, variant 7): A&M SP37309-RC16 [trumpet] 1 A1 A
- Matrix / Runout (Side A runout, variant 8): A&M SP3729-RC6 I A20G [trumpet]
- Matrix / Runout (Side B runout, variant 8): A&M SP3730-RC10 [trumpet] I A2D
- Matrix / Runout (Side A runout, variant 9): A&M SP3729-RC15 [trumpet]
- Matrix / Runout (Side B runout, variant 9): A&M SP3730-RC17 [trumpet]
- Matrix / Runout (Side A runout, variant 10): A&M SP3729-RC2 1 A1B [trumpet]
- Matrix / Runout (Side B runout, variant 10): A&M SP3730-RC22 1 A2M [trumpet]
- Matrix / Runout (Side A runout, variant 11): A&M SP3729-RC12 I A3 C
- Matrix / Runout (Side B runout, variant 11): A&M SP3730-RC14 R153614B I A2 D A̷̸̷3̷̸̷ ̷̸̷A̷̸̷2̷̸̷ [trumpet]
- Matrix / Runout (Side A runout, variant 12): A&M SP3729-RC2 I A10 G [trumpet]
- Matrix / Runout (Side B runout, variant 12): A&M SP3730-RC10 trumpet I A1 I
- Matrix / Runout (Side A runout, variant 13): A&M SP3729-RC6 I A15C [trumpet]
- Matrix / Runout (Side B runout, variant 13): A&M SP3730-RC14 I A9G [trumpet]
- Matrix / Runout (Side A runout, variant 14): A&M SP 3729-RC7 I A4 F [trumpet]
- Matrix / Runout (Side B runout, variant 14): A&M SP 3730-RC11 [trumpet] I A7 G
- Matrix / Runout (Side A runout, variant 15): A&M SP 3729-RC9 I A3 F [trumpet]
- Matrix / Runout (Side B runout, variant 15): A&M SP 3729-RC9 I A1GA
- Matrix / Runout (Side A runout, variant 16): A&M SP 3729-RC20 R 153614 A I A2 A
- Matrix / Runout (Side B runout, variant 16): A&M SP 3729-RC6 R 153614 B I AC J X [trumpet]
- Matrix / Runout (Side A runout, variant 17): A&M SP3729-RC7 1 A 15 H
- Matrix / Runout (Side B runout, variant 17): A&M SP3730-RC19 1 77 D
- Matrix / Runout (Side A runout, variant 18): A&M SP3729-RC3 I ˄5D [trumpet]
- Matrix / Runout (Side B runout, variant 18): A&M SP3730-RC8 ℗ [trumpet] I ˄C E
- Matrix / Runout (Side A runout, variant 19): A&M SP3729-RC15 I ˄C D ℗[trumpet]
- Matrix / Runout (Side B runout, variant 19): A&M SP3730-RC8 ℗ [trumpet] I ˄5 E
- Matrix / Runout (Side A runout, variant 20): A&M SP3729-RC6 I [trumpet] ˄5cA
- Matrix / Runout (Side B runout, variant 20): A&M SP3730-RC8 ℗ [trumpet] I ˄C E
- Matrix / Runout (Side A runout, variant 21): A&M SP3729-RC6 I ^13 [trumpet]
- Matrix / Runout (Side B runout, variant 21): A&M SP3730-RC5 [trumpet] I ^K [trumpet]
- Matrix / Runout (Side A runout, variant 22): A&M SP 3729-RC9 I A2 E [trumpet]
- Matrix / Runout (Side B runout, variant 22): A&M SP 3730-RC14 I A0 E [trumpet]
- Matrix / Runout (Side A runout, variant 23): A&M SP3730-RC2 I A10P [trumpet]
- Matrix / Runout (Side B runout, variant 23): A&M SP3730-RC22 I A2M [trumpet]
- Matrix / Runout (Side A runout, variant 24): A&M SP3729-RC9 I A5 I [trumpet]
- Matrix / Runout (Side B runout, variant 24): A&M SP3730-RC15 I B1 ̷G̷H [trumpet]
- Matrix / Runout (Side A runout, variant 25): A&M SP3729-RC3 I ^2 F [trumpet]
- Matrix / Runout (Side B runout, variant 25): A&M SP3730-RC6 I ^C D [trumpet]
- Matrix / Runout (Side A runout, variant 26): A&M SP3729-RC7 1 A2 A [trumpet]
- Matrix / Runout (Side B runout, variant 26): A&M SP3730-RC8 [trumpet] 1 ˄1Q E
- Matrix / Runout (Side A runout, variant 27): A&M SP3729-RC6 I [trumpet] A2 A
- Matrix / Runout (Side B runout, variant 27): A&M SP3730-RC8 ℗[trumpet] I ˄1C E
- Matrix / Runout (Side A runout, variant 28): A&M SP3729-RC9 I G [trumpet etched]
- Matrix / Runout (Side B runout, variant 28): A&M SP3730-RC19 I A C G
- Matrix / Runout (Side A runout, variant 29): A&M SP3729-RC4 I ˄ I O [trumpet]
