Tracklist
| A1 | Unforgettable | 3:35 | |
| A2 | For All We Know | 3:30 | |
| A3 | Pure Natural Love | 5:18 | |
| A4 | Fools Rush In | 4:20 | |
| B1 | Going Out Of My Head | 8:00 | |
| B2 | Fever | 3:35 | |
| B3 | Caravan | 5:40 |
Companies, etc.
- Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
- Produced For – CTI Records
- Record Company – Creed Taylor, Inc.
- Phonographic Copyright ℗ – Creed Taylor, Inc.
- Copyright © – Creed Taylor, Inc.
- Published By – Bourne Co.
- Published By – Leo Feist, Inc.
- Published By – The New York Times Music Corporation
- Published By – Plain And Simple Music
- Published By – Commander Publications
- Published By – Vogue Music, Inc.
- Published By – Jay & Cee Music Corp.
- Published By – American Academy Of Music, Inc.
- Lacquer Cut At – Van Gelder Studio, Englewood Cliffs, New Jersey
Credits
- Arranged By – Joe Beck
- Backing Vocals [Background Vocals] – Peggy Blue*
- Backing Vocals [Background Vocals], Arranged By [Vocal Arrangement] – Tasha Thomas (tracks: A2 to B3)
- Baritone Saxophone – Ronnie Cuber
- Bass – Will Lee (tracks: A1 to B2)
- Cello – Seymour Barab
- Design – Rene Schumacher
- Drums – Chris Parker (2) (tracks: A2, B2)
- Engineer – Rudy Van Gelder
- Guitar – Steve Khan (tracks: A1 to B2)
- Lacquer Cut By – RVG*
- Percussion – Ralph MacDonald (tracks: A3, A4)
- Photography By [Album] – Bruce Weber
- Piano – Leon Pendarvis (tracks: A4)
- Producer – Creed Taylor
- Soloist [All Solos], Guitar – Joe Beck
- Soloist [All Solos], Tenor Saxophone – Mike Brecker*
- Soloist [Solo], Piano – Don Grolnick (tracks: B1)
- Tenor Saxophone – Mike Brecker*
- Trombone – Fred Wesley (tracks: B3)
- Trumpet – Randy Brecker
- Viola – Theodore Israel
- Violin – Paul Gershman
- Vocals – Esther Phillips
Notes
31.7mm pressing ring.
[On back]
Produced for CTI Records
Recorded at Van Gelder Studios
Recorded October, November, December,
1975
[On labels]
℗ 1976, Creed Taylor, Inc.
Bourne Co./ASCAP [tracks: A1]
Leo Feist Inc./ASCAP [tracks: A2]
The New York Times Music Corp./BMI [tracks: A3]
Plain And Simple Music/ASCAP [tracks: A4]
Vogue Music, Inc./BMI [tracks: B1]
Jay and Cee Music Corp./BMI [tracks: B2]
American Academy of Music. Inc./ASCAP [tracks: B3]
[On spine]
© ℗ 1976, Creed Taylor, Inc
P698
Printed in U.S.A.
VAN GELDER stamped in runouts.
[On back]
Produced for CTI Records
Recorded at Van Gelder Studios
Recorded October, November, December,
1975
[On labels]
℗ 1976, Creed Taylor, Inc.
Bourne Co./ASCAP [tracks: A1]
Leo Feist Inc./ASCAP [tracks: A2]
The New York Times Music Corp./BMI [tracks: A3]
Plain And Simple Music/ASCAP [tracks: A4]
Vogue Music, Inc./BMI [tracks: B1]
Jay and Cee Music Corp./BMI [tracks: B2]
American Academy of Music. Inc./ASCAP [tracks: B3]
[On spine]
© ℗ 1976, Creed Taylor, Inc
P698
Printed in U.S.A.
VAN GELDER stamped in runouts.
Barcode and Other Identifiers
- Price Code (Printed on spine): P698
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Label side A): (RVG 98788 A)
- Matrix / Runout (Label side B): (RVG 98788 B)
- Matrix / Runout (Runout side A, variant 1): RVG 98788 A-1 VAN GELDER
- Matrix / Runout (Runout side B, variant 1): RVG 98788 B-1 VAN GELDER
- Matrix / Runout (Runout side A, variant 2): RVG 98788 A-2 VAN GELDER
- Matrix / Runout (Runout side B, variant 2): RVG 98788 B-1 VAN GELDER
- Matrix / Runout (Runout side A, variant 3): RVG 98788 A-2 VAN GELDER
- Matrix / Runout (Runout side B, variant 3): RVG 98788 B-2 VAN GELDER
Other Versions (5 of 28)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
For All We Know (LP, Album) | Kudu | KU 28 | Italy | 1976 | ||
|
New Submission
|
For All We Know (LP, Album) | Kudu | KU-28 | UK | 1976 | ||
|
Recently Edited
|
For All We Know (LP, Album) | Kudu | KU-28, KUDU 28, KU - 28 | Netherlands | 1976 | ||
|
Recently Edited
|
For All We Know (LP, Album, Superior Record Pressing) | Kudu | KU-28-S1 | US | 1976 | ||
|
Recently Edited
|
For All We Know (LP, Album) | Kudu | KU 28 | 1976 |
Recommendations
Reviews
-
Edited 5 months agoI don’t understand how two sides of an album can be so different. Despite from Joe Beck, Patti Austin, Tasha Thomas, The Brecker Brothers and Fred Wesley, and excellent sound engineering by Rudy Van Gelder, Side A is instantly forgettable. Yet, turn over and you’re in for a treat. Going Out Of My Head may have been inspired by Shuggie Otis’s song of the same name (but spelt differently) released two years earlier, Fever is given an upbeat re-work in a similar vein to What A Difference A Day Makes and Caravan ends the side in a similar, upbeat style. It’s very mid-70s Esther and well worth a listen. In fact, you can skip Side A and listen to Side B twice.
Release
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