AC/DC – Back In Black
Label: |
Albert Productions – E 80207 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Blues Rock |
Tracklist
| A1 | Hells Bells | 5:09 | |
| A2 | Shoot To Thrill | 5:14 | |
| A3 | What Do You Do For Money Honey | 3:33 | |
| A4 | Givin The Dog A Bone | 3:30 | |
| A5 | Let Me Put My Love Into You | 4:12 | |
| B1 | Back In Black | 4:13 | |
| B2 | You Shook Me All Night Long | 3:28 | |
| B3 | Have A Drink On Me | 3:57 | |
| B4 | Shake A Leg | 4:03 | |
| B5 | Rock And Roll Ain't Noise Pollution | 4:12 |
Companies, etc.
- Record Company – Sony Music Entertainment
- Distributed By – Columbia Records
- Manufactured By – Columbia Records
- Phonographic Copyright ℗ – Leidseplein Presse B.V.
- Copyright © – Leidseplein Presse B.V.
- Pressed By – United Record Pressing
- Published By – J. Albert & Son (USA) Inc.
- Recorded At – Com Point Studios
- Remastered At – Sterling Sound
- Lacquer Cut At – Nashville Record Productions
Credits
- Art Direction [Original Album] – Bob Defrin
- Design [Inner Sleeve] – Smay Vision
- Engineer – Tony Platt
- Engineer [Assistant] – Jack Newber*
- Engineer [Engineering Assistance] – Chris Muth
- Engineer [Mixing] – Brad Samuelsohn
- Lacquer Cut By – WG*
- Liner Notes – David Fricke
- Mastered By [Mastering Supervision] – Mike Fraser
- Photography By [Inner Sleeve] – Ross Halfin
- Photography By [Original Album] – Bob Ellis*
- Producer – Robert John "Mutt" Lange*
- Remastered By – George Marino
- Written-By – M. Young*
Notes
Re-reissue of the 2003 pressing Back In Black with a different runout number, mastering & pressing etchings.
Made in 2006 or later according to the profile description of Wes Garland.
Runouts are etched.
Pressing plant and lacquer cut identified based on the runout areas.
Remastered from the original master tapes by George Marino at Sterling Sound.
Embossed artwork on front of sleeve.
Originally released as Atlantic 16018 on July 25, 1980.
Track listing on the back cover is not in play order.
Printed black / white inner cover with photos and text, glossy paper.
Insert side of the inner sleeve features a straight continuous cut.
© 1980 Leidseplein Presse B.V.
℗ 1980, 2003 Leidseplein Presse B.V.
Printed on inner cover:
[...]
David Fricke
New York City
January, 2003
[...]
Additional artifacts courtesy Albert Productions and Arnoud Durieux.
[...]
80207 © 1980, 2003 Leidseplein Presse B.V.
Made in 2006 or later according to the profile description of Wes Garland.
Runouts are etched.
Pressing plant and lacquer cut identified based on the runout areas.
Remastered from the original master tapes by George Marino at Sterling Sound.
Embossed artwork on front of sleeve.
Originally released as Atlantic 16018 on July 25, 1980.
Track listing on the back cover is not in play order.
Printed black / white inner cover with photos and text, glossy paper.
Insert side of the inner sleeve features a straight continuous cut.
© 1980 Leidseplein Presse B.V.
℗ 1980, 2003 Leidseplein Presse B.V.
Printed on inner cover:
[...]
David Fricke
New York City
January, 2003
[...]
Additional artifacts courtesy Albert Productions and Arnoud Durieux.
[...]
80207 © 1980, 2003 Leidseplein Presse B.V.
