Guns N' Roses – Appetite For Destruction
Label: |
Uzi Suicide Records – WX 125 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Rock & Roll |
Tracklist
| G1 | Welcome To The Jungle | 4:31 | |
| G2 | It's So Easy | 3:21 | |
| G3 | Nightrain | 4:26 | |
| G4 | Out Ta Get Me | 4:20 | |
| G5 | Mr. Brownstone | 3:46 | |
| G6 | Paradise City | 6:46 | |
| R1 | My Michelle | 3:39 | |
| R2 | Think About You | 3:50 | |
| R3 | Sweet Child O' Mine | 5:55 | |
| R4 | You're Crazy | 3:25 | |
| R5 | Anything Goes | 3:25 | |
| R6 | Rocket Queen | 6:13 |
Companies, etc.
- Record Company – Warner Communications
- Manufactured By – Record Service GmbH
- Manufactured By – Warner Bros. Records Inc.
- Made By – WEA Musik GmbH
- Phonographic Copyright ℗ – The David Geffen Company
- Copyright © – The David Geffen Company
- Copyright © – Guns N' Roses Music
- Published By – Guns N' Roses Music
- Published By – Guns N' Roses
- Recorded At – Rumbo Recorders
- Recorded At – Take One Studios, Burbank
- Recorded At – Can-Am Recorders
- Mixed At – Mediasound
- Mastered At – Sterling Sound
- Pressed By – Record Service Alsdorf
Credits
- A&R [A&R Coordination] – Tom Zutaut
- Art Direction, Design – Michael Hodgson (2)
- Artwork [Tattoo Redrawn] – Andy Engell*
- Bass Guitar, Backing Vocals – Duff "Rose" McKagan*
- Design [Cross Tattoo Design] – Bill White Jr.
- Drums – Steven Adler
- Engineer [2nd Engineer] – Victor "The Fuckin' Engineer" Deyglio*
- Lead Guitar, Rhythm Guitar, Acoustic Guitar – Slash (3)
- Lead Vocals, Backing Vocals, Synth, Percussion – W. Axl Rose*
- Management [Business Affairs] – Boulevard Management
- Management [Career Affairs] – Stravinski Brothers
- Mastered By – George Marino
- Mixed By – Steve Thompson and Michael Barbiero*
- Painting [Front Cover Painting] – Robert Williams (15)
- Photography By [Back Cover] – Robert John (4)
- Photography By [Inner Sleeve Photos] – Robert John (4)
- Producer, Engineer – Mike Clink
- Rhythm Guitar, Lead Guitar, Backing Vocals, Percussion – Izzy Stradlin
- Written-By [All Songs], Arranged By, Performer – Guns N' Roses
Notes
This release features the original album artwork (showing Robert Williams' painting of a girl being raped by robots), which was later withdrawn and replaced with a tattoo-styled, skulls-and-crossbones motif.
The UK catalogue number appears on the back cover and spine (unlike on Appetite For Destruction, where it appears only on the centre labels).
There is another very similar release which included a sheet of Japanese peel-off stickers (see Appetite For Destruction).
Issued in a regular cardboard sleeve embossed with the Warner 'W' logo. Some copies feature a white sticker with black text reading "CONTAINS LYRICS WHICH SOME PEOPLE MAY FIND OFFENSIVE". Some copies also feature a black sticker with red and white text reading "INCLUDES THE SINGLES SWEET CHILD O'MINE AND WELCOME TO THE JUNGLE".
Includes a printed inner-sleeve with lyrics, credits and photographs of the band . Some copies include a white Guns N Roses Appetite For Destruction sticker (924 148-1).
All runouts are stamped except the few characters at the end of the matrix strings, which are hand-etched.
