Tom PettyFull Moon Fever

Label:

MCA Records – MCA-6253

Format:

Vinyl , LP, Album , Gloversville Pressing

Country:

US

Released:

Genre:

Rock

Style:

Pop Rock

Tracklist

A1 Free Fallin'
Written-ByTom Petty
4:14
A2 I Won't Back Down
Acoustic GuitarGeorge Harrison
Backing VocalsHowie Epstein
Written-ByTom Petty
2:56
A3 Love Is A Long Road
Backing VocalsHowie Epstein
Drums, Maracas, TambourineJim Keltner
EngineerDennis Kirk
Written-ByTom Petty
4:06
A4 A Face In The Crowd
Written-ByTom Petty
3:58
A5 Runnin' Down A Dream
Written-ByTom Petty
4:23
B1 Feel A Whole Lot Better
HandclapsT.P.*
Written-ByGene Clark
2:47
B2 Yer So Bad
Written-ByTom Petty
3:05
B3 Depending On You
Written-ByTom Petty
2:47
B4 The Apartment Song
PianoBenmont Tench
Written-ByTom Petty
2:31
B5 Alright For Now
Written-ByTom Petty
2:00
B6 A Mind With A Heart Of Its Own
Written-ByTom Petty
3:29
B7 Zombie Zoo
Backing VocalsThe Trembling Blenders
Voice [Scream]Kelsey Campbell
Written-ByTom Petty
2:56

Companies, etc.

  • Manufactured ByMCA Records, Inc.
  • Phonographic Copyright ℗MCA Records, Inc.
  • Copyright ©MCA Records, Inc.
  • Recorded AtM.C. Studios
  • Recorded AtRumbo Recorders
  • Recorded AtSunset Sound
  • Recorded AtDevonshire Studios
  • Recorded AtConway Studios
  • Recorded AtSound City Studios
  • Mastered AtFuture Disc
  • Lacquer Cut AtFuture Disc
  • Pressed ByMCA Pressing Plant, Gloversville
  • Published ByGone Gator Music
  • Published BySBK April Music Inc.
  • Published ByWild Gator Music
  • Published ByWB Music Corp.
  • Published ByTickson Music
  • Copyright ©Gone Gator Music
  • Copyright ©SBK April Music Inc.
  • Copyright ©Wild Gator Music
  • Copyright ©Tickson Music

Credits

  • Art DirectionTiny Bouchet
  • Bass, Guitar, Keyboards, Backing VocalsJeff Lynne
  • Drums, PercussionPhil Jones (3)
  • EngineerMike Campbell
  • Engineer [Assistant Engineer], Equipment [Guitar Maintenance]Alan "Bugs" Weidel*
  • Guitar [Solos], Soloist, Mandolin, Bass, Slide Guitar, KeyboardsMike Campbell
  • Illustration [Illustrations]Awest
  • Lead Vocals, Backing Vocals, Acoustic Guitar, Electric Guitar, Twelve-String Guitar, Keyboards [Some], TambourineTom Petty
  • ManagementTony Dimitriades
  • Mastered BySteve Hall
  • Photography By [All Photos By]Aaron Rapoport
  • Photography By [Back Cover]Bob Sebree*
  • Producer [Produced By]Jeff Lynne
  • Producer [Produced With]T.P.*

Notes

"⧈-G-⧈" stamped in runouts denotes MCA Pressing Plant, Gloversville, pressing. Remainder of runouts mostly etched.

Issued with custom-printed inner sleeve with lyrics, credits and additional artwork.

LP is packaged in a aqueous-coated cover.

Rumbo Recorders credited as Rumbo Studios.
Future Disc credited as Future Disc Systems.

Inner sleeve:
Recorded at M.C. Studios. Additional recording at: Rumbo Studios, Sunset Sound, Devonshire Studios, Conway Studios, Sound City Studios.
Mastered at Future Disc Systems, Hollywood, CA.

