Slowdive – Slowdive
Label: |
Dead Oceans – DOC132LPC1 |
|---|---|
Format: |
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Country: |
UK, Europe & US |
Released: |
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Genre: |
Rock |
Style: |
Dream Pop |
Tracklist
| A1 | Slomo | |
| A2 | Star Roving | |
| A3 | Don't Know Why | |
| A4 | Sugar For The Pill | |
| B1 | Everyone Knows | |
| B2 | No Longer Making Time | |
| B3 | Go Get It | |
| B4 | Falling Ashes |
Companies, etc.
- Phonographic Copyright ℗ – Dead Oceans, Inc.
- Copyright © – Dead Oceans, Inc.
- Published By – Little Homestead Songs
- Published By – Copyright Control
- Recorded At – Courtyard Studio
- Recorded At – Sound Gallery Studios (2)
- Recorded At – Whitehouse Recording Studio
- Recorded At – The Farm II
- Recorded At – Zigzag Music Productions
- Mixed At – Sunset Sound
- Mastered At – Bonati Mastering
- Lacquer Cut At – Bonati Mastering
Credits
- Bass Guitar – Nick Chaplin
- Cover [Cover Art By], Artwork [Cover Art By] – Harry Smith
- Drums, Guitar, Electronics – Simon Scott
- Engineer [Additional Engineering By] – Martin Nichols
- Engineer [Additional Vocal Engineering By] – Steve Clarke (22)
- Engineer [Engineered By] – Ian Davenport
- Guitar [Guitars] – Christian Savill
- Lacquer Cut By [Vinyl Cut By] – Josh Bonati
- Mastered By – Heba Kadry
- Mixed By – Chris Coady
- Producer – Neil Halstead
- Sleeve [Inner Sleeve Photo], Photography By [Inner Sleeve Photo], Art Direction – Ingrid Pop
- Vocals – Rachel Goswell
- Vocals, Guitar [Guitars], Keyboards [Keys], Edited By [Editing By] – Neil Halstead
Notes
DOC132: The catalog number is printed on the spine.
DOC132LPC1: The catalog number is printed on the barcode sticker.
Housed in a gatefold cover, including a digital for the entire album. Originally retailed sealed in shrinkwrap with an informational hype sticker adhered to front, noting the limited edition silver vinyl edition. An additional barcode sticker was adhered to back, covering the barcode printed on the back cover and featuring a custom catalog number. Both stickers are affixed to the outside of shrinkwrap.
Limited to 8000 copies worldwide.
1000 copies were hand-signed by the entire band in silver and gold ink, raffled exclusively from selected independent record stores in the United States.
From the back cover and the labels side A and B:
© & ℗ 2017 Dead Oceans, Inc.
From the gatefold inner:
Halstead published by Little Homestead Songs
Goswell/Savill/Chaplin/Scott copyright control
recorded at The Courtyard Studio in Sutton Courtenay, Sound Gallery in Exeter,
The White House in Kewstoke, The Farm 2 in St Merryn and Zigzag Music Productions in Hilton
cover art by [...], film #12: Heaven and Earth Magic ca 1957-1962
DOC132LPC1: The catalog number is printed on the barcode sticker.
Housed in a gatefold cover, including a digital for the entire album. Originally retailed sealed in shrinkwrap with an informational hype sticker adhered to front, noting the limited edition silver vinyl edition. An additional barcode sticker was adhered to back, covering the barcode printed on the back cover and featuring a custom catalog number. Both stickers are affixed to the outside of shrinkwrap.
Limited to 8000 copies worldwide.
1000 copies were hand-signed by the entire band in silver and gold ink, raffled exclusively from selected independent record stores in the United States.
From the back cover and the labels side A and B:
© & ℗ 2017 Dead Oceans, Inc.
From the gatefold inner:
Halstead published by Little Homestead Songs
Goswell/Savill/Chaplin/Scott copyright control
recorded at The Courtyard Studio in Sutton Courtenay, Sound Gallery in Exeter,
The White House in Kewstoke, The Farm 2 in St Merryn and Zigzag Music Productions in Hilton
cover art by [...], film #12: Heaven and Earth Magic ca 1957-1962
Barcode and Other Identifiers
- Barcode (Back cover, printed): 6 56605 14321 7
- Barcode (Back cover, scanned): 656605143217
- Barcode (Sticker on shrink wrap, printed): 6 5660 - 51432 - 3 1
- Barcode (Sticker on shrink wrap, scanned): 656605143231
- Matrix / Runout (Side A runout, etched): DOC132LP A BONATI MASTERING NYC
- Matrix / Runout (Side B runout, etched): DOC132LP B BONATI MASTERING NYC
- Label Code: LC 29265
Other Versions (5 of 29)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
|
Slowdive (LP, Album, Test Pressing) | Dead Oceans | DOC132 | US | 2016 | ||
| Slowdive (LP, Album) | Dead Oceans | DOC132 | USA & Europe | 2017 | |||
|
Recently Edited
|
Slowdive (CD, Album) | Dead Oceans | DOC132 | USA & Europe | 2017 | ||
|
New Submission
|
Slowdive (Cassette, Album) | Dead Oceans | DOC132 | US | 2017 | ||
|
New Submission
|
Slowdive (CD, Album) | Dead Oceans | HSE-6410, DOC132J | Japan | 2017 |
Recommendations
Reviews
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My copy doesn't sound too bad: it's not perfect but it's not awful by any means. Just a few minor crackles, especially on track B4 because it's the quietest one. My major gripe is that the sleeve looks blurry, almost like a cheap bootleg printed from a low res file: it probably was an artistic choice but it just looks poor imo. By the way, if you're reading this you already know that the album itself is simply stunning. -
I have a black vinyl copy of the LP which is signed by the band in gold and silver pens! Anyone else have one? Any ideas?
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This record is a phenomenal comeback! it just oozes classic Slowdive, it starts with the beautiful track Slomo, which really sets the tone for the rest of the record with this spacy ambiance. Then Slomo fires right into Star roving, which has a classic shoe-gaze sound and has a lot of energy. The rest of the record flows great as well. The silver pressing is also pretty good, few little crackles and pops, but it is manageable. 5/5
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Edited 6 years agoI have the Silver version of this album. I always vacuum clean my records prior to playing (even new ones). Surface noise is minimal, and there are no pops. However on some tracks I get a weird distortion usually in the left channel. The distortion was most concerning because its unnatural sounding ... I thought the distortion was because of my turntable setup, but my system is carefully configured (tracking force etc) and I double checked everything to be sure. It happens in the same areas on the record and I have no issues with other records in my collection. Its apparent there were some quality issues. Always go black vinyl if you want quality. Amazing album otherwise though!!
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Mine sounds fantastic as well (the center hole was a bit small). Got it at their US tour a year ago.
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My copy is really nice. No surface noise (except for a little bit at the end of Star Roving), and the mastering is really dynamic
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Edited 7 years agoManaged to widen the holes enough to fit it on a turntable, and used the VinylFlat to remove the warps, but there is a LOT of surface noise between tracks. :(
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I can't even play my copy; the centre hole is too small for any of my three turntables! It's also visibly warped (I can fix that with my VinylFlat, which usually does a great job reducing warps).
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Mine is perfect, clean, and louder than the Japanese blue wax. No surface noise even in the quiet ages. -
My copy sounds fine. There is some slight surface noise audible at times (for example during the intro of Sugar for the pill), but nothing too bad.
Release
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Recently Edited
Recently Edited
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