[Inner sleeve:]
Recorded at Rumbo Studios, Canoga Park, CA. Take One Studio, Burbank, CA. Can Am Studio, Tarzana, CA
Mixed at: Media Sound, NYC
Album and Cassette Originally Mastered at Sterling Sound, NYC
CD Mastered by Barry Diament, NYC
Tattoos by Robert Benedetti at Sunset Strip Tattoo
[Lyrics]
All Songs © 1987 Guns N' Roses Music BMI.
© 1987 the David Geffen Company.
[Centre labels:]
Published by (G.B. Only): [Tracks 1-6, both sides] Guns 'N' Roses Music
℗ 1987 The David Geffen Company.
Made In By WEA Musik GmbH [Warner 'W' logo] A Warner Communication Company
[Back cover:]
Manufactured exclusively by Warner Bros. Records Inc. a Warner Communications Company [Warner 'W' logo]
© ℗ 1987 The David Geffen Company.
Manufactured in by Record Service GmbH, Alsdorf. Pressé en Allemagne par Record Service GmbH, Alsdorf [Warner 'W' logo] a Warner Communication Company
The UK catalogue number appears on the back cover and spine (unlike on Appetite For Destruction, where it appears only on the centre labels).
There is another very similar release which included a sheet of Japanese peel-off stickers (see Appetite For Destruction).
Issued in a regular cardboard sleeve embossed with the Warner 'W' logo. Some copies feature a white sticker with black text reading "CONTAINS LYRICS WHICH SOME PEOPLE MAY FIND OFFENSIVE". Some copies also feature a black sticker with red and white text reading "INCLUDES THE SINGLES SWEET CHILD O'MINE AND WELCOME TO THE JUNGLE".
Includes a printed inner-sleeve with lyrics, credits and photographs of the band . Some copies include a white Guns N Roses Appetite For Destruction sticker (924 148-1).
All runouts are stamped except the few characters at the end of the matrix strings, which are hand-etched.
[Inner sleeve:]
Recorded at Rumbo Studios, Canoga Park, CA. Take One Studio, Burbank, CA. Can Am Studio, Tarzana, CA
Mixed at: Media Sound, NYC
Album and Cassette Originally Mastered at Sterling Sound, NYC
CD Mastered by Barry Diament, NYC
Tattoos by Robert Benedetti at Sunset Strip Tattoo
[Lyrics]
All Songs © 1987 Guns N' Roses Music BMI.
© 1987 the David Geffen Company.
[Centre labels:]
Published by (G.B. Only): [Tracks 1-6, both sides] Guns 'N' Roses Music
℗ 1987 The David Geffen Company.
Made In By WEA Musik GmbH [Warner 'W' logo] A Warner Communication Company
[Back cover:]
Manufactured exclusively by Warner Bros. Records Inc. a Warner Communications Company [Warner 'W' logo]
© ℗ 1987 The David Geffen Company.
Manufactured in by Record Service GmbH, Alsdorf. Pressé en Allemagne par Record Service GmbH, Alsdorf [Warner 'W' logo] a Warner Communication Company
Barcode and Other Identifiers
- Barcode (Printed text): 0 7599-24148-1 4
- Barcode (Scanned): 075992414814
- Label Code: LC 7266
- Price Code: Ⓤ
- Price Code (): WE 381
- Rights Society (Boxed): GEMA/BIEM
- Rights Society (Publishing rights): BMI
- Matrix / Runout (Side A runout, variant 1): R/S Alsdorf 924148-1-A = 924268-1-A
- Matrix / Runout (Side B runout, variant 1): R/S Alsdorf 924148-1-B X 924268-1-Bx
- Matrix / Runout (Side A runout, variant 2): R/S Alsdorf 924148-1-A Ɇ
- Matrix / Runout (Side B runout, variant 2): R/S Alsdorf 924148-1-B 31
- Matrix / Runout (Side A runout, variant 3): R/S Alsdorf 924148-1-A 924268-1-A =
- Matrix / Runout (Side B runout, variant 3): R/S Alsdorf 924148-1-B 924268-1-B =
