VariousVolume 4 Program 12

Label:

Disconet Program Service – MWDN 412

Format:

2 x Vinyl , 12", 33 ⅓ RPM, Partially Mixed

Country:

US

Released:

Genre:

Electronic

Style:

Disco

Tracklist

A1 Depeche Mode Just Can't Get Enough (Extended Remix)
Mixed ByJoe Hickman
7:42
A2 Plastic Bertrand Stop Ou Encore 7:14
B Midnight Powers Dance, It's My Life (Vocal Version) 9:12
Bonus
C1 Eloise Whitaker Don't Turn Your Back On Love (Extended Remix)
Mixed ByHoward Merritt
7:18
C2 Casey Jones It's Good To Be The Queen / West Texas Rap 8:53
Casey Jones' Eurodance Medley 2
Mixed ByCasey Jones
(19:07)
D1 Secret Service Flash In The Night
D2 Toni Basil You Gotta Problem
D3 Risque* The Girls Are Back In Town
D4 Ronny To Have And Have Not

Companies, etc.

  • Record CompanySugarscoop, Inc.
  • Copyright ©Disconet Division
  • Mastered AtFrankford/Wayne Mastering Labs

Notes

Side A: 15:01 129 to 95 BPM
Side B: 9:15 128 BPM
Bonus Side C: 16:15 123 to 108 BPM
Bonus Side D: 19:10 128 to 126 BPM

Barcode and Other Identifiers

  • Matrix / Runout (side A): MWDN-412-A STEKLING EDP JOO
  • Matrix / Runout (side B): MWDN-412-B JOO EDP
  • Rights Society: ASCAP/BMI/SESAC

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Reviews

  • Mr.Fonk's avatar
    Mr.Fonk
    Joe Hickman remixes Depeche Mode's "Just Can't Get Enough." Plastic Bertrand with "Stop Ou Encore."

    Joe Hickman has done for Depeche Mode what Raul did for The Human League a few Disconets ago (Volume 4, Program 10.) Joe has taken exquisite, precise tracks with pleasing and meaningful vocals, and has shaped them for your dance floor to drive your crowd crazy. Depeche Mode and Daniel Miller produced "Just Can't Get Enough" for Mute in the UK and Sire in the US.

    Joe plays at Probe in Los Angeles, and did the Disconet mix at Warner Brothers' Amigo Studios in Burbank engineered by Rudy. Special thanks to Craig Kostich for arranging this, and to Alex Huley for that hot shot of Joe shown below which includes Mystery Woman peering around the amplifier stack (if you have X-ray vision.)

    Plastic Bertrand is next with a special extended version of "Stop Ou Encore" from RKM in Belgium. Plastic Bertrand has been quite popular throughout Europe and Canada, and "Stop Ou Encore" seems to have a special, summery sleezed to please feeling for the hotter months ahead. And you won't have to understand a word of French to get carried away in the tracks.

    SPECIAL NOTE TO DJs: Side A runs 15:01, beginning at 129 BPM with Depeche Mode and twisting into 95 BPM after Joe's special oscillator sounds.

    Midnight Powers' "Dance, It's My Life" with vocals for the summer.

    The original instrumental version is on the "Prime Cuts 1" double album from Importe/12, and here's the vocal version so nicely produced by Masaharu Yoshioka and co-produced by Haruo Amamoto for Early Bird. For anyone who loves to dance, here's over nine minutes of energy with very lush strings and some hot percussion.

    SPECIAL NOTE TO DJs: Side B runs 9:15 at 128 BPM.

    Howard Merritt remixes Eloise Whitaker's "Don't Turn Your Back On Love." Casey Jones raps with Sylvia and "It's Good To Be The Queen."

    Eloise Whitaker began singing in grade school near Saugus, California, and won a college scholarship to UCLA. She toured with various groups and became part of St. Tropez ( that mesmorizing "One More Minute"?) Eloise's debut album for Destiny was produced by Laurin Rinder, who with his partner, Michael Lewis, has been making hit songs that are great to dance to since the first megawatt club system was invented.

    Howard Merritt has done a special remix of "Don't Turn Your Back On Love" for Disconet, with a longer intro and some very hot breaks along the way. Howard has been living in New York lately, and can be heard regularly at various clubs including Studio 54. Howard has been a fan of Eloise since her initial 3 minute 12" was released, and this new 7+ minute version is packed with solid action all the way.

    Next, it's Sugarhill's Sylvia with a surprise duet with Casey Jones doing his own "cover of the cover." Is the world ready for a very inspirational West Texas rap? Give it a few plays, as there's quite a bit of message and inspiration in Casey's words (which are inside this DJ NEWS so you can rap along if you wish!) Casey used the instrumental side of Sylvia's "It's Good To Be The Queen", which was produced by Sylvia, Inc. and Jigsaw Productions for the people who invented modern rap records, Sugarhill. "Queen" is a great answer song to Mel Brooks' "It's Good To Be The King", and now with Casey's version, no one can doubt that royalty is really in style.

    SPECIAL NOTE TO DJs: Bonus Side 1 runs 16:15, beginning at 123 BPM (beats per minute) and ending at a rappin' 108.

    Casey Jones' Eurodance Medley 2 with Secret Service, Toni Basil, Risque and Ronny. Dance music lives in Europe!

    In addition to rapping with Sylvia on Bonus Side 1, Casey Jones knows how to string songs together. He plays at The River Club in New York and will be heading up The Ice Palace on Fire Island this summer (ed by Lou Goyette.) Casey's EuroDance Medley 1 almost two years ago on Disconet turned some heads but foretold the shape of much of today's music.

    Casey's new medley starts with Secret Service's "Flash In The Night", produced and co-written by Ola Hakansson for Sonet in Sweden. Leif Garrett couldn't do better! Next is Toni Basil with "You Gotta Problem." Toni has worked with Devo, David Bowie, Talking Heads, and Bette Midler, and this song was produced by Greg Mathieson with Trevor Veitch for Radialchoice Records in the UK. One of the hottest selling 12" imports follows - Risque's "The Girls Are Back In Town" produced by J. Tilly and C. Bais for Polydor in The Netherlands. Ronny concludes the set with "To Have And Have Not", produced by Peter Goodwin and Georg Kajanus for Polydor in the UK.

    All of Casey's selections are available in the US as 12" imports, and some may be released here depending upon your .

    SPECIAL NOTE TO DJs: Bonus Side 2 runs 19:10, from 128 BPM to 126 BPM. Enjoy!

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