- Matrix / Runout (Side B runout, variant 29): A&M SP3730-RC21 I ˄ I O [trumpet]
- Matrix / Runout (Side A runout, variant 30): A&M SP3729-RC15 ˄ I A4E I [trumpet]
- Matrix / Runout (Side B runout, variant 30): A&M SP 3730-RC6 I B I B [trumpet]
- Matrix / Runout (Side A runout, variant 31): A&M SP3729-RC9 I ^4C [trumpet]
- Matrix / Runout (Side B runout, variant 31): A&M SP3730-RC6 I ^12 [trumpet]
- Matrix / Runout (Side A runout, variant 32): A&M SP3729-RC14 I A5E [trumpet]
- Matrix / Runout (Side B runout, variant 32): A&M SP3730-RC8 [trumpet] I A5G
- Matrix / Runout (Side A runout, variant 33): A&M SP3730-RC20 I A 1 C
- Matrix / Runout (Side B runout, variant 33): A&M SP3730-RC19 I A 3 B
Other Versions (5 of 435)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Breakfast In America (LP, Album, Stereo) | A&M Records | AMLK 64747 | Europe | 1979 | |||
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Recently Edited
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Breakfast In America (LP, Album, Terre Haute Pressing) | A&M Records | SP-3708 | US | 1979 | ||
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Recently Edited
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Breakfast In America (Cassette, Album, Dolby System) | A&M Records | CS 3708 | US | 1979 | ||
| Breakfast In America (LP, Album) | A&M Records | AMLK 63708 | 1979 | ||||
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Recently Edited
|
Breakfast In America (LP, Album, Stereo) | A&M Records | 1PSP 3708 | Portugal | 1979 |
Recommendations
Reviews
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Bought new in '79. Played it often in those years. On more capable gear today it sounds better than ever, but of course this band was known for releasing great-sounding records.
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Edited one year agoFantastic mastering and pressing, I couldn't imagine it sounding any better.
I also have the MFSL which sounds good, but not as good as this. The mastering is a bit bassier than this original trumpet pressing, but in combination with the brightness of the original mixing the MFSL sounds a bit v shaped and the mids sound slightly sucked out. The tape also must have degraded somewhat, the treble has a strange sizzle and the mids don't have the same life compared to this original. Also the cover on my MFSL is dull and overly hdr looking.
The MFSL is a good sounding record, but the original sounds better and is a much better value. -
Anyone else's outer sleeve have orange color inner boards? Cool detail, but I don't see it noted anywhere. -
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I have both the MFSL and this version and I have to say it sounds much better in the high frequencies. I think the original recording has a lot of "air" that reveals the drummer's cymbal work and adds a fresh velvet to the vocals and sax. Unfortunately in most of the remasters this is seen as a negative element and greatly attenuated by losing freshness to a superb work. Buy this version and save your money. -
Fantastic sounding original pressing, easily found, always cheap due to how many were pressed. I can't fathom why so many pay for the RE/RM of this already stellar and widely available cut.
Release
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Recently Edited
Recently Edited
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