- Matrix / Runout (Side A runout, variant 4): R/S Alsdorf 759 924268-1-A2 x 759 924148-1-A2 x
- Matrix / Runout (Side B runout, variant 4): R/S Alsdorf 924148-1-B xx 924268-1-B 759
- Matrix / Runout (Side A runout, variant 6): R/S Alsdorf 759 924268-1-A2=759 924148-1-A2
- Matrix / Runout (Side B runout, variant 6): R/S Alsdorf 924148-1-B 924268-1-Bx
- Matrix / Runout (Side A runout, variant 7): R/S Alsdorf 924148-1-A X 13
- Matrix / Runout (Side B runout, variant 7): R/S Alsdorf 924148-1-B
- Matrix / Runout (Side A runout, variant 8): R/S Alsdorf 924148-1-A 141
- Matrix / Runout (Side B runout, variant 8): R/S Alsdorf 924148-1-B x 40
- Matrix / Runout (Side A runout, variant 9): R/S Alsdorf 759 924268-1-A2=759 924148-1-A2 13
- Matrix / Runout (Side B runout, variant 9): R/S Alsdorf 924148-1-B x 924268-1-B x 188 759
- Matrix / Runout (Side A runout, variant 10): R/S Alsdorf 759 924268-1-A2= 759 924148-1-A2 36
- Matrix / Runout (Side B runout, variant 10): R/S Alsdorf 924148-1-B xx 924268-1-B 9 759
- Matrix / Runout (Side A runout, variant 11): R/S Alsdorf 924148-1-A 118
- Matrix / Runout (Side B runout, variant 11): R/S Alsdorf 924148-1-B x 18
- Matrix / Runout (Side A runout, variant 12): R/S Alsdorf 924148-1-A x 20
- Matrix / Runout (Side B runout, variant 12): R/S Alsdorf 924148-1-B x 55
- Matrix / Runout (Side A runout, variant 13): R/S Alsdorf 924148-1-A 108
- Matrix / Runout (Side B runout, variant 13): R/S Alsdorf 924148-1-B x 3
- Matrix / Runout (Side A runout, variant 14): R/S Alsdorf 924148-1-A 132
- Matrix / Runout (Side B runout, variant 14): R/S Alsdorf 924148-1-B x 29
- Matrix / Runout (Side A runout, variant 15): R/S Alsdorf 924148-1-A x 56
- Matrix / Runout (Side B runout, variant 15): R/S Alsdorf 924148-1-B 55
- Matrix / Runout (Side A runout, variant 16): R/S Alsdorf 924148-1-A
- Matrix / Runout (Side B runout, variant 16): R/S Alsdorf 924148-1-BX 72
- Matrix / Runout (Side A runout, variant 17): R/S Alsdorf 924148-1-Ax 924268-1-Ax
- Matrix / Runout (Side B runout, variant 17): R/S Alsdorf 924148-1-Bx 924268-1-Bx 129
- Matrix / Runout (Side A runout, variant 18): R/S Alsdorf 924148-1-A = 924268-1-A 136
- Matrix / Runout (Side B runout, variant 18): R/S Alsdorf 924148-1-Bx 924268-1-Bx
- Matrix / Runout (Side A runout, variant 19): R/S Alsdorf 924148-1-A 121
- Matrix / Runout (Side B runout, variant 19): R/S Alsdorf 924148-1-Bx 12
- Matrix / Runout (Side A runout, variant 20): R/S Alsdorf 924148-1-A 22
- Matrix / Runout (Side B runout, variant 20): R/S Alsdorf 924148-1-B x 23
- Matrix / Runout (Side A runout, variant 21): R/S Alsdorf 924148-1-A = 924268-1-A
- Matrix / Runout (Side B runout, variant 21): R/S Alsdorf 924148-1-B = 924268-1-B
- Matrix / Runout (Side A runout, variant 22): R/S Alsdorf 924148-1-A 188
- Matrix / Runout (Side B runout, variant 22): R/S Alsdorf 924148-1-B x 103
- Matrix / Runout (Side A runout, variant 23): R/S Alsdorf 924148-1-A 88
- Matrix / Runout (Side B runout, variant 23): R/S Alsdorf 924148-1-B 86
- Matrix / Runout (Side A runout, variant 24): R/S Alsdorf 924148-1-Ax 924268-1-Ax
- Matrix / Runout (Side B runout, variant 24): R/S Alsdorf 924148-1-B = 924268-1-B 171
- Matrix / Runout (Side A runout, variant 25): R/S Alsdorf 924148-1-Ax 924268-1-Ax 126
- Matrix / Runout (Side B runout, variant 25): R/S Alsdorf 924148-1-B = 924268-1-B 122
