Pet Shop Boys – New York City Boy
Label: |
Parlophone – 7243 8 87732 0 1 |
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Format: |
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Country: |
UK |
Released: |
|
Genre: |
Pop |
Style: |
Disco |
Tracklist
1 | New York City Boy (Album Version) | 5:19 | |
2 | Casting A Shadow | 4:38 | |
3 | New York City Boy (Superchumbo's Uptown Mix) | 9:44 | |
Video | Casting A Shadow | 4:38 |
Companies, etc.
- Produced For – Def Mix Productions
- Mixed At – Sarm West Studios
- Engineered At – The Studio
- Recorded At – Quad Recording Studios
- Recorded At – Hoedown Studios
- Produced For – ChumboMundo
- Published By – Cage Music Ltd.
- Published By – EMI 10 Music Ltd.
- Published By – Def Mix Music
- Published By – EMI Publishing
- Phonographic Copyright ℗ – Pet Shop Boys Partnership Ltd.
- Copyright © – Pet Shop Boys Partnership Ltd.
- Licensed To – EMI Records Ltd.
- Licensed From – British Sky Broadcasting Ltd.
- Marketed By – EMI
- Distributed By – EMI
- Pressed By – EMI Swindon
Credits
- Design – Farrow Design
- Design [Costumes] – Ian MacNeil
- Photography By – Eric Watson (3)
Notes
CD 2 of a 2 CD Set. With sleeve sticker.
The catalog/release number as listed on the title side of the CD is: 07243 887732 0 1.
Enhanced section features Casting a shadow, specially composed and performed for the Solar Eclipse 11 08 99.
Track 1: Produced for Def Mix Productions. Mixed at Sarm West Studios, London. Keyboard programming at Jemtone Studio, New York City. Strings and horns engineered at The Studio, Philadelphia. Recorded at Quad Studios, New York City.
Track 2: Recorded at Hoedown Studios, London.
Track 3: Remix and additional production for ChumboMundo.
'New York City boy' published by Cage Music Ltd/EMI 10 Ltd/Def Mix Music by EMI Publishing (ASCAP). 'Casting a shadow' published by Cage Music Ltd/EMI 10 Ltd.
℗1999. ©1999 Pet Shop Boys Partnership Ltd. The copyright in this sound recording is owned by Pet Shop Boys Partnership Ltd under exclusive licence to EMI Records Ltd.
Film footage licenced courtesy of British Sky Broadcasting Ltd.
Packaging:
J-card case.
Insert: 4- J-card, color print exterior and interior.
(At least some of the inserts have an incorrect catalog/release number of "7243 8 8773 0 1" in black numerals just to the right of the barcode, which does not match the barcode or the matrix/runout info or the catalog/release number listed on the title side of the CD itself.)
CD: 2 spot-color print (black, yellow).
Sticker: black text on white.
Enclosed: fan club postcard.
The catalog/release number as listed on the title side of the CD is: 07243 887732 0 1.
Enhanced section features Casting a shadow, specially composed and performed for the Solar Eclipse 11 08 99.
Track 1: Produced for Def Mix Productions. Mixed at Sarm West Studios, London. Keyboard programming at Jemtone Studio, New York City. Strings and horns engineered at The Studio, Philadelphia. Recorded at Quad Studios, New York City.
Track 2: Recorded at Hoedown Studios, London.
Track 3: Remix and additional production for ChumboMundo.
'New York City boy' published by Cage Music Ltd/EMI 10 Ltd/Def Mix Music by EMI Publishing (ASCAP). 'Casting a shadow' published by Cage Music Ltd/EMI 10 Ltd.
℗1999. ©1999 Pet Shop Boys Partnership Ltd. The copyright in this sound recording is owned by Pet Shop Boys Partnership Ltd under exclusive licence to EMI Records Ltd.
Film footage licenced courtesy of British Sky Broadcasting Ltd.
Packaging:
J-card case.
Insert: 4- J-card, color print exterior and interior.
(At least some of the inserts have an incorrect catalog/release number of "7243 8 8773 0 1" in black numerals just to the right of the barcode, which does not match the barcode or the matrix/runout info or the catalog/release number listed on the title side of the CD itself.)
CD: 2 spot-color print (black, yellow).
Sticker: black text on white.
Enclosed: fan club postcard.
Barcode and Other Identifiers
- Barcode (Scanned, UPC-A): 724388773201
- Barcode (Text): 7 24388 77320 1
- Label Code: LC 0299
- Rights Society: bel BIEM
- Mould SID Code: IFPI L042
- Price Code: F: PM519
- Matrix / Runout (Variant 1): 887732 0 . 2 : 1 : 4 EMI SWINDON
- Mastering SID Code (Variant 1): IFPI 1428
- Matrix / Runout (Variant 2, Etched: : 1 : 5): 887732 0 . 2 : 1 : 5 EMI SWINDON
- Mastering SID Code (Variant 2): IFPI 1432
- Matrix / Runout (Variant 3): 887732 0 . 2 : 1 : 3 EMI SWINDON
- Mould SID Code (Variant 3): IFPI 1429
- Other (On sticker): 8877320
Other Versions (5 of 57)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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New York City Boy (CD, Maxi-Single, WEA Mfg. Commerce) | Sire | 35013-2 | US | 1999 | ||
Recently Edited
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New York City Boy (CD, Single, Enhanced, CD1) | Parlophone | 7243 8 87733 0 0, CDRS 6525 | UK | 1999 | ||
Recently Edited
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NYC Boy (12", 45 RPM, Single, Promo) | Parlophone | 12RDJY 6525 | UK | 1999 | ||
Recently Edited
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NYC Boy (CDr, Single, Promo) | Almighty Records | none | UK | 1999 | ||
Recently Edited
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New York City Boy = ニューヨーク・シティ・ボーイ (CD, Single) | Parlophone | TO-40126 | Japan | 1999 |
Recommendations
Reviews
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Edited 17 years agoSome people liked "New York City Boy", some didn't. The video made for it was very nice. They even rebuilded the interior of 'Studio 54', complete, with a Andry Warhol lookalike. The album version can work as a 'club mix'. The Superchumbo's Uptown Mix (track 3) sounds like a copy of "Happy Days" by Paul Jacobs (which sampled Northend). The guitar riff is basically the same, recreated in studio.
"Casting A Shadow" is a conceptual masterpiece. Really. Composed specially for the last solar eclipse of the millenium, it was played 'live' for the event and equals in length the time the eclipse lasted. Radio 1 retransmitted the event but the presenters kept talking the whole time, which annoyed Neil Tennant and Chris Lowe.
Over the years, numerous prophets announced the end of the world when the eclipse was supposed to occur. "Casting A Shadow", played live, was supposed to be an artistic 'happening' based on that idea. The crowd reunited for the event was supposed to be part of this happening. PSB were thinking about the retransmission being the 'final product' (with the noises from the crowd in the background). That's why they were angry at the presenters. A short pause from them (about 20 seconds) gave a good idea of what is what supposed to sound like altogether (the screaming crowd - you can't tell if it's joy or terror - over the music). Good vs. evil, religion vs. science, purity vs. sins. Classic PSB themes set in a dramatic moment. You ask yourself : "Is this really going to be the end of the world, or will we get redemption?". In the end, of course, we're still there and we understand that we got another 'chance', and the question is: what are you gonna do with it?
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