Alison Krauss – Raising Sand
Label: |
Rounder Records – 11661-9075-1 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Blues Rock |
Tracklist
| A1 | Rich Woman | 4:04 | |
| A2 | Killing The Blues | 4:16 | |
| A3 | Sister Rosetta Goes Before Us | 3:26 | |
| A4 | Polly Come Home | 5:36 | |
| B1 | Gone Gone Gone (Done Moved On) | 3:33 | |
| B2 | Through The Morning, Through The Night | 4:01 | |
| B3 | Please Read The Letter | 5:53 | |
| C1 | Trampled Rose | 5:34 | |
| C2 | Fortune Teller | 4:30 | |
| C3 | Stick With Me Baby | 2:50 | |
| D1 | Nothin’ | 5:33 | |
| D2 | Let Your Loss Be Your Lesson | 4:02 | |
| D3 | Your Long Journey | 3:55 |
Companies, etc.
- Phonographic Copyright ℗ – Rounder Records Corp.
- Copyright © – Rounder Records Corp.
- Recorded At – Sound Emporium
- Recorded At – Electro Magnetic Studios
- Recorded At – The Village Recorder
- Recorded At – Sage & Sound
- Mastered At – Lurssen Mastering
- Mixed At – Electro Magnetic Studios
- Published By – Sony/ATV Songs LLC
- Published By – Venice Music
- Published By – Graph Music
- Published By – Eden Bridge Music
- Published By – Bug Music
- Published By – Irving Music, Inc.
- Published By – Acuff Rose Music
- Published By – BMG Songs
- Published By – BMG Music Publishing International Ltd.
- Published By – Sons Of Einion Ltd.
- Published By – Succubus Music Ltd.
- Published By – Jalma Music
- Published By – Unart Music Corp.
- Published By – EMI Catalog Partnership
- Published By – EMI Unart Catac.
- Published By – Universal Cedarwood Publishing
- Published By – JTVZ Music
- Published By – Katie Belle Music
- Published By – Will Van Zandt Publishing
- Published By – Bug (2)
- Published By – Trice Publishing Co.
- Published By – Hillgreen Music
- Pressed By – United Record Pressing
Credits
- Acoustic Bass – Dennis Crouch (tracks: A1 to B2, B4 to D3)
- Art Direction, Design – Steven Jurgensmeyer
- Coordinator [Project Coordination For Robert Plant] – Nicola Powell
- Drums – Jay Bellerose
- Edited By – Jason Wormer
- Engineer [Additional Engineering] – Stacy Parrish
- Engineer [Assistant] – Vanessa Parr
- Management [Alison Krauss] – DS Management
- Management [Robert Plant] – Trinifold Management
- Mastered By – Gavin Lurssen
- Mastered By [Vinyl] – Ron McMaster
- Photography By – Pamela Springsteen
- Photography By [Band] – Russ Harrington
- Producer – T Bone Burnett*
- Production Manager – Ivy Skoff
- Production Manager [Production Assistant] – Lisa Surber
- Recorded By, Mixed By – Mike Piersante
- Technician [Guitar Technicians] – Paul Ackling
Notes
1st vinyl edition
℗ & © 2007 Rounder Records Corp.
Published By:
A1: © 1955 Sony/ATV Songs LLC/Venice Music (BMI)
A2: Graph Music (ASCAP)
A3: © Eden Bridge Music (ASCAP) istered by Bug Music
A4: © 1969 Irving Music, Inc. (BMI)
B1: © 1964 Sony/ATV Songs LLC/Acuff Rose Music (BMI)
B2: © 1969 Irving Music, Inc. (BMI)
B3: © BMG Songs (ASCAP)/BMG Music Publishing International Ltd. (PRS)/Sons Of Einion Limited (PRS)/Succubus Music Ltd. (PRS). All rights for the U.S. on behalf of BMG Songs. istered by BMG Songs.
C1: Jalma Music (ASCAP)
C2: © 1962 renewed 1990 Unart Music Corporation. Rights assigned to EMI Catalogue Partnership. All rights controlled and istered by EMI Unart Catac. (BMI)
C3: © 1960 Universal-Cedarwood Publ. (BMI)
D1: © 1970 1999 (renewed) JTVZ Music (ASCAP)/Katie Belle Music (ASCAP)/Will Van Zandt Publishing (ASCAP) istered by Bug
D2: © 2000 Trice Publishing Co. (BMI)
D3: Hillgreen Music (BMI)
Both records are housed in 140 gage square plastic polythene bags
℗ & © 2007 Rounder Records Corp.