Track publishers on labels:
All selections published by Gone Gator Music (ASCAP) and SBK April Music Inc. (ASCAP) except
A3 published by Gone Gator Music (ASCAP) and Wild Gator Music (ASCAP)
A5 published by Gone Gator Music (ASCAP)/SBK April Music Inc. (ASCAP) and Wild Gator Music (ASCAP)
B1 published by Tickson Music
B3 to B5 published by Gone Gator Music (ASCAP)

Track copyrights on inner sleeve:
A1, A2, A4, B2, B6, B7 ©1989 Gone Gator Music (ASCAP) and SBK April Music Inc. (ASCAP)
A3 ©1989 Gone Gator Music (ASCAP) and Wild Gator Music (ASCAP) All rights on behalf of Wild Gator Music istered by WB Music Corp.
A5 ©1989 Gone Gator Music (ASCAP) and SBK April Music Inc. (ASCAP) and Wild Gator Music (ASCAP) All rights on behalf of Wild Gator Music istered by WB Music Corp.
B1 ©1964 Tickson Music
B3 to B5 ©1989 Gator Music (ASCAP)

Roy Orbison appears courtesy of Virgin Records America, Inc.

George Harrison appears courtesy of Dark Horse Records

Barcode and Other Identifiers

  • Barcode (Text): 0 76732-6253-1 6
  • Barcode (Scan, UPC_A): 076732625316
  • Rights Society: ASCAP
  • Pressing Plant ID (Stamped in runouts): ⧈-G-⧈
  • Matrix / Runout (Side A label): MCA-8770
  • Matrix / Runout (Side B label): MCA-8771
  • Matrix / Runout (Side A runout, variant 1): MCA-8770-FDS-2 FUTURE DISC ⧈-G-⧈
  • Matrix / Runout (Side B runout, variant 1): MCA-8771-FDS-1 ⧈-G-⧈
  • Matrix / Runout (Side A runout, variant 2): MCA-8770 FDS2 FUTURE DISC ⧈-G-⧈
  • Matrix / Runout (Side B runout, variant 2): MCA 8771-FDS2 ⧈-G-⧈

Other Versions (5 of 150)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Full Moon Fever (CD, Album, Club Edition, Reissue, CRC ) MCA Records MCAD-6253 US 1989
Recently Edited
Full Moon Fever (LP, Album, Stereo) MCA Records 255 929-1 Europe 1989
Recently Edited
Full Moon Fever (Cassette, Album, Club Edition) MCA Records CRC MCAC-6253, MCAC-6253 US 1989
New Submission
Full Moon Fever (CD, Album, Club Edition) MCA Records CMCASD 6253 Canada 1989
Recently Edited
Full Moon Fever (CD, Album, Club Edition, BMG) MCA Records MCAD-6253 US 1989

Recommendations

  • Born In The U.S.A.
    1984 US
    Vinyl —
    LP, Album, Stereo
    Shop
  • Hard Promises
    1981 US
    Vinyl —
    LP, Album
    Shop
  • Brothers In Arms
    1985 US
    Vinyl —
    LP, Album
    Shop
  • Damn The Torpedoes
    1979 US
    Vinyl —
    LP, Album
    Shop
  • Harvest
    1972 US
    Vinyl —
    LP, Album, Stereo
    Shop
  • Rumours
    1977 US
    Vinyl —
    LP, Album
    Shop
  • Purple Rain
    1984 US
    Vinyl —
    LP, Album, Stereo
    Shop
  • Volume One
    1988 US
    Vinyl —
    LP, Album
    Shop
  • Little Creatures
    1985 US
    Vinyl —
    LP, Album
    Shop
  • The Cars
    1978 US
    Vinyl —
    LP, Album, Stereo
    Shop

Reviews

  • countrydickvermont's avatar
    Edited 13 days ago
    Another proof of ALL these freaks, diddling around how the next mix sounds, and/or if you even will hear anything on a platter, .. and other bull more (no one´s really interested in!!). What counts, only counts, is THE MUSIC! That´s all, ... ... next laughable yuppie gen.
    • padreken's avatar
      padreken
      I was driving home from work in ‘89, and I heard Free Fallin’ on the radio for the first time. I immediately got off the freeway and headed to the nearest Tower Records store in San Diego where I bought my copy. Still sounds awesome.