Barcode and Other Identifiers
- Barcode (Text): 6 9699-80207-1 9
- Barcode (Scanned): 696998020719
- Rights Society: ASCAP
- Pressing Plant ID (Scribed in runouts): Ⓤ
- Matrix / Runout (Printed on label side A): AL 80207A
- Matrix / Runout (Printed on label side B): AL 80207B
- Matrix / Runout (Runout side A, variant 1): E-80207-A-RE-2 WG/NRP Ⓤ
- Matrix / Runout (Runout side B, variant 1): E-80207-B2-RE-2 WG/NRP Ⓤ
- Matrix / Runout (Runout side A, variant 2): E-80207-A²-RE-2 WG/NRP Ⓤ
- Matrix / Runout (Runout side B, variant 2): E-80207-B³-RE-2 WG/NRP Ⓤ
- Matrix / Runout (Runout side A, variant 3): E-80207-A-RE-2 III WG/NRP Ⓤ
- Matrix / Runout (Runout side B, variant 3): E-80207-A-RE-2 III WG/NRP Ⓤ
- Matrix / Runout (Runout side A, variant 4): E-80207-A³-RE-2 WG/NRP Ⓤ
- Matrix / Runout (Runout side B, variant 4): E-80207-B³-RE-2 WG/NRP Ⓤ
- Matrix / Runout (Runout side A, variant 5): E-80207-A-RE-2 III WG/NRP Ⓤ
- Matrix / Runout (Runout side B, variant 5): E-80207-B³-RE-2 WG/NRP Ⓤ
- Matrix / Runout (Runout side A, variant 6): E-80207-A³-RE-2 III WG/NRP Ⓤ
- Matrix / Runout (Runout side B, variant 6): E-80207-B-RE-2 IV WG/NRP Ⓤ
- Matrix / Runout (Runout side A, variant 7): E-80207-A-RE-2 V WG/NRP Ⓤ
- Matrix / Runout (Runout side B, variant 7): E-80207-B-RE-2 WG/NRP Ⓤ
- Matrix / Runout (Runout side A, variant 8): E-80207-A⁴-RE-2 Vl WG/NRP Ⓤ
- Matrix / Runout (Runout side B, variant 8): E-80207-B-RE-2 Vl WG/NRP Ⓤ
Other Versions (5 of 623)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Back In Black (LP, Album) | Atlantic | K 50735 | UK | 1980 | ||
|
Recently Edited
|
Back In Black (LP, Album, Stereo) | Albert Productions | APLP.046, APLP-046 | Australia | 1980 | ||
| Back In Black (LP, Album, Stereo, Specialty Pressing, Embossed Cover, Grey Print) | Atlantic | SD 16018 | US | 1980 | |||
|
Recently Edited
|
Back In Black (LP, Album, Stereo) | Atlantic | ATL 50 735, SD 16018 | 1980 | |||
| Back In Black (LP, Album) | Atlantic | ATL 50735 | Portugal | 1980 |
Recommendations
-
2016 USVinyl —LP, Compilation, Reissue, Remastered, Stereo -
-
-
-
-
-
-
-
-
Reviews
-
My copy is a little noisy in spots, not terrible but just a few too many pops/clicks for my liking. This is after a wood glue, so it is inherent to the vinyl. My copy is otherwise flat and centered. Overall, I wouldn't say to avoid this, but it is not exceptional. -
I have this and the original. My original had a bad scratch on the last song Side A. I bought this as a replacement. What a total disappointment. It sounds way worse than the OG press. I even did a comparison of this against the OG pressing for several friends. They said the difference and "Flatness and Lifeless" sound of this new pressing is very obvious. Too bad. Guess I will be dumping this one.
-
This is the second copy I've bought. The first had major needle swaying...unlistenable.
This pressing had a lot of debris on the vinyl, so I have to do a major clean. The mix is nice and full, no vocal distortion. There is some surface noise at times, especially quiet sections. For the price, it's a good one to keep in the bin. -
my copy sounds pretty damn good, still a bit of surface noise but came up not too bad after a clean -
Some of the notes/credits I think are incorrect on this listing. WG/NRP = Wes Garland/Nashville Record Productions. MPO is not stamped on this issue. I'm not sure what the (u) stands for.
Overall I like the sound, very punchy low end and no high end distortion at all, very quiet surface also.
My system: Lyra Delos/Music Hall mmf-7.1/Rega RX5 speakers/Parasound HINT/Nova II preamp -
Edited 2 years agoSounds amazing! Nice flat pressing. Dynamic and detailed. It has a nice full sound. The only problem is, it has a little surface noise on two tracks. I purchased this album twice new and both copies had bad surface noise. Even after wet cleaning they were very noisy. Finally I picked up a used copy for less than 1/3 the price on the new ones and it was way better. Over all it sounds really good.
-
I consider the original 1980 release as one of AC/DCs best albums and one of the best albums ever in this genre and this re-issue is a fantastic copy. I have the original and this version sounds every bit as good, actually it's even better as my 1980s copy now has a few pops and light scratches. The 180 gram vinyl of this re-issue actually feels better to handle than the original. The cover and sleeve artwork are great, the only problem I can find is every version I have seen has trouble with the labels cracking near the centre hole.
Maybe it's a sign of my age and when I grew up but I consider every song on this album to be a ten, Brian does a great job on vocals for his first album with AC/DC, just a shame Bon never made it to this party. Fantastic Album Guys.
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
15 copies from €16.09