The Jimi Hendrix Experience – Electric Ladyland
Label: |
Polydor – 184 183/84 |
|---|---|
Format: |
|
Country: |
South Africa |
Released: |
|
Genre: |
Rock |
Style: |
Blues Rock |
Tracklist
| A1 | And The Gods Made Love | |
| A2 | Have You Ever Been (To Electric Ladyland) | |
| A3 | Cross Town Traffic | |
| A4 | Voodoo Chile | |
| B1 | Little Miss Strange | |
| B2 | Long Hot Summer Night | |
| B3 | Come On (Part I) | |
| B4 | Gipsy Eyes | |
| B5 | The Burning Of The Midnight Lamp | |
| C1 | Rainy Day, Dream Away | |
| C2 | 1983... (A Merman I Should Turn To Be) | |
| C3 | Moon, Turn The Tides... Gently, Gently Away | |
| D1 | Still Raining, Still Dreaming | |
| D2 | House Burning Down | |
| D3 | All Along The Watchtower | |
| D4 | Voodoo Chile (Slight Return) |
Companies, etc.
- Manufactured By – Deutsche Grammophon Hamburg
- Made By – Deutsche Grammophon Hamburg
- Printed By – Gerhard Kaiser GmbH
Credits
- Arranged By – Jimi Hendrix (tracks: A1 to A4, B2, B4 to D4)
- Bass – Jack Cassady* (tracks: A4)
- Congas – Larry Faucette (tracks: C1, D1)
- Cover – David King (7)
- Drums – Buddy Miles (tracks: C1, D1)
- Engineer – Gary Kellgren
- Flute – Chris Wood (2) (tracks: C2)
- Horns – Freddie Smith (tracks: C1, D1)
- Organ – Stevie Winwood* (tracks: A4)
- Photography By [Cover & Hendrix] – David Montgomery (4)
- Photography By [Mitchell & Redding] – Donald Silverstein
- Piano – Al Kooper (tracks: B2)
- Producer, Directed By – Jimi Hendrix
- Written-By – Noel Redding (tracks: B1)
Notes
South African release with:
• Cover made in and identical Label design to this German release but with:
• Runout data more akin to the British releases e.g. this release.
• Runout Side D: The data string here appears not to feature on any other release in the Discogs database.
Cover spread has gloss laminate applied
Gatefold opens to view a matt finish inner spread. Hendrix portrait on left-hand side (Front cover behind it).
Small sepia images of Redding & Mitchell on right (Back cover behind them), with white tracks/credit text below them.
Plain white paper inner sleeves with poly inserts. No design Patents credited.
This release is auto-coupled as A,D & B,C. So first record (184 183) contains sides A and D, second (184 184) sides B and C.
Defect in matrix stamping on this early issue, altered by hand.
[The #, #8 or #9 indicates scratch-out]
Recorded: Initial tracks at Olympic Studios, London, January 1968. Completed at Record Plant Studios, Studio A, New York, June to August 1968.
Performers, additional to the band, and technical credits added retrospectively. Taken from the authorized Hendrix family trust releases on the Experience Hendrix label.
• Cover made in and identical Label design to this German release but with:
• Runout data more akin to the British releases e.g. this release.
• Runout Side D: The data string here appears not to feature on any other release in the Discogs database.
Cover spread has gloss laminate applied
Gatefold opens to view a matt finish inner spread. Hendrix portrait on left-hand side (Front cover behind it).
Small sepia images of Redding & Mitchell on right (Back cover behind them), with white tracks/credit text below them.
Plain white paper inner sleeves with poly inserts. No design Patents credited.
This release is auto-coupled as A,D & B,C. So first record (184 183) contains sides A and D, second (184 184) sides B and C.
Defect in matrix stamping on this early issue, altered by hand.
[The #, #8 or #9 indicates scratch-out]
Recorded: Initial tracks at Olympic Studios, London, January 1968. Completed at Record Plant Studios, Studio A, New York, June to August 1968.
Performers, additional to the band, and technical credits added retrospectively. Taken from the authorized Hendrix family trust releases on the Experience Hendrix label.
Barcode and Other Identifiers
- Matrix / Runout (Label, Side A): - 184 183 A
- Matrix / Runout (Label, Side D): - 184 183 B
- Matrix / Runout (Label, Side B): - 184 184 A
- Matrix / Runout (Label, Side C): - 184 184 B
- Matrix / Runout (Runout, Side A - stamped: I, transversaly [##8 - etched]: # denotes scratch-out (See Notes)): 184183 A 61300##8A//1 1 24 I
- Matrix / Runout (Runout, Side B - stamped: G, transversaly [#8 - etched]: # denotes scratch-out (See Notes)): 184183 B 61300#8 B//1 1 G I
- Matrix / Runout (Runout, Side C - stamped: F, transversaly [#9A# - etched]: # denotes scratch-out (See Notes)): 61300#9A#//1 1 84 184 184 A F
- Matrix / Runout (Runout, Side D - stamped: I, transversaly [613009 B, #8 - etched]: # denotes scratch-out (See Notes)): 184 184 B 613009 B 6̷1̷3̷0̷0̷#̷8̷ A//1 12 I 8
- Rights Society: GEMA
- Other: Auto-coupled release
Other Versions (5 of 467)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Electric Ladyland (2×LP, Album, Stereo, 2-Tone Labels) | Reprise Records | 2RS 6307, 6307, 2 RS 6307 | US | 1968 | ||
| Electric Ladyland (2×LP, Album, Stereo, White Text, Gatefold) | Track Record | 613008/9 | UK | 1968 | |||
|
Recently Edited
|
Electric Ladyland (2×LP, Album, Blue Text) | Track Record | 613008/9 | UK | 1968 | ||
|
Recently Edited
|
Electric Jimi Hendrix (LP, Album, Club Edition) | Track Record | 2856 002 | UK | 1968 | ||
|
Recently Edited
|
Electric Ladyland (2×LP, Album, Promo, Stereo) | Reprise Records | 2RS 6307 | US | 1968 |
Reviews
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My labels are slightly different but also the red PolyDor ones without the GEMA.
First record has 'Record No. 1' & 'Side A' and 'Side B'. Second record has 'Record No. 2' & 'Side C' and 'Side D'
Like this release, the first record has Side A & D (Marked as A & B respectively) and the second record has Side B & C (Marked as C & D respectively.
Matrix / Runout are the same - 184 183 A & B & 184 184 A & B
Is this the same pressing?
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