      • wvuvt1's avatar
        wvuvt1
        Found this in a record store for 30$, it’s easily VG+ and my jaw dropped

        Like others have said I can’t believe how silent the vinyl is, and the bass and overall dynamics are outstanding

        Not to mention every song is a smash. Might be my favorite album in my collection
        • CiderHoecords's avatar
          CiderHoecords
          If anyone has a clipped, clean and fully intact hype sticker from this first pressing they'd be willing to sell, please message me. I bought a near perfect used copy years ago when the price wasn't so high, but unfortunately it was lacking that bit of ephemera 🫤
          • Vinyl_Dynamics's avatar
            Vinyl_Dynamics
            Edited 2 years ago
            I always wanted this album on vinyl for years. So I bought a NM OG US Pressing. It sounds good, but, I gotta say, for this particular album, I actually prefer the OG CD because it’s crisper, fuller sounding with more detail and clarity yet with no harshness. The LP is warmer but it’s somewhat lacking in liveliness. And no, it’s not my turntable set up either as I have dozens of albums where the vinyl version betters the CD.
            • Nachobob's avatar
              Nachobob
              This sounds fantastic! Was surprised how quiet the vinyl was. Like it was pressed in Japan. Worth getting. Especially since the reissues are about the same price.
              • mikejm2416's avatar
                mikejm2416
                Is this the version with the scratched out Matrix number?
                • stevefeicht's avatar
                  stevefeicht
                  One of my best sounding records. Plays quiet with great dynamics. Really well mastered album, and great music too. Would recommend getting even at current prices.
                  • Hangry's avatar
                    Hangry
                    Why is this so expensive? I'm thinking about getting it
                    • streetmouse's avatar
                      streetmouse
                      With Full Moon Fever touted as Petty’s first solo outing, the album nearly redefines his relationship to rock n’ roll, taking a step back from the power of the Heartbreakers band in order to reestablish the romance surrounding the likes of Buddy Holly, Del Shannon and of course the Byrds … where he incorporates aspects from these and other artists who’ve inspired him, morphing those musical impressions in order to emancipate his sound, taking it to an entirely new and fresh level.

                      If Petty takes anything away from those aforementioned greats, it’s the ability to unite his vision while establishing parameters that suit him well, infusing a minimalist package that carries a punch, though never knocking the listeners out, preferring to weave a relationship with those folks, allowing them to glide alone with his music, making it very personal and very accessible.

                      Oddly enough, at the time, MCA Records initially rejected Full Moon Fever, saying that it was too low keyed, a mere shadow of what Petty was doing with the Heartbreakers. Perhaps in many aspects it was outside of what anyone had expected, though that being said, the album delivered no less than five top flight singles, showing that Petty was capable of extraordinary vision, and here with Jeff Lynne, Howie Epstein, Roy Orbison and George Harrison, he was reinventing himself, while dancing along the edges of the Traveling Wilburys.

                      Full Moon Fever is spacial, with each song being atmospheric and sprawling in its own way, creating a dynamic whole where nothing seems interdependent, with each song being able to stand on its own. In many ways the album feels nostalgic, yet it all comes across as entirely futuristic, making room for something more explorative-ly captivating, and while with twenty twenty hindsight, it might not be Tom’s best album, it sure comes across sounding like a whole lot of fun.

                      *** The Fun Facts: As to the album’s title, at one time it was a common belief that the full moon could and did induce looney behavior, with many claiming a defense of ‘Moon Madness’ to get them off the hook, a sort of temporary insanity.

                      The original American compact disc release of the album contains a hidden track in the space prior to Track 6, ”I'll Feel a Whole Lot Better.” This is the section where the cassette or LP would need to be flipped. The track consists of a brief tongue in cheek monologue over a background of barnyard noises. The interlude is not included in other physical versions of the album, though it is mentioned (as "Attention CD Listeners") in the album credits in all versions. This “Hello Listeners …” theme would be repeated again in a different manner on the Heartbreakers album Into The Great Wide Open. All and all, I found this feature to be entirely annoying, perhaps fun the first time, though quickly boring and tiresome thereafter.

                      Review by Jenell Kesler

                      Release

                      See all versions
                      Data Correct

                      For sale on Discogs

                      Sell a copy

                      39 copies from $45.00

                      Statistics

                      • Last Sold:
                      • Low:$20.01
                      • Median:$61.50
                      • High:$149.95

                      Videos (32)

                      Edit

                      Contributors