- Matrix / Runout (Side A runout, variant 26): R/S Alsdorf 924148-1-Ax 924268-1-A 28
- Matrix / Runout (Side B runout, variant 26): R/S Alsdorf 924148-1-B = 924268-1-B 34
- Matrix / Runout (Side A runout, variant 27): R/S Alsdorf 924148-1-Ax 924268-1-Ax 121
- Matrix / Runout (Side B runout, variant 27): R/S Alsdorf 924148-1-Bx 924268-1-Bx 155
Other Versions (5 of 582)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Appetite For Destruction (LP, Album, Uncensored Cover, Allied Pressing) | Uzi Suicide | XXXG 24148, GHS 24148 | US | 1987 | ||
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Recently Edited
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Appetite For Destruction (LP, Album) | Geffen Records | 24148-1 | Australia | 1987 | ||
| Appetite For Destruction (Cassette, Album, Transparent Shell) | Geffen Records | 924 148-4, WX 125 C | Europe | 1987 | |||
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Recently Edited
|
Appetite For Destruction (LP, Album) | Uzi Suicide | XGHS 24148 | Canada | 1987 | ||
|
Recently Edited
|
Appetite For Destruction (Cassette, Album, SR) | Geffen Records | M5G 24148 | US | 1987 |
Recommendations
Reviews
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Fidelity is outstanding, nice balance and strong midrange creates separation and deep soundstage. This is recorded on the quiet side so you need to crank the volume to bring the music to life. This is better than any remaster I’ve ever owned. See my profile for equipment specs. -
Edited 4 months agoMy record is clear🤔🤔🤔 but it does have hand etched "Gun A" and the other side is etched "Gun B" is this something someone else has?? Or come across it? Edit* I found out that it is a European bootleg from around 2012. Mine is clear white though and isn't one of the colors shown
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(Side A): R/S Alsdorf 924148-1-A\ 924268-1-Ax (Side B): R/S Alsdorf 924148-1-B = 924268-1-B 132 Could someone tell me which edition these matrices correspond to? -
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Iconic album. This first press with the banned cover is the one to own if you can find. Great dynamics, balanced pressing good bottom end. -
For many years it was my favorite album of all time. I got it on vinyl today and heard a few more details than on cd or cassette on this edition. -
Edited 2 years agoI Cherish My Original Copy Of Appetite For Destruction With The Banned Cover Art. Unbeatable Sound To My Ears, It Just Knocks And Rocks With Great Clarity And Bass, The Guitars Really Shred And Those Drums Really Pump Out The Speakers On My System. The Vinyl Mastering Of This For A Single LP Considering It Is A 54 Minute Album Is Astonishing. One Of The Best Produced, Mixed And Mastered Rock Albums Of All Time. Every Song Is Killer And Hooks You In And Doesn't Let Up Until It's Done And Even When It Is You Just Want To Go Back And Listen To It Again And Again. -
Very nice sounding copy in my opinion. I also have a newer repress of this record. It is almost unplayable to my non audiophile ears. This one with the banned cover as a bonus sounds great to me! -
I have the R side labels on both sides. Is this a common misprint or something else?
Release
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Recently Edited
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