Published By:
A1: © 1955 Sony/ATV Songs LLC/Venice Music (BMI)
A2: Graph Music (ASCAP)
A3: © Eden Bridge Music (ASCAP) istered by Bug Music
A4: © 1969 Irving Music, Inc. (BMI)
B1: © 1964 Sony/ATV Songs LLC/Acuff Rose Music (BMI)
B2: © 1969 Irving Music, Inc. (BMI)
B3: © BMG Songs (ASCAP)/BMG Music Publishing International Ltd. (PRS)/Sons Of Einion Limited (PRS)/Succubus Music Ltd. (PRS). All rights for the U.S. on behalf of BMG Songs. istered by BMG Songs.
C1: Jalma Music (ASCAP)
C2: © 1962 renewed 1990 Unart Music Corporation. Rights assigned to EMI Catalogue Partnership. All rights controlled and istered by EMI Unart Catac. (BMI)
C3: © 1960 Universal-Cedarwood Publ. (BMI)
D1: © 1970 1999 (renewed) JTVZ Music (ASCAP)/Katie Belle Music (ASCAP)/Will Van Zandt Publishing (ASCAP) istered by Bug
D2: © 2000 Trice Publishing Co. (BMI)
D3: Hillgreen Music (BMI)
Both records are housed in 140 gage square plastic polythene bags
Barcode and Other Identifiers
- Barcode: 0 11661-9075-1 5
- Matrix / Runout (Side A runout, etched): 1166190751-1A GI RM ⓤ
- Matrix / Runout (Side B runout, etched): 1166190751-1B GI RM ⓤ
- Matrix / Runout (Side C runout, etched): 1166190751-2A GI RM ⓤ
- Matrix / Runout (Side D runout, etched): 1166190751-2B GI RM ⓤ
- Rights Society: ASCAP
- Rights Society: BMI
- Rights Society: PRS
Other Versions (5 of 59)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Raising Sand (CD, Album, Stereo, Tri-fold Digipak, O-Card) | Rounder Records | 11661-9075-2 | US | 2007 | ||
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Recently Edited
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Raising Sand (CD, Album) | Rounder Records | 478 0199 DH | Europe | 2007 | ||
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New Submission
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Raising Sand (CD, Album, Stereo) | Decca | UCCU-1162 | Japan | 2007 | ||
| Raising Sand (CD, Album, Digipak) | Rounder Records | 475 9382 | Europe | 2007 | |||
| Raising Sand (CD, Album, Super Jewel Box) | Rounder Records | 478 0205 | Europe | 2007 |
Recommendations
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2020 USA & EuropeVinyl —LP, Album, Reissue, Remastered, Stereo -
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2014 UK, Europe & USVinyl —LP, Album -
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Reviews
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Edited one year agoI had this on CD when it first issued in 2007. I liked it enough to pop for the vinyl when I ed the "resurgence" in 2015 (after 30 years of CDs!). Happy to get the first pressing. I use a Rega P6 turntable, Dynavector 10x5 cartridge through a Dynavector P75 MkIV phono stage fed into a Parasound Halo HINT 6 integrated amp powering ATC SCM11 speakers. I now love this album. The warmth and dynamics of the vinyl through my kit deliver emotion the CD (nor streaming) ever could. The interplay between RP and AK is stunning, and the first-class musicianship pours out of my speaks. Now, I trouble you with kit details, as vinyl playback is highly dependent on the equipment used - the physical media, the sensitivity of the stylus/cartridge to 'lift' the signal from the grooves, the millivolts of sound sent to the preamp/phono stage, its conditioning there, etc. etc. I don't feel my kit would fully qualify as "Audiophile Grade" but the investment sure delivers on this LP, and I find ZERO distortion as claimed in other posts. It would be much more valuable to understand what each poster is using, kit-wise, as your standard Crosley or even Audiotechnica, will impact listening details and pleasure. This LP is crafted well, and delivers an emotional, enriched listening experience. -
Sound_stage is so good albums just do not come around very often like this offering!
Just faultless magnificent!
For the wingers and sooking babies complaining take your warped noisy copies back!
Too hard you say easier to get on discogs and have big cry 😭 -
Yeah some rough distortion on the inside tracks on side 1. Stunning album otherwise. -
I don't know what the others are talking about, but I'm floored. Great performance and production. Beautiful pressing.
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I think there is some pretty bad distortion on this album. Especially on "through the morning through the night" can anyone confirm?
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